- Affirmation
- Hold Me
- I Knew I Loved You
- The Best Thing
- Crash and Burn
- Chained to You
- The Animal Song
- The Lover After Me
- Two Beds and a Coffee Machine
- You Can Still Be Free
- Gunning Down Romance
- I Don't Know You Anymore
5
1
0074646371121
Nathan East Guest Artist,Bass
Steve Smith Guest Artist,Drums
Michael Landau Guest Artist,Guitar (Electric)
Mari Tsumura Violin
Daniel Jones Keyboards,Synthesizer,Guitar (Electric)
Robert Sanov Violin
Marilyn Baker Viola
Larry Corbett Cello
Armen Garabedian Violin
Brian Leonard Violin
Greg Bieck Keyboards,Synthesizer
Dean Parks Guitar (Acoustic)
Jeremy Lubbock Conductor
Walter Afanasieff Piano,Keyboards,Synthesizer
Michael Thompson Guitar (Electric)
Miguel Martinez Cello
Darren Hayes Vocals,Vocals (Background)
Anatoly Rosinsky Violin
Mihail Zinovyev Viola
David Gleeson Fairlight
Ernest Ehrhardt Cello
Becky Bunnell Violin
Stephane Sednaoui Photography
Pete Krawiec Assistant Engineer
Aimee MacAuley Artwork
Jules Chaikin String Contractor
Ethan Schofer Assistant Engineer
Daniel Jones Arranger,Composer,Producer,Programming,Drum Programming
D. Jones Composer
Kent Matcke Track Engineer
Greg Bieck Programming,Drum Programming,Digital Programming
Dave Reitzas Guitar Engineer
Jeremy Lubbock String Arrangements
Ryan Hewitt Assistant Engineer
Walter Afanasieff Arranger,Producer,Programming,Drum Programming,Vocal Arrangement
Tony Rambo Assistant Engineer
Mark Gregory Assistant Engineer
David Frazer Vocal Engineer,Guitar Engineer,String Engineer
Darren Hayes Arranger,Composer,Producer,Vocal Arrangement
Vladimir Meller Mastering
Dave Way Mixing
Dan Shea Programming,Digital Programming
Chris Lord-Alge Mixing
Jay Healy Vocal Engineer
Adam Rossi Programming,Digital Programming
Brian Vibberts Assistant Engineer
David Gleeson Piano Engineer,Track Engineer,Vocal Engineer,Guitar Engineer,Drum Engineering
David Ashton Assistant Engineer
Barbara Stout Production Coordination


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Overview
Savage Garden managed to slip underneath everyone's radar and go multi-platinum with their 1997 debut. The Australian duo wasn't hip enough to warrant coverage in the music press, even after they had a series of hit singles, largely because they traded in the least-respected rock genre: soft rock. Like any soft-rock group, they were a product of their times. In the early '80s, that meant adding some lite-country influences to the melodic pop base. In the late '90s, it meant adding mild dance-club beats, even on the ballads. Roxette sort of pioneered this in the late '80s, and Savage Garden really picked up the torch for this dance-inflected soft rock, whether they want to admit it or not. Unfortunately, that also means that they, like Roxette, are primarily a singles act, capable of crafting a handful of good tunes on each album, along with a bunch of pleasant filler. That was the case with the multiplatinum Savage Garden, as it is with this sequel, Affirmation. Since Savage Garden was such a success on adult-contemporary radio, it's not a surprise that Darren Hayes and Daniel Jones have decided to lean a little heavier on the ballads this time around, to the extent that even uptempo tracks like "Affirmation" and "Hold Me," or midtempo numbers like "The Lover After Me" feel like ballads. On the whole, this isn't a bad thing, since it gives the album some coherence. (Also, "Chained to You," the hardest dance song here, feels a little forced.) Plus, Savage Garden has a knack for delivering this professional, well-crafted melodic pop -- if some songs aren't as memorable as others, that's just the way the game of mainstream pop is played. There aren't any bad pieces on Affirmation (well, with the exception of the lyrically tortured "The Animal Song"), just some that aren't quite as hooky or memorable as "I Knew I Loved You" or the title track, or for those fans who like SG's piano ballads, "I Don't Know You Anymore." Like the debut, Affirmation is hardly earth-shattering, but it's well-done mainstream adult pop whose best moments are ideal for radio play. Those moments may be better heard on a greatest-hits collection someday, but this album is fine on its own terms; it is so well-constructed that the filler goes down easily. ~ Stephen Thomas Erlewine
Product Details
Release Date: | 11/09/1999 |
---|---|
Label: | Columbia |
UPC: | 0074646371121 |
Tracks
Album Credits
Performance Credits
Savage Garden Primary ArtistNathan East Guest Artist,Bass
Steve Smith Guest Artist,Drums
Michael Landau Guest Artist,Guitar (Electric)
Mari Tsumura Violin
Daniel Jones Keyboards,Synthesizer,Guitar (Electric)
Robert Sanov Violin
Marilyn Baker Viola
Larry Corbett Cello
Armen Garabedian Violin
Brian Leonard Violin
Greg Bieck Keyboards,Synthesizer
Dean Parks Guitar (Acoustic)
Jeremy Lubbock Conductor
Walter Afanasieff Piano,Keyboards,Synthesizer
Michael Thompson Guitar (Electric)
Miguel Martinez Cello
Darren Hayes Vocals,Vocals (Background)
Anatoly Rosinsky Violin
Mihail Zinovyev Viola
David Gleeson Fairlight
Ernest Ehrhardt Cello
Becky Bunnell Violin
Technical Credits
Luis Quine Assistant EngineerStephane Sednaoui Photography
Pete Krawiec Assistant Engineer
Aimee MacAuley Artwork
Jules Chaikin String Contractor
Ethan Schofer Assistant Engineer
Daniel Jones Arranger,Composer,Producer,Programming,Drum Programming
D. Jones Composer
Kent Matcke Track Engineer
Greg Bieck Programming,Drum Programming,Digital Programming
Dave Reitzas Guitar Engineer
Jeremy Lubbock String Arrangements
Ryan Hewitt Assistant Engineer
Walter Afanasieff Arranger,Producer,Programming,Drum Programming,Vocal Arrangement
Tony Rambo Assistant Engineer
Mark Gregory Assistant Engineer
David Frazer Vocal Engineer,Guitar Engineer,String Engineer
Darren Hayes Arranger,Composer,Producer,Vocal Arrangement
Vladimir Meller Mastering
Dave Way Mixing
Dan Shea Programming,Digital Programming
Chris Lord-Alge Mixing
Jay Healy Vocal Engineer
Adam Rossi Programming,Digital Programming
Brian Vibberts Assistant Engineer
David Gleeson Piano Engineer,Track Engineer,Vocal Engineer,Guitar Engineer,Drum Engineering
David Ashton Assistant Engineer
Barbara Stout Production Coordination
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