Jean-Marie Straub and Danièle Huillet
From their first film in 1963, Jean—Marie Straub and Danièle Huillet distinguished themselves as two of Europe's most inventive, generous, and uncompromising filmmakers. From Machorka—Muff (1963) through These Encounters of Theirs (2006), and in the subsequent solo work of Jean—Marie Straub, they developed groundbreaking and unique approaches to film adaptation, performance, sound recording, cinematography, and translation in films made across Germany, Italy, and France – including such modern classics as The Chronicle of Anna Magdalena Bach (1967), Moses and Aaron (1974), Class Relations (1983), and Sicilia! (1999). On the occasion of the first complete North American retrospective of their films in more than two decades, this volume traces the history of Straub's and Huillet's work, placing their films in the specific cultural, linguistic, and critical contexts in which they were produced and providing an account of their distribution and reception in the English—speaking world.
1130544471
Jean-Marie Straub and Danièle Huillet
From their first film in 1963, Jean—Marie Straub and Danièle Huillet distinguished themselves as two of Europe's most inventive, generous, and uncompromising filmmakers. From Machorka—Muff (1963) through These Encounters of Theirs (2006), and in the subsequent solo work of Jean—Marie Straub, they developed groundbreaking and unique approaches to film adaptation, performance, sound recording, cinematography, and translation in films made across Germany, Italy, and France – including such modern classics as The Chronicle of Anna Magdalena Bach (1967), Moses and Aaron (1974), Class Relations (1983), and Sicilia! (1999). On the occasion of the first complete North American retrospective of their films in more than two decades, this volume traces the history of Straub's and Huillet's work, placing their films in the specific cultural, linguistic, and critical contexts in which they were produced and providing an account of their distribution and reception in the English—speaking world.
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Jean-Marie Straub and Danièle Huillet

Jean-Marie Straub and Danièle Huillet

Jean-Marie Straub and Danièle Huillet

Jean-Marie Straub and Danièle Huillet

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Overview

From their first film in 1963, Jean—Marie Straub and Danièle Huillet distinguished themselves as two of Europe's most inventive, generous, and uncompromising filmmakers. From Machorka—Muff (1963) through These Encounters of Theirs (2006), and in the subsequent solo work of Jean—Marie Straub, they developed groundbreaking and unique approaches to film adaptation, performance, sound recording, cinematography, and translation in films made across Germany, Italy, and France – including such modern classics as The Chronicle of Anna Magdalena Bach (1967), Moses and Aaron (1974), Class Relations (1983), and Sicilia! (1999). On the occasion of the first complete North American retrospective of their films in more than two decades, this volume traces the history of Straub's and Huillet's work, placing their films in the specific cultural, linguistic, and critical contexts in which they were produced and providing an account of their distribution and reception in the English—speaking world.

Product Details

ISBN-13: 9783901644641
Publisher: Austrian Film Museum
Publication date: 05/10/2016
Series: FilmmuseumSynemaPublications
Pages: 256
Product dimensions: 7.80(w) x 6.70(h) x 1.10(d)
Age Range: 18 Years

About the Author

Ted Fendt is a critic, translator, projectionist, and filmmaker based in New York. His translations have appeared in print and online in Cinemascope, Mubi Notebook, and Robert Bresson (Revised), and as subtitles on films by Jean—Marie Straub, Jean—Luc Godard, Max Ophuls, and Alain Resnais.
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