"A compelling read about the quest for fame!"
—Debbie Allen, star of Fame
"Redemption is a heartbeat away."
—Guadalupe Garcia McCall, author of the Pura Belpre Award winner Under the Mesquite
Beatriz dreams of a life spent dancinguntil tragedy on the day of her quinceañera changes everything.
Up until her fifteenth birthday, the most important thing in the world to Beatriz Mendez was her dream of becoming a professional dancer and getting herself and her family far from the gang life that defined their daysthat and meeting her dance idol Debbie Allen on the set of her favorite TV show, Fame. But after the latest battle in a constant turf war leaves her brother, Junito, dead and her mother grieving, Beatriz has a new set of priorities. How is she supposed to feel the rhythm when her brother's gang needs running, when her mami can't brush her own teeth, and when the last thing she can remember of her old self is dancing with her brother, followed by running and gunshots? When the class brainiac reminds Beatriz of her love of the dance floor, her banished dreams sneak back in. Now the only question is: will the gang let her go?
Set in New Jersey in 1984, Beatriz's story is a timeless one of a teenager's navigation of romance, her brother's choices, and her own family's difficult past. A companion novel to the much-lauded Like Vanessa.
|Product dimensions:||5.60(w) x 8.40(h) x 1.10(d)|
|Age Range:||12 - 17 Years|
About the Author
Tami Charles is a former teacher and full-time author of picture books, middle grade and young adult novels, and nonfiction. As a teacher, she made it her mission to introduce her students to all types of literature, but especially diverse books. While it was refreshing to see a better selection than what she was accustomed to as a child, Tami felt there weren’t nearly as many diverse books as she’d hoped for. It was then that she decided to reignite her passion for writing. Tami is the author of the middle grade novel Like Vanessa (2018) and the picture book Freedom Soup (Candlewick Press, 2019).
Read an Excerpt
Friday, April Thirteenth
They say when you see a wishmaker flower, you’re supposed to make a wish and blow.
I thrust my body to the ground, press my face to the pavement, and wish away the first gunshot and the panicked faces and screaming voices circling around my ’hood. The wishmaker juts out of a gap in the sidewalk—pays me no attention. Instead it searches the sky for the sun and leaves me realizing this shit’s all my fault. I should’ve let Junito be.
Crack! The second shot rings out louder than the first. I still hear the radio from the bodega blasting Héctor Lavoe and Willie Colón’s “Todo tiene su final.” A minute ago, I’d begged Junito to dance salsa with me. Ignored his warnings to stay in the house today. Pulled him into the rhythm and lost myself in the lyrics—everything has an end.
Ain’t this some bull.
Crack! Crack! More bullets soar above us, shattering the window of our bodega. Shards of glass land on me. I pant through heavy breath and squinted eyes, screaming my brother’s name. I turn my head and see Junito reach for the Glock in his boot. He aims it at the silver Trans Am and pops off a couple rounds.
It’s not cold out, but I shiver. Questions fill me up faster than bullets slice the air. Who ordered this hit? Why does God hate me? Because that’s the only explanation I got for him making my birthdate and death date one in the same.
And who made up that stupid wishmaker flower saying anyway? Because whoever did can kiss my nalgas. Twice.
The silver Trans Am comes to a screeching halt in front of the bodega.
Who are they? What do they want?
Junito jolts upright, glass falling off of him, and fires off again. I stay on the ground, my chest heaving in and out, tiny pieces of asphalt piercing my cheek.
But then tires skid and smoke against the asphalt before accelerating down Broadway. Just like it happens in the movies. This is the magic of Junito Mendez. No matter what, he always forces the bad guys away. I’d seen it before—but not like this, not this bad, not this close to home.
DQ yells out from the bodega, “We’re good in here!”
“Todo bien!” Mami cries out, but I can hear the lie in her voice. On the surface, we’re fine. Just a busted store window and some penny-candy buckets with fresh bullet holes. Look a little deeper, though, and you’d see the truth.
Junito stands up and flashes DQ a knowing look. Then, he starts to run down the alley toward to the empty lots. And even though he told me to stay inside earlier, I follow him. Listening is not my thing apparently. The farther I run, the quieter the music gets.
“Don’t worry. They’re gone.” I can barely get the words out from trying to keep up.
Junito whips his head around fast, the anger in his eyes stabbing right through me.
