Ever since Bridgerton waltzed onto Netflix, Victorian romances have become more popular than ever. Have yourself a ball or get entwined in scandal alongside ladies and lords alike, losing yourself in the high stakes of the social season.
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Overview
Sparks fly between a lordly art critic and a lady forger in this enthralling Victorian historical romance from the author of The Runaway Duchess.
Nina Finch isn't suited for a life of crime. Raised by her art-forger brother, she can paint like Botticelli. But she'd so much rather be baking gooseberry tarts. She finally has the money she needs to open her own bakery. Unfortunately, her brother's carelessness lands her—and their forgeries—directly under the nose of London's most discerning art critic, Alan De'Ath. De'Ath knows the paintings are fake. He doesn't know that Nina had a hand in their creation. In fact, he offers her a job in his household. Accepting it is the most dangerous thing she has ever done....
Alan takes pride in seeing things other people miss. He plans to catch the forger and cement his reputation. There's only one problem: the closer he gets to the beguiling woman he hired, the less he trusts his perspective. Nina isn't what she seems. But despite their false start, she just might hold the real key to his heart.
As Nina and Alan’s attraction grows, divided loyalties threaten to pull them apart and shatter their worlds. They’ll lose everything, or discover how powerful true love can be....
Nina Finch isn't suited for a life of crime. Raised by her art-forger brother, she can paint like Botticelli. But she'd so much rather be baking gooseberry tarts. She finally has the money she needs to open her own bakery. Unfortunately, her brother's carelessness lands her—and their forgeries—directly under the nose of London's most discerning art critic, Alan De'Ath. De'Ath knows the paintings are fake. He doesn't know that Nina had a hand in their creation. In fact, he offers her a job in his household. Accepting it is the most dangerous thing she has ever done....
Alan takes pride in seeing things other people miss. He plans to catch the forger and cement his reputation. There's only one problem: the closer he gets to the beguiling woman he hired, the less he trusts his perspective. Nina isn't what she seems. But despite their false start, she just might hold the real key to his heart.
As Nina and Alan’s attraction grows, divided loyalties threaten to pull them apart and shatter their worlds. They’ll lose everything, or discover how powerful true love can be....
Product Details
| ISBN-13: | 9780593198339 |
|---|---|
| Publisher: | Penguin Publishing Group |
| Publication date: | 02/21/2023 |
| Sold by: | Penguin Group |
| Format: | eBook |
| Pages: | 336 |
| Sales rank: | 183,345 |
| File size: | 2 MB |
About the Author
Joanna Lowell lives among the fig trees in North Carolina, where she teaches in the English department at Wake Forest University. When she’s not writing historical romance, she writes collections and novels as Joanna Ruocco. Those books include Dan, Another Governess / The Least Blacksmith, The Week, and Field Glass, coauthored with Joanna Howard.
Read an Excerpt
Chapter One
May 1885
Alan pointed to the painting on the drawing room wall.
“Fake,” he said. The maid dropped the tea tray with a crash, so he repeated himself, in case his brother hadn’t heard.
“That painting. It’s a fake, not a Rembrandt. It’s no more Dutch than the devil. Or perhaps the devil is Dutch.” He shrugged. “I’ve always pictured him as an English aristocrat. Better the devil you know, as they say.”
“Your devilry is my only concern of the moment.” Geoffrey sat rigid in his chair, face as starched as his collar. “Lord Death.”
“De’Ath,” corrected Alan absently, still eyeing the picture. He’d adopted his nom de plume thirteen years ago while a student at Oxford, the same summer their father died and Geoffrey himself assumed a new name. Duke of Umfreville.
All of Alan’s enemies called him Lord Death. Geoffrey was as original as . . . well, that bloody Rembrandt.
A ringing thud. The maid had fetched up the silver sugar pot only to let it slip again. Judging from the sound and the sugar pot’s location on the floor, Alan surmised that it had struck the edge of the marble tabletop on the way down.
“Leave that alone,” barked Geoffrey. The maid was on her knees, scooping the sugar back into the pot. She scrambled up. All around her feet, the Turkish carpet glittered with crystals.
“Send a competent parlormaid to clean up,” said Geoffrey. “And see that she brings a fresh tray.”
Alan leaned over the curved arm of the settee and felt for the teacup he’d seen bounce toward the flower stand. He hooked the bone china handle with his finger, set the cup on the table, and smiled at the maid.
“Don’t mind him.” He tipped his head toward Geoffrey. “His dander’s up about his sham masterpiece.”
Among other things, none of which pertained to a bumbled tea tray.
Upon inspection, the maid appeared less mortified than Alan had expected. She was staring at Geoffrey with open hostility. She had the sort of round, short-nosed face associated with angelic sweetness. And yet her expression left no doubt. There was more than one devil in the room.
“Now,” said Geoffrey, and the maid wiped her sugar-coated hands on her tea-splashed apron, turned on her heel, and marched out.
“She’s new.” Geoffrey inspected his cuff as though his very proximity to the mess might have left a smudge. “She won’t last long.”
