Longlisted for the 2022 PEN/Hemingway Award for Debut Novel
A Harper's Bazaar Best LGBT Book of the Year
One of The Millions' Most Anticipated Books of the Year
An LGBTQ Reads Most Anticipated Book of the Year
"Set in a klieg-lit technicolor near-future, Lake’s antic debut novel tells the story of two trans men who have to rescue a third from an emotional purgatory called the Shadowlands, where he was banished after a hex went astray." —The New York Times Book Review, New & Noteworthy
"If you’re looking for a book that ties together millennial hustle-culture ennui, magic, trans identity, and influencer culture (plus about a dozen other themes), look no further than Joss Lake’s debut, which is sure to stay on your mind long after you’ve finished the final page." —Emma Specter, Vogue
"This fantastic debut centers trans characters and friendships in ways that will have you laughing, reflecting and relating. Set in the near-future, Lake imagines a queer hero’s journey that is vivid, imaginative and immersive." ––Karla Strand, Ms. Magazine
"This is a taste of what it means for a novel to give zero fucks." —Hillary Kelly, Vulture
"There’s a lot going on in this zippy debut novel, where author Joss Lake conjures a near-future America stuffed with trippy technological advancements, queer magic, and regular old human dysfunction . . . Reading Future Feeling feels like watching a marathon of the Melissa Joan Hart version of Sabrina the Teenage Witch while on a pharmaceutical dose of psilocybin. To be clear: I mean that as a compliment. It’s an original, trippy caper." —Kate Knibbs, Wired
"Why can't real life be as vivid and glistering and riotous as it is in Lake's novel, in which Bushwick dog-walker Pen Henderson goes on an epic journey to save Blithe, a young trans man that Pen and his friends accidentally hexed via an Instagram post of an aloe plant? The answer to these questions, of course, is that maybe real life can be as magical as the one Lake describes—as long as we work toward dismantling our preconceptions of who we're supposed to be, rather than who we actually are. If it's Joss Lake's world, we'd all be better for living in it—it'd certainly be more colorful, and we'd all have really incredible names." —Kristin Iversen, Refinery29
"Future Feeling’s title announces the formidable force that emotions hold in this futuristic world . . . Like 94 percent of real life, it’s high stakes and big feelings about minor-seeming stuff." —Maggie Lange, The Cut
"I wanted to read a book that was smart and a little bit pissed off but not so cynical that it wasn’t also luminously, optimistically enthralled with the world and all the ways we might figure out how to live inside it. Future Feeling is that book . . . The book is not utopic, but it is filled with tenderness—a reminder for its readers that these days a real appraising eye sees not only decline but connection and potential as well." —Ari Braverman, The Believer
"Part sci-fi, part fantasy, part trans Brooklynite millennial saga, Future Feeling revels in its own chaos . . . This book is fun: hexes, moonlit rituals, a pet plant named Alice the Aloe, and well-placed critiques of gender, capitalism, and the alienating nature of advanced technology all abound. I’m still not sure how to classify Future Feeling—but defying neat categorization is kind of the point." —Mira Braneck, The Paris Review
"A trans man armed with the power of self-reflection embarks on a hero’s journey . . . akin to a queer millennial version of The Alchemist, complete with proverbs and personal growth . . . This is a modern allegory with a unique voice—searching, questioning, vulnerable, witty." —Kirkus Reviews
"Set in the near future, Lake’s quirky, chaotic debut follows trans man Penfield Henderson as he wrestles with his self-destructive impulses and stumbles his way toward finding a queer community . . . This coming-of-age journey through the surreality of gender will please readers seeking speculative queer fiction." —Publishers Weekly
"I devoured this funny, charming book of trans friendships and sly cultural commentary; a story about what truly matters for those of us lost in the maelstrom of identity and media. Here’s how unable I was to put it down: I accidentally dropped it in the toilet, fished it out, and kept right on reading." —Torrey Peters, author of Detransition, Baby
2021-03-17
A trans man armed with the power of self-reflection embarks on a hero’s journey.
This debut novel begins in a vaguely futuristic New York City with our hero, Penfield R. Henderson, scrolling through the Gram, a sort of evolved Instagram with holographic capabilities. The object of Pen’s attention is Aiden Chase, a fellow trans man whom Pen both worships and despises. Aiden represents a “trans-father whose shadow [he] wanted to step out of even tho dude was younger.” Unable to handle another perfect post from Aiden on the Gram, Pen decides to place a hex on him, asking his Bushwick roommates, the Witch and the Stoner-Hacker, to help him “curse someone, in both the old ways and the new.” This plan goes awry when a trans man named Blithe Freeman encounters Pen’s curse before Aiden does, and he's sent deep into the Shadowlands. Enter the Rhiz, an underground trans network, which enlists both Pen and Aiden to find the cursed man and bring him back. The two frenemies set out to rescue Blithe from the Shadowlands, which, despite functioning as a metaphor for deep depression, is physically located in Joshua Tree. The journey is akin to a queer millennial version of The Alchemist, complete with proverbs and personal growth. Pen’s raw reflections on his insecurities as a trans man—"my feet were still sweating from my encounter with the airport scanners. I knew they saw I was missing a big dick”—provide a realness to this dreamlike, allegorical narrative. The attempts to orient the story in the future, from subway cars that glow with Bio-meter readings to vague mentions of climate-related natural disasters, only serve to distract from a more powerful reality: For underrepresented communities, the everyday experience can be alien enough.
This is a modern allegory with a unique voice—searching, questioning, vulnerable, witty.
