- As I Am [Intro]
- Go Ahead
- Superwoman
- No One [Main]
- Like You'll Never See Me Again
- Lesson Learned
- Wreckless Love
- The Thing About Love
- Teenage Love Affair
- I Need You
- Where Do We Go from Here
- Prelude to a Kiss
- Tell You Something (Nana's Reprise)
- Sure Looks Good to Me
5
1
0886971151312
Jack White Primary Artist
John Mayer Primary Artist,Featured Artist,Guitar (Rhythm),Vocals (Background),Guitar
Mark Batson Moog Synthesizer,Piano,Clavinet,Moog Bass,Organ (Hammond)
Peter Thorn Guitar
L. Green Vocals (Background)
David Stout Trumpet
Everette K. Harp Saxophone
Mark Robohm Drums
Jack Splash Various Instruments
Ron Haney Guitar
John "Jubu" Smith Guitar
Darryl Dixon Sax (Alto),Sax (Alto)
Damon Fox Moog Synthesizer,Organ (Hammond),Mellotron
David Ryan Harris Guitar
Steve Mostyn Guitar (Bass),Guitar (Acoustic)
Alonzo "Novel" Stevenson Vocals (Background)
David Watson Sax (Tenor)
Paul Ill Guitar (Bass)
Duane Eubanks Trumpet
Linda Perry Piano,Vocals (Background)
Trevor Lawrence Jr. Percussion,Drums
Jason Sugata French Horn
Michael Dease Trombone (Bass),Trombone (Tenor)
Harry Kim Trombone
Jumaane Smith Trumpet
Ryan Keberle Trombone (Tenor)
John Salvatore Scaglione Guitar,Guitar (Rhythm)
Sean Hurley Guitar (Bass)
Harold Lilly Vocals (Background)
Carl Maraghi Sax (Baritone)
Ron Thaler Drums,Percussion
Steve Jordan Drums
L.C. Green Vocals (Background)
Mark Robham Drums
Rony Henry Guitar
Zach Hancock Audio Engineer,Assistant Engineer
Glenn Pittman Audio Engineer,Assistant Engineer
Ann Mincieli Audio Engineer,Coordination,Engineer
Manny Marroquin Audio Engineer,Mixing,Engineer
Chad Franscoviak Audio Engineer,Engineer
Seth Waldmann Audio Engineer,Assistant Engineer
Linda Perry Audio Engineer,Composer,Engineer,Producer
Brendan Dekora Audio Engineer,Assistant Engineer
Seamus Tyson Audio Engineer,Assistant Engineer
Kristofer Kaufman Audio Engineer,Assistant Engineer
Keith Gretlein Audio Engineer,Assistant Engineer
Alicia Keys Audio Production,Programming,Concept,Arranger,Composer,Producer,Vocal Producer,Horn Arrangements,Vocal Arrangement,Executive Producer,String Programming
Dirty Harry Audio Production,Producer
Vincent Creusot Audio Engineer,Assistant Engineer
Stuart White Audio Engineer
Kerry Brothers Audio Production,Composer,Producer,Drum Programming,Horn Arrangements,Executive Producer
Jack Splash Audio Production,Arranger,Composer,Producer,Programming
Andrew Chavez Audio Engineer
Erika Rose Composer
Mary Frierson Composer
Candice Nelson Composer
Mark Springer Artist Coordination
Steve Mostyn Composer
Ray Chew Horn Arrangements
Kanye West Composer
Jared Robbins Mixing Assistant
Marsha Ambrosius Composer
J.R. Bailey Composer
Tom Nixon Composer
Ron Haney Composer
Jack White Composer
Carl Hampton Composer
Paul Green Composer
Peter Edge Executive Producer
Marni Senofonte Stylist
Taneisha Smith Composer
Ashunta Sheriff Make-Up
Walter Millsap III Composer
Harold Lilly Composer
Christian Baker Mixing Assistant
Kim Biggs Design,Art Direction
David Kutch Mastering
Chris LeBeau Creative Producer
Ken Williams Composer
Melvin Kent Composer
Jeff Robinson Management,Executive Producer
Alli Truch Design,Art Direction
Ron Thaler Additional Production
Joseph Conrad Robinson Management
Jeanine McLean Griffin Management
Thierry Le Goues Photography
George M. Harry Composer
John Mayer Producer


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Overview
By now established as a major and talented force in the mainstream music world, Alicia Keys has perhaps earned the right to explore a little, to venture into new genres while still keeping a foot firmly planted in the R&B/neo-soul she grew out of. On her third full-length, As I Am, Keys takes a step closer toward the soul revival popularized by John Legend, with full-band arrangements and bright horn hooks, only occasionally falling back into the piano/melisma combination that drove the singles off her first two albums. Instead, here, as evidenced in "No One" -- which sounds all too ready to take on a "reggae dance mix" -- the guitar-driven "I Need You," "Wreckless Love," or "Where Do We Go from Here," which pays tribute to both Stax and Motown ("All I can do/Is follow the tracks of my tears," she sings, after a sample of Wendy Rene's "After Laughter [Comes Tears]" crackles through the first few bars), this is music that owes as much to pop as it does R&B, highlighted no less by the fact that the queen of radio rock herself, Linda Perry, co-writes three of the songs with Keys, including the straight-from-the-Stripped-sessions "The Thing About Love" and "Superwoman." It is on the latter, in fact, that Keys, unsurprisingly, turns furthest away from the style that brought her initial success (more so even than on the John Mayer collabo, "Lesson Learned," which is actually not bad) toward the