The Pop Documentary Since 1980: Aesthetics, Performance, Creativity

In The Pop Documentary Since 1980, Richard Wallace examines the representation of pop music, musicians and music-making in documentary film and television. He draws together conceptual frameworks from within and outside of film and television studies - including performance studies, musicology, celebrity studies and fan studies - to provide a critical interrogation of the central issues in this genre.

A common criticism of the music documentary is that it lacks artistic integrity because of ...