Signs of Life: Cinema and Medicine
Signs of Life explores the representation of doctors, nurses, patients, diseases and disabilities and their political implications. By considering how formal qualities of cinema - empirical observation, mise-en-scène, propaganda and education, melodrama, documentary, narrative construction - impact our understanding of medical procedures and the public image of medicine. Films discussed include Apocalypse Now, M.A.S.H., Schindler's List, The Fly, Philadelphia, Face/Off, The Man Who Shot Liberty Valance, Thelma and Louise and The Tin Drum.
1101965614
Signs of Life: Cinema and Medicine
Signs of Life explores the representation of doctors, nurses, patients, diseases and disabilities and their political implications. By considering how formal qualities of cinema - empirical observation, mise-en-scène, propaganda and education, melodrama, documentary, narrative construction - impact our understanding of medical procedures and the public image of medicine. Films discussed include Apocalypse Now, M.A.S.H., Schindler's List, The Fly, Philadelphia, Face/Off, The Man Who Shot Liberty Valance, Thelma and Louise and The Tin Drum.
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Overview

Signs of Life explores the representation of doctors, nurses, patients, diseases and disabilities and their political implications. By considering how formal qualities of cinema - empirical observation, mise-en-scène, propaganda and education, melodrama, documentary, narrative construction - impact our understanding of medical procedures and the public image of medicine. Films discussed include Apocalypse Now, M.A.S.H., Schindler's List, The Fly, Philadelphia, Face/Off, The Man Who Shot Liberty Valance, Thelma and Louise and The Tin Drum.

Product Details

ISBN-13: 9781904764175
Publisher: Columbia University Press
Publication date: 05/11/2005
Pages: 224
Product dimensions: 6.00(w) x 9.30(h) x 0.70(d)
Age Range: 18 Years

About the Author

Graeme Harper is co—editor of Unruly Pleasures: The Cult Film and its Critics. Andrew Moor is lecturer in film studies at Bangor University and the author of Magic Spaces: The Cinema of Powell and Pressburger.
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