Film Regulation in A Cultural Context
This book examines a sampling of cinematic works that provoked censorious impulses throughout the shift away from formal film censorship in the late modern West. The public controversies surrounding Fat Girl, Irreìversible, Ken Park, The Brown Bunny, Wolf Creek, and Welcome to New York, each highlight significant stages in this cultural shift, which necessitated policy revision within the institutions of formal film censorship in Britain, Canada, and Australia. Parallels and distinctions are drawn between governmental film regulation policies in these countries and social control mechanisms at work within a wider network of institutions, including news media, film festivals, and advocacy groups. The study examines the means by, and ends to, which the social control of film content persists in the "post-censorship" media landscape of Britain, Canada, Australia, and the United States, and how concepts of film "classification" manifest in commercial market contexts, journalistic criticism, and practices of distribution and advertising.

1143160484
Film Regulation in A Cultural Context
This book examines a sampling of cinematic works that provoked censorious impulses throughout the shift away from formal film censorship in the late modern West. The public controversies surrounding Fat Girl, Irreìversible, Ken Park, The Brown Bunny, Wolf Creek, and Welcome to New York, each highlight significant stages in this cultural shift, which necessitated policy revision within the institutions of formal film censorship in Britain, Canada, and Australia. Parallels and distinctions are drawn between governmental film regulation policies in these countries and social control mechanisms at work within a wider network of institutions, including news media, film festivals, and advocacy groups. The study examines the means by, and ends to, which the social control of film content persists in the "post-censorship" media landscape of Britain, Canada, Australia, and the United States, and how concepts of film "classification" manifest in commercial market contexts, journalistic criticism, and practices of distribution and advertising.

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Film Regulation in A Cultural Context

Film Regulation in A Cultural Context

by Daniel Sacco
Film Regulation in A Cultural Context

Film Regulation in A Cultural Context

by Daniel Sacco

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Overview

This book examines a sampling of cinematic works that provoked censorious impulses throughout the shift away from formal film censorship in the late modern West. The public controversies surrounding Fat Girl, Irreìversible, Ken Park, The Brown Bunny, Wolf Creek, and Welcome to New York, each highlight significant stages in this cultural shift, which necessitated policy revision within the institutions of formal film censorship in Britain, Canada, and Australia. Parallels and distinctions are drawn between governmental film regulation policies in these countries and social control mechanisms at work within a wider network of institutions, including news media, film festivals, and advocacy groups. The study examines the means by, and ends to, which the social control of film content persists in the "post-censorship" media landscape of Britain, Canada, Australia, and the United States, and how concepts of film "classification" manifest in commercial market contexts, journalistic criticism, and practices of distribution and advertising.


Product Details

ISBN-13: 9781474482394
Publisher: Edinburgh University Press
Publication date: 05/30/2025
Series: Traditions in World Cinema
Pages: 216
Product dimensions: 6.14(w) x 9.21(h) x 0.00(d)

About the Author

Daniel Sacco is an Instructor in the Bachelor of Creative Arts Program at Yorkville University

Table of Contents

PREFACE

PART 1

INTRODUCTION

CHAPTER I: THE ROAD TO CLASSIFICATION

CHAPTER II: THE NEW FRENCH EXTREMITY EMERGES

PART 2

CHAPTER III: THE BANNING OF FAT GIRL IN ONTARIO

CHAPTER IV: PROTECTING AUSTRALIANS FROM KEN PARK

CHAPTER V: IRRÉVERSIBLE AND THE CASE FOR VIOLENCE

PART 3

CHAPTER VI: CRITICAL CENSURE AND THE BROWN BUNNY

CHAPTER VII: WOLF CREEK’S HOSTILE AUDIENCE

CHAPTER VIII: CENSORSHIP, DISTRIBUTION, AND CONTROL

AFTERWORD

WORKS CITED AND CONSULTED

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