Visceral Screens: Mediation and Matter in Horror Cinema
Horror cinema grants bodies and images a precarious hold on sense and order: from the zombie’s gory disintegration to the shaky visuals of ‘found footage’ horror, and from the vampire’s absent reflection to the spectacle of shattering glass in the Italian giallo. Addressing classic horror movies alongside popular and innovative contemporary works, Visceral Screens investigates how they have rendered the human form as a media artefact, dramatically dis-figuring it with optical effects, chromatic shifts, glitches and audiovisual fragmentation. Conducting their own anatomies of the screen, cutting into the matter of cinema, horror films revel in the breakdown of frames, patterns and figures, undermining subjectivity and meaning.

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Visceral Screens: Mediation and Matter in Horror Cinema
Horror cinema grants bodies and images a precarious hold on sense and order: from the zombie’s gory disintegration to the shaky visuals of ‘found footage’ horror, and from the vampire’s absent reflection to the spectacle of shattering glass in the Italian giallo. Addressing classic horror movies alongside popular and innovative contemporary works, Visceral Screens investigates how they have rendered the human form as a media artefact, dramatically dis-figuring it with optical effects, chromatic shifts, glitches and audiovisual fragmentation. Conducting their own anatomies of the screen, cutting into the matter of cinema, horror films revel in the breakdown of frames, patterns and figures, undermining subjectivity and meaning.

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Visceral Screens: Mediation and Matter in Horror Cinema

Visceral Screens: Mediation and Matter in Horror Cinema

by Allan Cameron
Visceral Screens: Mediation and Matter in Horror Cinema

Visceral Screens: Mediation and Matter in Horror Cinema

by Allan Cameron

Paperback

$29.95 
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Overview

Horror cinema grants bodies and images a precarious hold on sense and order: from the zombie’s gory disintegration to the shaky visuals of ‘found footage’ horror, and from the vampire’s absent reflection to the spectacle of shattering glass in the Italian giallo. Addressing classic horror movies alongside popular and innovative contemporary works, Visceral Screens investigates how they have rendered the human form as a media artefact, dramatically dis-figuring it with optical effects, chromatic shifts, glitches and audiovisual fragmentation. Conducting their own anatomies of the screen, cutting into the matter of cinema, horror films revel in the breakdown of frames, patterns and figures, undermining subjectivity and meaning.


Product Details

ISBN-13: 9781399511247
Publisher: Edinburgh University Press
Publication date: 01/25/2023
Pages: 216
Product dimensions: 6.14(w) x 9.21(h) x (d)

About the Author

Allan Cameron Senior Lecturer in Media, Film and Television at the University of Auckland

Table of Contents

Acknowledgements iiIntroduction

  1. Vampire Optics: Projection, Diffusion, Contact
  2. Zombie Media: Transmission, Reproduction, Disintegration
  3. Corporeal Frames: Found-Footage Horror and the Dislocated Image
  4. Aesthetic Incisions: Giallo Cinema and the Matter of the Cut
  5. Chromatic Transfusions: Colour, Genre and Embodiment
  6. Sensory Disjunctures: From Audiovisual Rupture to Violent Synchrony

BibliographyIndex

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