“What are you doing? I told you to stay back!” His voice is untamed.
“Why didn’t you stay?” My voice matches his now.
We finally stop running and tuck ourselves against the brick wall of the abandoned alley, positioned between two buildings.
“I don’t need to be on the scene when the police show up, that’s why. Por dios, you don’t listen!” Junito pulls two loose bricks from the bottom of the wall, wipes the Glock clean, and tries to hide it in the empty space. He can't make it fit.
In the distance, I hear the faint sound of sirens, see Junito frantically searching his pockets.
“¡Carajo!” he curses.
“Why were they coming for you, Junito? Tell me right now!” I demand.
In the past, we’ve had one, maybe two gangs outside of Newark try to claim our spot. Never worked though. Junito was a force like that. Either you bowed down or you caught the heat.
Junito finds the switchblade in his boot and starts pounding out another brick like mad. “Not today, Beatriz. All you gotta know is I ain’t letting nobody take over what I built. And sometimes you gotta send a message to let people know that.”
Translation: Something went down last night and Junito started a war.
“Oh yeah? And if these pendejos don’t back down like the others? What then?” My voice loses its balance.
Junito finally gets the brick loose and jams the gun inside. “You ain’t gotta worry about that.”
He wraps his arm around my shoulder and pulls me in real slow. Together, we take turns breathing. Inhala, exhala. Just like Mami always says to calm us down. “Let’s wait a couple more minutes before we go back, and when five-o start asking questions, let me do the talking,” Junito says. “Everything will be fine.”
I want to believe Junito. That it’ll be okay.
“Let’s talk about something else,” Junito insists.
I lift my face to the midmorning sky, picture myself flying through those clouds. “You ever wonder what you could be outside of this place?”
Junito fixes his eyes real hard on the ground. I know this ain’t no kind of life for us. He knows it too. But what choice do we have? Go back to being dirt poor, like we were when we first got here? Or worse, return to Aguadilla? Even if I wanted us to go back to the island, I already know what his answer would be. Hell no. There’s a monster waiting for us there.
“I’d start fresh . . . in San Francisco.” Junito hesitates before he says the last part.
I feel a sharp twinge in my stomach. Because deep down I know who he would go there for. The infamous TJ Martin.
“Anyway, that ain’t possible right now.” Junito adds the switchblade to the hole and slips the first brick in.
A familiar voice creeps inside my head. The one that repeats over and over again that I’m the reason Junito can’t live the way he wants. But I won’t carry that load all by myself. Papi’s the first to blame. Then me. And the Diablos.
I look at my watch. The tick of each second feels like an eternity. I’d spent the morning practicing the dance for my quinceañera and then dodging bullets. Tonight I would have to pretend that none of this ever happened.
“There’s gonna come a day when we won’t have to do this no more, Junito. One day I’ll be a professional dancer and make enough money to buy Mami one of those big houses over in Vailsburg or Mount Vernon. Maybe even away from Jersey.” I face him square on.
But Junito laughs, pointing the second brick my way. “What I tell you about watching that stupid show Fame? That’s television, pipe-dream stuff. This is reality.”
Anger builds up inside. “Whatever, Junito!”
“When you live in a city where cocaine is king, dancing ain’t gonna pay the bills.” He crawls to the edge of the building and takes a peek down the alley.
Junito doesn’t know what he’s talking about. Right there in the midst of the abandoned buildings tagged with my first graffiti—Fame, I’m gonna live forever—in the empty field where my dancing dreams once bloomed, I envision a life far away from this place.
I don’t notice there’s someone behind me. Only hear the click of a gun and feel the hot metal kissing the back of my head.
“Looks like we get a two-for-one today.” His accent sounds like he’s from Nigeria or something, mixed with French too.
I suck in air, turn around, and see a yellow-scarfed face and two eyes, burning like a distant sun.
Junito springs up. His legs take flight, arms like wings, he throws the brick in his hand at homeboy, knocking the gun out of his hand. The sickening sounds of cracked noses and hard blows to the gut ring over and over. Junito bobs to the right, the dude weaves to the left. And there I sit, star-ing at the dude’s gun a few feet away from me and Junito’s neatly tucked in the wall. Hypnotized by the sounds and the fiery eyes in them both, an inner voice cries out: Get the hell up, Beatriz. Grab a gun. Any gun.
