Grundmann draws on discourses of art history, film theory, queer studies, and cultural studies to situate Warhol's work at the nexus of Pop art, portrait painting, avant-garde film, and mainstream cinema. His close textual analysis of the film probes into its ambiguities and the ways in which viewers respond to what is and what is not on screen. Presenting rarely reproduced Warhol art and previously unpublished Ed Wallowitch photographs along with now iconic publicity shots of James Dean, Grundmann establishes Blow Job as a consummate example of Warhol's highly insightful engagement with a broad range of representational codes of gender and sexuality.
Author Biography: Roy Grundmann is Assistant Professor of Film Studies at Boston University and a contributing editor of Cineaste.
Grundmann draws on discourses of art history, film theory, queer studies, and cultural studies to situate Warhol's work at the nexus of Pop art, portrait painting, avant-garde film, and mainstream cinema. His close textual analysis of the film probes into its ambiguities and the ways in which viewers respond to what is and what is not on screen. Presenting rarely reproduced Warhol art and previously unpublished Ed Wallowitch photographs along with now iconic publicity shots of James Dean, Grundmann establishes Blow Job as a consummate example of Warhol's highly insightful engagement with a broad range of representational codes of gender and sexuality.
Author Biography: Roy Grundmann is Assistant Professor of Film Studies at Boston University and a contributing editor of Cineaste.
Andy Warhol's Blow Job
240
Andy Warhol's Blow Job
240Hardcover
Product Details
| ISBN-13: | 9781566399715 |
|---|---|
| Publisher: | Temple University Press |
| Publication date: | 02/03/2003 |
| Series: | Culture and the Moving Image Series |
| Pages: | 240 |
| Product dimensions: | 6.80(w) x 10.00(h) x 0.70(d) |