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Global Film Color: The Monopack Revolution at Midcentury
By Sarah Street (Editor), Joshua Yumibe (Editor), Stefan Soloman (Contribution by), Kathryn Millard (Contribution by), Ranjani Mazumdar (Contribution by), Philip Cavendish (Contribution by), Kirsty Sinclair Dootson (Contribution by), Kamalika Sanyal (Contribution by), Heather Heckman (Contribution by), Laura Major (Contribution by), Lydia Pappas (Contribution by), Elena Gipponi (Contribution by), Rafael de Luna Freire (Contribution by), Josephine Diecke (Contribution by), William Carroll (Contribution by), Sarah Street (Contribution by), Joshua Yumibe (Contribution by), Linda Chen Zhang (Contribution by)
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By Sarah Street (Editor), Joshua Yumibe (Editor), Stefan Soloman (Contribution by), Kathryn Millard (Contribution by), Ranjani Mazumdar (Contribution by), Philip Cavendish (Contribution by), Kirsty Sinclair Dootson (Contribution by), Kamalika Sanyal (Contribution by), Heather Heckman (Contribution by), Laura Major (Contribution by), Lydia Pappas (Contribution by), Elena Gipponi (Contribution by), Rafael de Luna Freire (Contribution by), Josephine Diecke (Contribution by), William Carroll (Contribution by), Sarah Street (Contribution by), Joshua Yumibe (Contribution by), Linda Chen Zhang (Contribution by)
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Global Film Color: The Monopack Revolution at Midcentury explores color filmmaking in a variety of countries and regions including India, China, Japan, and Russia, and across Europe and Africa. Most previous accounts of color film have concentrated on early 20th century color processes and Technicolor. Far less is known about the introduction and application of color technologies in the period from the mid-1940s to the 1980s, when photochemical, “monopack” color stocks came to dominate glob...
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