Adrian Brunel and British Cinema of the 1920s: The Artist versus the Moneybags

British cinema has been in the shadow of Hollywood for over a hundred years, constantly attempting to define itself in an effort to challenge its dominance. During the 1920s, a small group of intellectuals argued that injecting a level of ‘art’ into the medium was the way to do this, a view strongly opposed by the industry’s commercial forces.

Using the experiences of Adrian Brunel, Josephine Botting demonstrates how this clash affected the careers of filmmakers attempting to prove their th...