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Whiteness at the End of the World: Race in Post-Apocalyptic Cinema

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Examines the ways in which post-apocalyptic films express white racial anxiety.

The use of Christian apocalyptic myths has changed significantly over the centuries. Initially used by genuinely disenfranchised groups, they are used today as a response to more egalitarian treatment of minorities in American society. The apocalyptic framework allows the patriarchy to frame itself as the victim who must restore America to a past where white male power went uncontested. This kind of white anxiety...