generic-pop world, sliding in between corny and sincere, sometimes even in the same breath. "When I'm breaking down/And I can't be found/...'Cause no one knows/Me underneath these clothes/But I can fly/We can fly," she sings in the bridge, flatly. Keys has never been a brilliant lyricist, but she's always been able to write simple yet affective and honest words that don't seem trite, something that is forgotten here, and makes the track one of the weakest on the album. Fortunately, this doesn't happen too often, and as As I Am weaves its way through the drums and various keyboards and vocal harmonies that make up the backbone of her work here, punctuated by the great, hooky melodies and strings, you get the impression that this is in fact the sign of an artist who's not content to only follow the path that's brought her previous acclaim, an artist who's looking to find more, both about herself and her music, and an artist who carries these developments, these insights, with her. And so even though As I Am is a flawed work -- a little too poppy, a little too cliched -- it is also indicative of what Keys can and will do, and that she is someone, thanks to her curiosity, intelligence, and natural talent, who will be able to mature and grow for years to come. ~ Marisa Brown
Product Details
Release Date: | 11/13/2007 |
---|---|
Label: | J Records |
UPC: | 0886971151312 |
Tracks
Album Credits
Performance Credits
Alicia Keys Primary Artist,Synthesizer Strings,Synthesizer,Piano,Vocals,Vocoder,Mellotron,Wurlitzer,Harpsichord,Fender Rhodes,Moog Synthesizer,Synthesizer Bass,Vocals (Background)Jack White Primary Artist
John Mayer Primary Artist,Featured Artist,Guitar (Rhythm),Vocals (Background),Guitar
Mark Batson Moog Synthesizer,Piano,Clavinet,Moog Bass,Organ (Hammond)
Peter Thorn Guitar
L. Green Vocals (Background)
David Stout Trumpet
Everette K. Harp Saxophone
Mark Robohm Drums
Jack Splash Various Instruments
Ron Haney Guitar
John "Jubu" Smith Guitar
Darryl Dixon Sax (Alto),Sax (Alto)
Damon Fox Moog Synthesizer,Organ (Hammond),Mellotron
David Ryan Harris Guitar
Steve Mostyn Guitar (Bass),Guitar (Acoustic)
Alonzo "Novel" Stevenson Vocals (Background)
David Watson Sax (Tenor)
Paul Ill Guitar (Bass)
Duane Eubanks Trumpet
Linda Perry Piano,Vocals (Background)
Trevor Lawrence Jr. Percussion,Drums
Jason Sugata French Horn
Michael Dease Trombone (Bass),Trombone (Tenor)
Harry Kim Trombone
Jumaane Smith Trumpet
Ryan Keberle Trombone (Tenor)
John Salvatore Scaglione Guitar,Guitar (Rhythm)
Sean Hurley Guitar (Bass)
Harold Lilly Vocals (Background)
Carl Maraghi Sax (Baritone)
Ron Thaler Drums,Percussion
Steve Jordan Drums
L.C. Green Vocals (Background)
Mark Robham Drums
Rony Henry Guitar
Technical Credits
Mark Batson Programming,Audio Production,Composer,Producer,Drum Programming,Horn Arrangements,String ProgrammingZach Hancock Audio Engineer,Assistant Engineer
Glenn Pittman Audio Engineer,Assistant Engineer
Ann Mincieli Audio Engineer,Coordination,Engineer
Manny Marroquin Audio Engineer,Mixing,Engineer
Chad Franscoviak Audio Engineer,Engineer
Seth Waldmann Audio Engineer,Assistant Engineer
Linda Perry Audio Engineer,Composer,Engineer,Producer
Brendan Dekora Audio Engineer,Assistant Engineer
Seamus Tyson Audio Engineer,Assistant Engineer
Kristofer Kaufman Audio Engineer,Assistant Engineer
Keith Gretlein Audio Engineer,Assistant Engineer
Alicia Keys Audio Production,Programming,Concept,Arranger,Composer,Producer,Vocal Producer,Horn Arrangements,Vocal Arrangement,Executive Producer,String Programming
Dirty Harry Audio Production,Producer
Vincent Creusot Audio Engineer,Assistant Engineer
Stuart White Audio Engineer
Kerry Brothers Audio Production,Composer,Producer,Drum Programming,Horn Arrangements,Executive Producer
Jack Splash Audio Production,Arranger,Composer,Producer,Programming
Andrew Chavez Audio Engineer
Erika Rose Composer
Mary Frierson Composer
Candice Nelson Composer
Mark Springer Artist Coordination
Steve Mostyn Composer
Ray Chew Horn Arrangements
Kanye West Composer
Jared Robbins Mixing Assistant
Marsha Ambrosius Composer
J.R. Bailey Composer
Tom Nixon Composer
Ron Haney Composer
Jack White Composer
Carl Hampton Composer
Paul Green Composer
Peter Edge Executive Producer
Marni Senofonte Stylist
Taneisha Smith Composer
Ashunta Sheriff Make-Up
Walter Millsap III Composer
Harold Lilly Composer
Christian Baker Mixing Assistant
Kim Biggs Design,Art Direction
David Kutch Mastering
Chris LeBeau Creative Producer
Ken Williams Composer
Melvin Kent Composer
Jeff Robinson Management,Executive Producer
Alli Truch Design,Art Direction
Ron Thaler Additional Production
Joseph Conrad Robinson Management
Jeanine McLean Griffin Management
Thierry Le Goues Photography
George M. Harry Composer
John Mayer Producer
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