Early Cinema in Russia and its Cultural Reception

by Yuri Tsivian, Richard Taylor (Editor), Alan Bodger (Translator)

Overview

This book examines the development of cinematic form and culture in Russia, from its late nineteenth-century beginnings as a fairground attraction to the early post-Revolutionary years.

The author traces the changing perceptions of cinema and its social transition from a modernist invention to a national art form. He explores reactions to the earliest films from actors, novelists, poets, writers and journalists. His richly detailed study of the physical elements of cinematic performance includes the architecture and illumination of the cinema foyer, the speed of projection and film acoustics.

In contrast to standard film histories, this book focuses on reflected images: rather than discussing films and film-makers, it features the historical film-goer and early writings on film. The book presents a vivid and changing picture of cinema culture in Russia in the twilight of the tsarist era and the first decades of the twentieth century. The study expands the whole context of reception studies and opens up questions about reception relevant to other national cinemas.

Product Details

ISBN-13:	9781138968097
Publisher:	Taylor & Francis
Publication date:	12/09/2015
Series:	Routledge Library Editions: Cinema
Edition description:	Reprint
Pages:	304
Product dimensions:	6.12(w) x 9.19(h) x (d)

About the Author

Yuri Tsivian, Richard Taylor

Table of Contents

Foreword Tom Gunning Introduction Part 1 1. Early Cinema Architecture and the Evolution of the Social Composition of Cinema 2. Projection Technique as a Factor in Aesthetic Perception 3. The Acoustics of Cinema Performance 4. The Reception of Interference Part 2 5. Shifting Textual Boundaries 6. The Reception of the Moving Image 7. The Reception of Narrative Categories 8. The Reception of Narrative Devices. Postscript