Women and New Hollywood: Gender, Creative Labor, and 1970s American Cinema
By Aaron Hunter (Editor), Martha Shearer (Editor), Alicia Kozma (Contribution by), Nicholas Forster (Contribution by), Oliver Gruner (Contribution by), Nicholas Godfrey (Contribution by), Maya Montañez Smukler (Contribution by), Karen Pearlman (Contribution by), James Morrison (Contribution by), Abigail Cheever (Contribution by), Virginia Bonner (Contribution by), Anna Backman Rogers (Contribution by), Amelie Hastie (Contribution by), Adrian Garvey (Contribution by), Maria Pramaggiore (Contribution by)
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By Aaron Hunter (Editor), Martha Shearer (Editor), Alicia Kozma (Contribution by), Nicholas Forster (Contribution by), Oliver Gruner (Contribution by), Nicholas Godfrey (Contribution by), Maya Montañez Smukler (Contribution by), Karen Pearlman (Contribution by), James Morrison (Contribution by), Abigail Cheever (Contribution by), Virginia Bonner (Contribution by), Anna Backman Rogers (Contribution by), Amelie Hastie (Contribution by), Adrian Garvey (Contribution by), Maria Pramaggiore (Contribution by)
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The 1970s has often been hailed as a great moment for American film, as a generation of “New Hollywood” directors like Scorsese, Coppola, and Altman offered idiosyncratic visions of what movies could be. Yet the auteurist discourse hailing these directors as the sole authors of their films has obscured the important creative roles women played in the 1970s American film industry.
Women and New Hollywood revises our understanding of this important era in American film by examining the contr...
Women and New Hollywood revises our understanding of this important era in American film by examining the contr...






