“I’m sure she won’t,” murmured Alan. Geoffrey and his wife, Fanny, went through maids and footmen faster than they went through flower arrangements.
“In any case.” Geoffrey lowered his hand with a frown. “You didn’t call to discuss my domestics. Or my art.”
“It’s not art,” said Alan automatically. “Your Rembrandt is a forgery, which, in fact, degrades art.”
He’d called to discuss money. But presented with such an opportunity, Alan couldn’t resist.
He unfolded himself from the settee and crossed to the painting, avoiding the scattered saucers and spoons. It was only a few paces, but he leaned on his stick, a slim ebony baton with a flared gold knob. A dress cane. The sort an antiquarian gentleman might tuck beneath his arm. Brandish for emphasis. Wield in menace. Combined with his side-whiskers, spectacles, and velvet frock coat, the stick seemed a sartorial flourish. Its function was hidden in plain sight.
Alan De’Ath. The consummate persona. His performance was finer than most he saw upon the stage.
“Behold.” He whipped up his cane, hovering the ferrule an inch from the painted panel. “No glaring errors. Plausible wood. Plausible subject. Too plausible, perhaps. Introspective old man is the lowest common denominator of Rembrandts. But never mind that.” He glanced at Geoffrey and back at the panel. “Look closely. The brushstrokes are too smooth. The drawing itself is too blurry. Rembrandt was rough, but Rembrandt was precise. That was his particular paradoxical magic. This picture has no magic whatsoever. Because the forger, however talented a draftsman, painted to order, without a trace of vision.”
Geoffrey laughed. “Alan De’Ath.” He spread his arms and addressed an imaginary audience. “He even criticizes Rembrandt for being too much like Rembrandt.” He stood and strode to Alan’s side, pushing down the cane, fixing the picture with his ice blue gaze. After a moment, he gave a sage shake of his head.
“Authentic,” he pronounced.
“Ah.” Alan smiled with mock deference and sketched a bow. “So you’re the expert now?”
“I don’t need to be an expert.” Geoffrey bristled. “I bought it from Chips Sleaford, a highly reputable dealer. He represents a reclusive collector, in Friesland. Sells the finest golden-age pictures on the market.”
“Reclusive collector,” echoed Alan and brightened his smile. “The lowest common denominator of provenances.”
“The provenance is impeccable.” Geoffrey wheeled about to face him. They were inches apart. Alan could smell his brother’s cologne, mixed with another odor, rank and gamy. Male anger.
“I could show you documents attesting to that picture’s history,” said Geoffrey. “Every sale, from Rembrandt’s workshop to this drawing room.” He had to look up at Alan, who topped him by half a head.
Alan kept smiling. “Please do.”
Geoffrey’s nose was a touch longer than Alan’s, his lips thinner, but the set of his eyes was the same, as was the angle of his jaw. They resembled each other. Although—who could ever have guessed?—Alan the invalid had become the larger man, taller, more heavily muscled, more vital.
Perhaps Geoffrey, too, was drawing comparisons. He stalked away, kicking at the teapot, which the maid had righted. The pot tipped. He kept going and flung himself onto a sofa. In Parliament, he’d cultivated a reputation for sangfroid. In his household, and in his dealings with Alan, he reverted to a child.
“Sleaford’s pictures are genuine.” He bit out the words. “Even Lloyd Syme goes to Sleaford. He acquired a Rembrandt, a Brueghel, a . . . a . . .”
Alan raised his brows as Geoffrey cast about for the names of old masters.
“Shall I list possible candidates?” he inquired.
Geoffrey scowled. “It’s whoever you’d think. All the greats. For the art collection at the South Kensington Museum.”
“Syme’s judgment is flawed. Clouded by ambition and animosity.” Alan felt the dampness beneath his boot as he returned to the settee. Tea was still seeping into the carpet, staining it with an irregular rosette. He felt the urge to halt the flow, to stand the teapot on the tray, for the sake of the servants. But he wouldn’t kneel in front of his brother.
“He looks like a wise old owl, but he has an ophidian heart. Ophidian means snakelike.” He sat, throwing his arm across the settee’s back in a casual pose. “How many pictures did you acquire?” he asked. “If you want to build your collection, I can introduce you to the best artists of our age. You can buy a painting wet from the easel.”
“Stuff your advice.” Geoffrey spoke through gritted teeth. “That’s an order. I’ve had enough of your opinionating, and so has the rest of society.”
“So has Count Davanzo, you mean.” Alan sighed. “It’s not my fault if your cronies produce abysmal operas. If you so dislike my opinions, don’t read my reviews.”
“The bloody review in question took up a full page of yesterday’s Times. It was deuced difficult to avoid. And Davanzo found it horribly insulting.” Geoffrey leaned forward. The tea table interposed between the sofa and the settee, and he looked poised to lunge across it. “By God, he’s the Italian ambassador. Central to the efforts of the Home Office to protect the nation from foreign terrorists.”
“So I should flatter him?” Alan shook his head. “He perpetuated a musical atrocity on our nation. What of that? I’ve yet to meet an anarchist who’s done worse.”
