Annie Chartres Vivanti: Transnational Politics, Identity, and Culture
By Sabrina Cavallucci (Contribution by), Sara Ceroni (Contribution by), Chiara Chini (Contribution by), Ombretta Frau (Contribution by), Cristina Gragnani (Contribution by), Filippo Fonio (Contribution by), Ursula Fanning (Contribution by), Marianna Deganutti (Contribution by), Julie Dashwood (Contribution by), Noemi Crain-Merz (Contribution by), Stephen Gundle (Contribution by), Mariarosa Mettifogo (Contribution by), Enrico Minardi (Contribution by), Giulia Pezzuolo (Contribution by), Lisa Sarti (Contribution by), Simona Storchi (Contribution by), Anne Urbancic (Contribution by), Sharon Wood (Editor), Erica Moretti (Editor)
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By Sabrina Cavallucci (Contribution by), Sara Ceroni (Contribution by), Chiara Chini (Contribution by), Ombretta Frau (Contribution by), Cristina Gragnani (Contribution by), Filippo Fonio (Contribution by), Ursula Fanning (Contribution by), Marianna Deganutti (Contribution by), Julie Dashwood (Contribution by), Noemi Crain-Merz (Contribution by), Stephen Gundle (Contribution by), Mariarosa Mettifogo (Contribution by), Enrico Minardi (Contribution by), Giulia Pezzuolo (Contribution by), Lisa Sarti (Contribution by), Simona Storchi (Contribution by), Anne Urbancic (Contribution by), Sharon Wood (Editor), Erica Moretti (Editor)
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This book explores the work of a writer, Annie Chartres Vivanti (1866–1942), who
brought a transnational dimension to the marked provincialism of the Italian novel by
addressing issues of gender, ethnicity, and sexuality on personal and international
levels, and by creating work that distanced itself from much of the female-penned literature of
the day, scorning both decorum and social respectability. Chapters in this book examine
Vivanti’s output from multiple perspectives, taking into account ...
brought a transnational dimension to the marked provincialism of the Italian novel by
addressing issues of gender, ethnicity, and sexuality on personal and international
levels, and by creating work that distanced itself from much of the female-penned literature of
the day, scorning both decorum and social respectability. Chapters in this book examine
Vivanti’s output from multiple perspectives, taking into account ...























