Adventures in Screenwriting: How One Writer Navigates the Dire Straits

Honest, raw and very funny, this book will take you on an emotional joyride through a screenwriter's creative processes, her pitfalls and breakthroughs, where the boundaries between art and life are blurred.

 

Screenwriter, script consultant and festival programmer Selin Sevinç's musings on the elusive art of screenwriting reveal the psychological landscape of her writing process. Her darkly amusing tales of homelife and motherhood in the US and her own childhood growing up in Turkey seep into the narrative, as she battles with her writing demons.


Sevinç demonstrates a deep technical knowledge of the craft as she guides you through the writing journey from nurturing story ideas to putting words on the page, with the ultimate goal of breaking into the film industry. Her personal reflections, frustrations and inspirations illuminate the unique and charming perspective of one stubborn writer. 


Excerpts:


--You must read a screenplay but see a film in your mind's eye. It's meant to distract you from its current form in words to prompt you to conceive of its future form in film; its current form is destined to be redundant. In other words, a screenplay is a pre-ghost of what it yearns to become, on which its existence-and value-depends. 


--Screenwriting, in its purest form, is an art of implying real life in the deceptive cloak of a fascinating and exciting version of it. It's dream-selling even if your dream is not quite being a serial killer, or a war hero, or a desperate housewife with a closet full of secrets. It's giving the audience an opportunity to not be themselves. It's lies, but such truthful and life-like lies that it tells you more about life than life itself does. 


--Writing really is an exercise in studying the heck out of something and then forgetting all of what we've learned. Working really hard and then letting go of all that work and becoming blank and trusting and allowing. 


--In the end, the skeleton of my story will probably look similar to all the others, in the same way that most humans have the same number and configuration of bones in their body. But, if I've done my research, I know my characters well, I have come up with fascinating conflicts, motivations and turns of events for their journey, then my story will stand out from every other story out there, in the same way that every human stands completely apart from every other human despite how similarly they are constructed.

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Adventures in Screenwriting: How One Writer Navigates the Dire Straits

Honest, raw and very funny, this book will take you on an emotional joyride through a screenwriter's creative processes, her pitfalls and breakthroughs, where the boundaries between art and life are blurred.

 

Screenwriter, script consultant and festival programmer Selin Sevinç's musings on the elusive art of screenwriting reveal the psychological landscape of her writing process. Her darkly amusing tales of homelife and motherhood in the US and her own childhood growing up in Turkey seep into the narrative, as she battles with her writing demons.


Sevinç demonstrates a deep technical knowledge of the craft as she guides you through the writing journey from nurturing story ideas to putting words on the page, with the ultimate goal of breaking into the film industry. Her personal reflections, frustrations and inspirations illuminate the unique and charming perspective of one stubborn writer. 


Excerpts:


--You must read a screenplay but see a film in your mind's eye. It's meant to distract you from its current form in words to prompt you to conceive of its future form in film; its current form is destined to be redundant. In other words, a screenplay is a pre-ghost of what it yearns to become, on which its existence-and value-depends. 


--Screenwriting, in its purest form, is an art of implying real life in the deceptive cloak of a fascinating and exciting version of it. It's dream-selling even if your dream is not quite being a serial killer, or a war hero, or a desperate housewife with a closet full of secrets. It's giving the audience an opportunity to not be themselves. It's lies, but such truthful and life-like lies that it tells you more about life than life itself does. 


--Writing really is an exercise in studying the heck out of something and then forgetting all of what we've learned. Working really hard and then letting go of all that work and becoming blank and trusting and allowing. 


--In the end, the skeleton of my story will probably look similar to all the others, in the same way that most humans have the same number and configuration of bones in their body. But, if I've done my research, I know my characters well, I have come up with fascinating conflicts, motivations and turns of events for their journey, then my story will stand out from every other story out there, in the same way that every human stands completely apart from every other human despite how similarly they are constructed.

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Adventures in Screenwriting: How One Writer Navigates the Dire Straits

Adventures in Screenwriting: How One Writer Navigates the Dire Straits

by Selin Sevinc
Adventures in Screenwriting: How One Writer Navigates the Dire Straits

Adventures in Screenwriting: How One Writer Navigates the Dire Straits

by Selin Sevinc

eBook

$14.99 

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Overview

Honest, raw and very funny, this book will take you on an emotional joyride through a screenwriter's creative processes, her pitfalls and breakthroughs, where the boundaries between art and life are blurred.

 

Screenwriter, script consultant and festival programmer Selin Sevinç's musings on the elusive art of screenwriting reveal the psychological landscape of her writing process. Her darkly amusing tales of homelife and motherhood in the US and her own childhood growing up in Turkey seep into the narrative, as she battles with her writing demons.


Sevinç demonstrates a deep technical knowledge of the craft as she guides you through the writing journey from nurturing story ideas to putting words on the page, with the ultimate goal of breaking into the film industry. Her personal reflections, frustrations and inspirations illuminate the unique and charming perspective of one stubborn writer. 


Excerpts:


--You must read a screenplay but see a film in your mind's eye. It's meant to distract you from its current form in words to prompt you to conceive of its future form in film; its current form is destined to be redundant. In other words, a screenplay is a pre-ghost of what it yearns to become, on which its existence-and value-depends. 


--Screenwriting, in its purest form, is an art of implying real life in the deceptive cloak of a fascinating and exciting version of it. It's dream-selling even if your dream is not quite being a serial killer, or a war hero, or a desperate housewife with a closet full of secrets. It's giving the audience an opportunity to not be themselves. It's lies, but such truthful and life-like lies that it tells you more about life than life itself does. 


--Writing really is an exercise in studying the heck out of something and then forgetting all of what we've learned. Working really hard and then letting go of all that work and becoming blank and trusting and allowing. 


--In the end, the skeleton of my story will probably look similar to all the others, in the same way that most humans have the same number and configuration of bones in their body. But, if I've done my research, I know my characters well, I have come up with fascinating conflicts, motivations and turns of events for their journey, then my story will stand out from every other story out there, in the same way that every human stands completely apart from every other human despite how similarly they are constructed.


Product Details

ISBN-13: 9798985038927
Publisher: Selin Sevinc Bertero
Publication date: 03/31/2022
Sold by: Barnes & Noble
Format: eBook
Pages: 204
File size: 916 KB

About the Author

Born and raised in Turkey, Selin Sevinç studied filmmaking in the UK. A Berlinale Talents Screenwriters alumna and an ex-film critic, she is currently a script consultant at magicofstory.com and head of programming at the Academy-qualifying BendFilm Festival-recently named "One of the Coolest Festivals in the World". Since writing this book she has indeed found producers for some of her screenplays, one of which entered the Netflix-BANFF Media Festival and MIDPOINT Institute's pitch programs. She continues to forge ahead on her ever-evolving writing journey, along with raising two quirky children with a grumpy husband in a very cool Oregonian town.
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