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An OutKast Reader: Essays on Race, Gender, and the Postmodern South
By Regina N. Bradley (Editor), Fredara Hadley (Contribution by), Michelle Hite (Contribution by), Langston C. Wilkins (Contribution by), Melissa Brown (Contribution by), Kaila Story (Contribution by), Birgitta J. Johnson (Contribution by), Charlie Braxton (Contribution by), James E. Ford III (Contribution by), Reynaldo Anderson (Contribution by), Susana M. Morris (Contribution by), Stacey Robinson (Contribution by), Ruth Nicole Brown (Contribution by), Jessica L. Robinson (Contribution by), Tiffany E. Barber (Contribution by), Howard Rambsy (Contribution by), Kenton Rambsy (Contribution by), Joycelyn Wilson (Contribution by), Akil Houston (Contribution by), Timothy Anne Burnside (Contribution by), Rashawn Ray (Contribution by), Wendy Marie (SunAh) Laybourn (Contribution by), Clinton R. Fluker Ph.D. (Contribution by)
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By Regina N. Bradley (Editor), Fredara Hadley (Contribution by), Michelle Hite (Contribution by), Langston C. Wilkins (Contribution by), Melissa Brown (Contribution by), Kaila Story (Contribution by), Birgitta J. Johnson (Contribution by), Charlie Braxton (Contribution by), James E. Ford III (Contribution by), Reynaldo Anderson (Contribution by), Susana M. Morris (Contribution by), Stacey Robinson (Contribution by), Ruth Nicole Brown (Contribution by), Jessica L. Robinson (Contribution by), Tiffany E. Barber (Contribution by), Howard Rambsy (Contribution by), Kenton Rambsy (Contribution by), Joycelyn Wilson (Contribution by), Akil Houston (Contribution by), Timothy Anne Burnside (Contribution by), Rashawn Ray (Contribution by), Wendy Marie (SunAh) Laybourn (Contribution by), Clinton R. Fluker Ph.D. (Contribution by)
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OutKast, the Atlantabased hiphop duo formed in 1992, is one of the most influential musical groups within American popular culture of the past twentyfive years. Through Grammywinning albums, music videos, feature films, theatrical performances, and fashion, André “André 3000” Benjamin and Antwan “Big Boi” Patton have articulated a vision of postmodern, post–civil rights southern identity that combines the roots of funk, psychedelia, haute couture, R&B, faith and spirituality, and Afrofu...
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