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African Cinema: Manifesto and Practice for Cultural Decolonization: Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations
By Michael T. Martin (Editor), Gaston Jean-Marie Kaboré (Editor), Gaston Jean-Marie Kaboré (Contribution by), Michael T. Martin (Contribution by), Allison J. Brown (Editor), Roy Armes (Contribution by), James E. Genova (Contribution by), Cole Nelson (Editor), Femi Okiremuete Shaka (Contribution by), James Burns (Contribution by), Tom Rice (Contribution by), Odile Goerg (Contribution by), Med Hondo (Contribution by), Haile Gerima (Contribution by), Monique Mbeka Phoba (Contribution by), Clyde R. Taylor (Contribution by), Férid Boughedir (Contribution by), Alexie Tcheuyap (Contribution by), Esiaba Irobi (Contribution by), Stephen A. Zacks (Contribution by), Teshome H. Gabriel (Contribution by), David Murphy (Contribution by), Jude Akudinobi (Contribution by), Maureen N. Eke (Contribution by), Arnold Shepperson (Contribution by), Keyan G. Tomaselli (Contribution by), Paulin Soumanou Vieyra (Contribution by), Boukary Sawadogo (Contribution by), Claude Forest (Contribution by), Olivier Barlet (Contribution by), Samba Gadjigo (Contribution by), Sada Niang (Contribution by), Beti Ellerson (Contribution by), Joseph E. Roskos (Editor)
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By Michael T. Martin (Editor), Gaston Jean-Marie Kaboré (Editor), Gaston Jean-Marie Kaboré (Contribution by), Michael T. Martin (Contribution by), Allison J. Brown (Editor), Roy Armes (Contribution by), James E. Genova (Contribution by), Cole Nelson (Editor), Femi Okiremuete Shaka (Contribution by), James Burns (Contribution by), Tom Rice (Contribution by), Odile Goerg (Contribution by), Med Hondo (Contribution by), Haile Gerima (Contribution by), Monique Mbeka Phoba (Contribution by), Clyde R. Taylor (Contribution by), Férid Boughedir (Contribution by), Alexie Tcheuyap (Contribution by), Esiaba Irobi (Contribution by), Stephen A. Zacks (Contribution by), Teshome H. Gabriel (Contribution by), David Murphy (Contribution by), Jude Akudinobi (Contribution by), Maureen N. Eke (Contribution by), Arnold Shepperson (Contribution by), Keyan G. Tomaselli (Contribution by), Paulin Soumanou Vieyra (Contribution by), Boukary Sawadogo (Contribution by), Claude Forest (Contribution by), Olivier Barlet (Contribution by), Samba Gadjigo (Contribution by), Sada Niang (Contribution by), Beti Ellerson (Contribution by), Joseph E. Roskos (Editor)
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Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film.
Volume One of this landmark series on African cinema draws together foundational scholarship on its history and evolution. Beginning with the ideological project of colonial film to legitimize the economic exploitation and cultural hegemony of the African continent during imperial rule to its counter-his...
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