A Week at Waterloo in 1815

The following narrative, written over eighty years ago, and now at last given to the world in 1906, is remarkable in many respects. It is remarkable for its subject, for its style, and for its literary history. The subject—a deathbed scene—might seem at first sight to be a trite and common one. The mise-en-scène—the Field of Waterloo—alone however redeems it from such a charge; and the principal actors play their part in no common-place or unrelieved tragedy. "Certainly," as Bacon says, "Ve...