A Remarkable Man: Dr. Shuntaro Hida from Hiroshima to Fukushima

by Marc Petitjean, Adriana Hunter (Translator)

Overview

A poignant, eye-opening portrait of a witness to the atomic bomb who dedicated his life to treating and advocating for radiation survivors.

As a young doctor, Shuntaro Hida (1917–2017) played an essential role in the aftermath of the Hiroshima bombing, which he witnessed firsthand only six kilometers from ground zero. Tending to the overwhelming number of victims, he would spend more than sixty years developing an unparalleled understanding of the harmful effects of radiation and warning against the reckless use of nuclear power.

Through intimate, thoughtful interviews and compelling reportage, Marc Petitjean has created a worthy tribute to this determined, inspiring man who stood up to complicit governments and businesses. It testifies to the power of individuals to effect change as well as the importance of collective action, as demonstrated by organizations such as Nihon Hidankyo, a survivors’ group that would receive the 2024 Nobel Peace Prize.

Product Details

ISBN-13:	9781635425437
Publisher:	Other Press, LLC
Publication date:	06/24/2025
Pages:	192
Product dimensions:	5.00(w) x 7.50(h) x 0.53(d)

About the Author

Marc Petitjean is a writer, filmmaker, and photographer. He has directed several documentaries, including From Hiroshima to Fukushima, on Dr. Shuntaro Hida; Living Treasure, about Japanese kimono painter Kunihiko Moriguchi; and Zones grises, on his own search for information about the life of his father, Michel Petitjean, after his death. He is the author of Back to Japan (Other Press, 2021) and The Heart: Frida Kahlo in Paris (Other Press, 2020).

Adriana Hunter studied French and Drama at the University of London. She has translated more than ninety books, including Marc Petitjean’s The Heart: Frida Kahlo in Paris and Hervé Le Tellier’s The Anomaly and Eléctrico W, winner of the French-American Foundation’s 2013 Translation Prize in Fiction. She lives in Kent, England.

Read an Excerpt

A Meeting

The first time I met Dr. Shuntaro Hida was in April 2005 in a Shinto cemetery, lost in the countryside some two hundred kilometers south of Tokyo. He was eighty-eight years old at the time. A very dignified figure in a suit and tie, he’d come to pay his respects to his family tomb with his wife. A letter that I’d sent him a few months earlier had been enough to persuade him to contribute to the film project Atomic Wounds, which I wanted to make about the battles he’d fought. This survivor of the Hiroshima bomb, who’d been a few kilometers from the impact site at the time of the explosion, was one of the first doctors to record the sheer horror of the devastation. He was among the pioneers to suffer and catalog the appalling effects of radiation, which—in the absence of any rational explanation—was called the “Atomic Plague.” Thereafter, he spent his life treating victims of radiation; he struck me as the embodiment of an indisputable hero, someone who’d seen pure evil and stood up to it for long enough to remember what it looked like and to describe it.
I hoped that meeting him would give me access to a spiritual dimension that I felt must go hand in hand with the wisdom and humanity of such a man. But now that I was with him in that intimate moment when he was praying by his ancestors’ vault, I felt out of place. He himself seemed amazed that I’d turned up in this far-flung spot with an interpreter and a camera. Even so, he came over to us with a slight smile, and said, “Rumor had it that the city of Hiroshima was completely destroyed and there were no survivors. My father went there four or five days after to find out what had happened to me, but he had no idea where I might be. He left thinking I was dead and arranged a funeral here in this village. There was no body. Imagine his emotion when I came home.”
These few words about death, disappearance, and separation paradoxically established a close and lasting tie between us. A trip to Hiroshima together, several days spent in the hospital near Tokyo where he worked, and hours of interviews at his home over the next few years allowed us to build a respectful relationship. The day before I traveled home from that first visit, he concluded our interviews by saying “Because of nuclear technology, the era that lies ahead will be far more frightening and harder to live through, but I will keep fighting.” I wasn’t sure what he was envisioning, but given his experience I put my faith in this prophetic pronouncement by featuring it at the end of Blessures atomique, which I completed in 2006. In other words, five years before Fukushima.

