Barbarian Currents: Half a Century of Brazilian Media Arts
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Contemporary art and media art do not exist in separate worlds. In 20th century Brazil technology was a key element of artistic imagination. Oswald de Andrade, the father of Brazilian 'cannibal' modernism, envisioned the Americas as a cradle of a new society populated by technicised barbarians. The country's post-war avant-gardes embraced computers and electronic media as transformative forces, capable of realising the promise of a nation in search of its modern identity. Barbarian Currents...






