“Ha.” Geoffrey snorted, then drew a sharp breath. “Let’s come to the point, shall we? You’re here because I closed your bank account.”
“Not exactly.” Alan smiled. “I’m here to make you open it.”
“I will open it, and return the funds.” Geoffrey smiled back, unpleasantly. “When you learn to comport yourself. When you resume use of your family name. And when you stop dipping your pen in poison.”
“It has come to this.” Slowly, Alan removed his spectacles and polished the lens on his sleeve. Window-glass lenses. His vision was perfect. Better than perfect.
He met Geoffrey’s eyes. They’d never been close, but they’d made, on several occasions, a fragile peace. Every time, the peace fractured, due to pressure from beneath, the bubbling up of what they’d covered over to achieve the semblance of fraternity.
The secrets. The rancor.
Their latest peace—such as it was—had ended.
“If you won’t honor our arrangement, I won’t either.” Alan replaced his spectacles on his nose. “Perhaps you don’t remember? I inherited everything dispensable.” Not only the properties in fee simple, which he’d sold immediately, investing the sum in railways, shipbuilding, and steel, but the books in the libraries, the portraits in the galleries, the silver plate, the very settee upon which he sat.
A muscle flexed in Geoffrey’s jaw. Of course he remembered. That final proof of parental preference had put the seal on his brother’s resentment. No matter that Alan had presented him with the investment portfolio, given him control of the capital he’d needed to resuscitate the dukedom. To avoid a loveless marriage, if he’d been willing to forgo extravagances, live more reasonably; that is, like less of an Umfreville.
He hadn’t been willing, in the end. He’d married Fanny, about whom Alan had, to date, heard him utter only one approving statement: At least she’s not American.
“Open the account,” Alan said. “Or I’ll sell every stick.” Starting with anything to which Geoffrey attached a sentimental value. Let him buy it all back at auction.
“The portrait of Great-Great-Grandmama is a Gainsborough,” Alan mused aloud. “It’s certainly worth more than your Rembrandt.” He tilted his chin toward the forgery.
Geoffrey gave a strangled cough. He looked, for an instant, overcharged, like his twenty-five-year-old self, reeling from their father’s death, and from his crushing patrimony. The estates had been so encumbered he couldn’t borrow enough to pay the interest due on the preexisting loans. The night before the funeral, he and Alan had talked until dawn, drinking straight from the bottle. That was the closest they’d ever come to each other. The first and only time they’d shared confidences.
It was the night Alan had learned of Geoffrey’s desperate, doomed love for Lady Patricia Kempe, third daughter of the penniless Duke of Harewood. It was the night Alan had revealed his darkest suspicions about their mother.
Sometimes, Alan recalled those impassioned, drunken hours and imagined doing them over, saying something different, something that would have made Geoffrey believe him, that could have changed the whole course of their adult relationship.
“You haven’t asked after Claud,” said Geoffrey, his tone suddenly slippery. “He was poorly after his swimming lesson.”
“I’m sorry to hear he was poorly.” Last Friday, Alan had spent an hour with Claud in the Serpentine, his nephew’s first time in the lake since last September.
“Light exercise is recommended.” Geoffrey’s eyes glittered. “You pushed him too hard.”
“The lesson included quite of bit of floating.” Not the most exertive activity.
“He was chased by dogs until he wheezed.”
That was one interpretation. Either the nurse, Miss Milford, had given Geoffrey the report he wanted to hear, or else he’d twisted it himself.
“There was a spaniel after a duck.” Alan sighed. “Claud splashed with them in the shallows. He wasn’t wheezing. He was laughing. I don’t wonder the nurse didn’t recognize the sound.” He paused. “Would you?”
Geoffrey’s lips disappeared. “With God’s grace, I intend to raise a duke. Not a clown.”
Alan didn’t take the bait. “How is the future duke today?”
“Poorly,” retorted Geoffrey. “Consider this Friday’s lesson canceled.”
All at once, Alan’s composure snapped. He wanted to smash. Hurl the closest bauble at the equally worthless Rembrandt, right at the head of the introspective old man. Only Geoffrey could do this—shatter his control.
“He’s a child.” Alan fought to keep his voice steady. “Not a bloody bargaining tool.”
“You’re right.” Geoffrey came to his feet. “He’s my child. And I have no interest in striking any kind of bargain.”
Alan rose smoothly and stood without bothering about his cane. It was a good day, for his bones at least. The cane was topped with a heavy gold pommel. If he touched it, he might succumb to temptation and split Geoffrey’s skull.
“Perhaps he’s under the weather,” he said. “We’ll cancel this Friday.” He took a breath. “I’ll look for him next Friday.”
“You’ll look in vain.” Geoffrey squinted, twitching his thumb against his thigh. “I am through indulging your delusions at the expense of my son’s health.”
“How convenient.” Alan sneered. “Make a virtue of your envy and self-interest. I’m deluded? Brother, your life is a lie.”
“Brother?” Geoffrey charged around the table. “If I had any choice in it, you’d be no brother of mine.”
“Pity that you don’t.” Alan stepped to meet him.
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