Reading the French New Wave: Critics, Writers and Art Cinema in FranceÂ
One of the most important movements in cinema history, the French New Wave of directors such as Jean—Luc Godard and Alain Resnais not only revitalised French cinema, but permanently shifted cinema's aesthetic horizons by incorporating the narrative complexities of emerging modernist literature such as Alain Robbe—Grillet, Marguerite Durgaas and Jean Cayrol. This volume is the first title to comprehensively analyse these links between the New Wave and the New Novel, exploring intellectual figures such as Roland Barthes and Jorge Luis Borges, and their relationship with French cinema and its theorists, including Christian Metz and Noel Burch, as well as discussing groundbreaking films such as Hiroshima mon amour (1959) and L'Année dernière à Marienbad (1962). Examining these connections between the cinematic and the literary avant gardes, Reading the French New Wave locates France's filmmaking revolution as a part of a wider artistic reevaluation of the mid—twentieth century.
1130545486
Reading the French New Wave: Critics, Writers and Art Cinema in FranceÂ
One of the most important movements in cinema history, the French New Wave of directors such as Jean—Luc Godard and Alain Resnais not only revitalised French cinema, but permanently shifted cinema's aesthetic horizons by incorporating the narrative complexities of emerging modernist literature such as Alain Robbe—Grillet, Marguerite Durgaas and Jean Cayrol. This volume is the first title to comprehensively analyse these links between the New Wave and the New Novel, exploring intellectual figures such as Roland Barthes and Jorge Luis Borges, and their relationship with French cinema and its theorists, including Christian Metz and Noel Burch, as well as discussing groundbreaking films such as Hiroshima mon amour (1959) and L'Année dernière à Marienbad (1962). Examining these connections between the cinematic and the literary avant gardes, Reading the French New Wave locates France's filmmaking revolution as a part of a wider artistic reevaluation of the mid—twentieth century.
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Reading the French New Wave: Critics, Writers and Art Cinema in FranceÂ

Reading the French New Wave: Critics, Writers and Art Cinema in FranceÂ

by Dorota Ostrowska
Reading the French New Wave: Critics, Writers and Art Cinema in FranceÂ

Reading the French New Wave: Critics, Writers and Art Cinema in FranceÂ

by Dorota Ostrowska

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Overview

One of the most important movements in cinema history, the French New Wave of directors such as Jean—Luc Godard and Alain Resnais not only revitalised French cinema, but permanently shifted cinema's aesthetic horizons by incorporating the narrative complexities of emerging modernist literature such as Alain Robbe—Grillet, Marguerite Durgaas and Jean Cayrol. This volume is the first title to comprehensively analyse these links between the New Wave and the New Novel, exploring intellectual figures such as Roland Barthes and Jorge Luis Borges, and their relationship with French cinema and its theorists, including Christian Metz and Noel Burch, as well as discussing groundbreaking films such as Hiroshima mon amour (1959) and L'Année dernière à Marienbad (1962). Examining these connections between the cinematic and the literary avant gardes, Reading the French New Wave locates France's filmmaking revolution as a part of a wider artistic reevaluation of the mid—twentieth century.

Product Details

ISBN-13: 9781905674589
Publisher: Columbia University Press
Publication date: 03/19/2008
Pages: 256
Product dimensions: 5.80(w) x 8.30(h) x 1.00(d)
Age Range: 18 Years

About the Author

Dorota Ostrowska is Lecturer in Film Studies at the University of Edinburgh. She is co—author of European Cinemas in the Television Age (forthcoming).
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