Vital Resonances: Encountering Film with Varda, Haneke and Nancy
Since the pioneering work of Vivian Sobchack, Laura U. Marks and Jennifer M. Barker, film studies has increasingly embraced multisensory spectatorship. Such approaches privilege a carnal vision and knowledge of the world. Vital Resonances furthers this work and attunes to what is a foundational, yet overlooked, principle of film studies’ bodily turn: resonance. In keeping with the soft touch that characterises some of this turn’s critical literature – the feel of velvet, the (frustrated) tactility of a sari, the skin of a lover’s body – resonance has been brushed over. Through the work of three leading figures in European cinema, Agnès Varda, Michael Haneke and Jean-Luc Nancy, this book establishes resonance as a critical and conceptual paradigm for film analysis, transforming it from a footnote to the bodily turn and finally placing it at the forefront of our fleshy encounter with film.

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Vital Resonances: Encountering Film with Varda, Haneke and Nancy
Since the pioneering work of Vivian Sobchack, Laura U. Marks and Jennifer M. Barker, film studies has increasingly embraced multisensory spectatorship. Such approaches privilege a carnal vision and knowledge of the world. Vital Resonances furthers this work and attunes to what is a foundational, yet overlooked, principle of film studies’ bodily turn: resonance. In keeping with the soft touch that characterises some of this turn’s critical literature – the feel of velvet, the (frustrated) tactility of a sari, the skin of a lover’s body – resonance has been brushed over. Through the work of three leading figures in European cinema, Agnès Varda, Michael Haneke and Jean-Luc Nancy, this book establishes resonance as a critical and conceptual paradigm for film analysis, transforming it from a footnote to the bodily turn and finally placing it at the forefront of our fleshy encounter with film.

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Vital Resonances: Encountering Film with Varda, Haneke and Nancy

Vital Resonances: Encountering Film with Varda, Haneke and Nancy

Vital Resonances: Encountering Film with Varda, Haneke and Nancy

Vital Resonances: Encountering Film with Varda, Haneke and Nancy

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Overview

Since the pioneering work of Vivian Sobchack, Laura U. Marks and Jennifer M. Barker, film studies has increasingly embraced multisensory spectatorship. Such approaches privilege a carnal vision and knowledge of the world. Vital Resonances furthers this work and attunes to what is a foundational, yet overlooked, principle of film studies’ bodily turn: resonance. In keeping with the soft touch that characterises some of this turn’s critical literature – the feel of velvet, the (frustrated) tactility of a sari, the skin of a lover’s body – resonance has been brushed over. Through the work of three leading figures in European cinema, Agnès Varda, Michael Haneke and Jean-Luc Nancy, this book establishes resonance as a critical and conceptual paradigm for film analysis, transforming it from a footnote to the bodily turn and finally placing it at the forefront of our fleshy encounter with film.


Product Details

ISBN-13: 9781474436960
Publisher: Edinburgh University Press
Publication date: 07/17/2023
Pages: 218
Product dimensions: 6.14(w) x 9.21(h) x 0.46(d)

About the Author

Francesca Hardy is Senior Lecturer in the College of Art, Architecture, Design and Humanities, at Nottingham Trent University

Francesca Hardy is Senior Lecturer in the College of Art, Architecture, Design and Humanities, at Nottingham Trent University

Table of Contents

Film, resonance and the senses

Seeing with oneself: Regarding Jean-Luc Nancy on film

La Pointe courte: Avoid contact with the eyes and skin, may cause irritation

Time of the Wolf: Denatured disaster movie, underwhelming apocalypse, or the new normal?

Teenage dreams in The Seventh Continent

Le Bonheur: Happiness made and remade

The Singular Plural of Seeing in Cleo from 5 to 7

Caché: If these walls could talk

Bad Resonance in The Piano Teacher

Documenteur: A resonant picture

Bloody Resonance

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