Transnational Crime Cinema

Framed by approaches in critical transnationalism, this volume examines crime as a cinematic mode moving within, between, and across national cinemas to provide rigorous accounts of the political, economic, and historical processes entangled in the production, circulation, and reception of crime films most frequently treated through the lens of genre.
Filmic narratives of crime open a porous space of public discourse in which filmmakers and audiences project and reimagine relations of power...