On March 12, 2011, following a magnitude 9.1 earthquake and a tsunami that had devastated the northeast of Japan the day before, reactor number 1 at the Fukushima nuclear plant blew up, followed two days later by reactor number 3. This plunged Japan and the rest of the world into a state of high anxiety: Fukushima was now out of control.
At the time of the explosion at the nuclear power plant, I was with friends in Kyoto, and we immediately called Dr. Hida. He wasn’t surprised by the incident, merely disgusted by human stupidity, which he thought had instigated the catastrophe in a tragic, stuttering repetition of history. “You’ll see,” he said, “it’ll be the same as Hiroshima and Chernobyl, we’ll never know the true extent of the damage.”
I had come to view the Japanese as a conscientious people with a strong sense of duty, and therefore naively hoped the authorities would implement effective measures to protect and help the victims. But this didn’t really happen: many people were left to cope on their own and were unable to deal with the medical, economic, and human repercussions of the disaster. Following numerous demonstrations that rallied as many as sixty thousand people in Tokyo (unprecedented events in Japan, which doesn’t have the same tradition as many Western countries for public expressions of opinion), the government did commit to assessing the safety of the country’s fifty-four other reactors. This drew attention to the fact that some were in a state of disrepair and were in locations with a high risk of seismic activity. The state had initially stopped all reactors, but then started some up again, despite opposition from the public: the government was determined to relaunch the nuclear network.
Immediately after the disaster, civil society mobilized its response, and mothers in the Fukushima region openly expressed their fears and anger. Survivors of the Hiroshima and Nagasaki bombs, known as hibakusha, were valued for their firsthand experience, and were equipped to listen to these new victims, to understand them and to help them. Which is why Dr. Hida, then aged ninety-four, was in great demand to advise victims of contamination, give talks, explain the risks to the media, and secure scientific data from the authorities. I was glad to see that his reputation crossed frontiers: in January 2012, the Paris-based Courrier international newspaper published a three-page article about him. With a view to continuing the work I’d started in 2005, I visited him in Tokyo, hoping that his experience of Hiroshima might help us understand how the Fukushima accident was really being handled. I kept thinking about what he’d said to me on the phone a year earlier: “You’ll see, it’ll be the same as Hiroshima and Chernobyl...”

Editorial Reviews

04/14/2025

Nuclear safety regulations are a charade and one of the few people willing to say so publicly was an intrepid doctor who treated fellow Hiroshima victims on the day of the bombing and for years afterward, according to this elegantly written and stomach churning account from filmmaker and biographer Petitjean (Back to Japan). Originally published in 2015 as a companion to Petitjean’s documentary on Dr. Shuntaro Hida (1917–2017), the book notes that, after the 2011 Fukushima disaster, Hida began to publicly rail that the government was almost certainly covering up the scale of the danger. In a series of extensive interviews, Hida, who was already famous as an empathetic doctor to the socially shunned “hibakusha,” or survivors of the atomic bombing of Japan, relayed to Petitjean a disturbing series of allegations about how the U.S. government, which carried out studies on the hibakusha, also doctored evidence to downplay radiation’s dangers. The baseline data about nuclear safety used by regulatory entities all over the world is the same data derived from those studies, Petijean points out. Hida’s harrowing recollections of the 1945 bombing and of survivors’ suffering paired with Petitjean’s down-the-rabbit-hole research on nuclear safety make for a high-stress combo. Readers will need to brace themselves for this one. (June)

Publishers Weekly

A warm tribute…Hida offers a rare account of the horrors that he witnessed…Invaluable.” —Kirkus Reviews

“Dr. Shuntaro Hida, who witnessed the atomic attack on Hiroshima eight decades ago, spent the rest of his life helping survivors and warning of the dangers of nuclear weapons. Now, writer and filmmaker Marc Petitjean has spotlighted Dr. Hida’s powerful crusade in his excellent narrative A Remarkable Man. From the ashes of Hiroshima to the tragedy of Fukushima, Dr. Hida’s powerful and haunting story is as relevant today as it was on that fateful August morning in 1945. This is a book not to be missed.” —James M. Scott, Pulitzer Prize finalist and author of Black Snow, Rampage, and Target Tokyo

“Shuntaro Hida saw the destructive and long-lasting consequences of nuclear weapons firsthand, and dedicated his life to understanding and revealing them for decades after the United States dropped atomic bombs on Japan. Now, eighty years after the radioactive end of World War II, A Remarkable Man looks back on Hida’s life of research and advocacy. With an intimate narrative style, including Hida’s own words and Marc Petitjean’s vivid reporting and observations, A Remarkable Man illuminates not just the damage of our nuclear past but what it means for our future.” —Sarah Scoles, author of Countdown: The Blinding Future of Nuclear Weapons

Praise for The Heart:

“Compelling…[Petitjean] captures the pop and fizz of artistic circles in Paris during the interwar years…The Heart is a distinctively intimate undertaking, which is no small feat considering its well-known cast of characters…an unconventional and deeply personal biography.” —Washington Post

“An intimate portrait of the artist and her time in the lively 1930s surrealist scene.” —New York Times Book Review

From the Publisher