My wrist turns limp as I dig into the hole, wrap my fingers around the trigger, and rise up to finish him off.
Before I can do anything, homeboy gives me a swift punch to my right cheek, the gun tumbling out of my hand. The crunch of my jawbone is like a bomb going off inside of me. The whole universe spinning, and I pull out the blade I keep hidden inside my left cheek.
Homeboy comes in for the double hit, his fist like heavy metal against my face.
My hand slips, and the blade slices through the guy’s bandana not even a full inch. He screams as the bandana falls to the ground, revealing a thick goatee and a holy cross symbol tattooed on his neck. A single red drop of blood dances through his beard and lands on his shirt.
“Oh, you messed up now,” he says, grasping a chunk of my hair in his oversized hands. Junito flies in for an uppercut, but instead catches a foot to the gut that sends him airborne. I punch and punch at the air, at this messed-up life, and at homeboy until I’m out of breath. But he just lifts me from the ground and throws me headfirst against the Dumpster. My back arches in slow motion until it crashes against the asphalt. I lie there, unmoving. He stomps his foot against my jaw again, and my whole world goes black.
Behind closed eyes, I can hear the sound of my heart-beat pulsing through my head, feel the release of his foot. Hear the pounding, blow by blow, as Junito continues the fight.
He’ll get to his gun, or even homeboy’s, and finish the job. Three years as a Diabla and my body count is still zero. I’ve never even touched a gun until now. The small blade hidden in my mouth has always been my only weapon. And Junito wants to keep it that way.
Any second now and this will be all over. Junito and I will run home and put on the biggest show for the police.
Officer: Where were you during the drive-by, young man?
Junito: Officer, my sister and I were taking a stroll in the neighborhood. We weren’t even here.
I’ll get ready for my quinceañera, because turning fifteen is a big deal. Go with Mami to pick up Abuela from the airport. Let them both have their way with me. Do my hair, fluff my dress, all that proper “señorita” nonsense. That’ll make Mami happy. I mean, the woman sold her other bodegas to pull off this expensive-behind, wannabe wedding.
A single shot rings out. The blast courses through my entire body, seems to echo all throughout Grafton and Broadway like an explosion thundering in the sky. I can’t move. It’s like someone presses pause on the entire city of Newark. The music, the sirens, the cars—they all disappear.
But when the darkness of my mind clears, and I open my eyes, it’s Junito who I see lying on the ground, shaking uncontrollably, hands pressed against his chest—blood erupting like a busted fire hydrant in the dead of July. I beg my legs to move, to get up and push me toward Junito, but homeboy’s not done with me. He locks his rock-hard boot on my shoulder, points the gun at the space between my eyes. I lie there helpless, thunder moving through me as I watch Junito bleed and bleed.
“This is for Gaston. Got that, muchacha?” He leans down into my face and the heat of his breath finds its way to my skin.
Confusion floods in, wild and unforgiving. Who the hell is Gaston?
“Just hurry up and get it over with.” He’s going to shoot me too. Keep my eyes on the clouds. God’s up there, waiting for me. Even though I’m pissed at him right now. I count down the seconds until I see the white light: Five . . . four . . . three . . .
Before I can reach two, homeboy leans down again and puts his lips close enough to brush against my earlobe. Drops of his blood fall on my shoulder. He whispers: “Nou pap janm bliye!”
What did he just say?
I hear a car and turn my head. At the end of the alley, the silver Trans Am screeches to a halt, and the passenger door flies open.
He releases his foothold, grabs his bandana off the ground, and runs away, with his gun in his right hand and Junito’s in his left. When he gets to the car, he does the strangest thing. He turns around, flails his arms out like wings, takes a bow, and yells out, “You talk? We’ll be back.”
I lock eyes with the person driving the car. Study the image from a distance. It’s a girl. Dark sunglasses cover her eyes. Mounds and mounds of blonde dreadlocks spill out from her bandana. Another yellow bandana covers her mouth. She pulls it down, puckers her fire-red lips, and blows a kiss. Homeboy hops in, and they speed off under a sun-filled sky.
My legs finally give me permission to move. I roll over, grab my stomach, and vomit what feels like everything I’ve ever eaten for the past fifteen years.
“Get up, Junito!” It hurts to say each word. I wipe the blood from my mouth with the sleeve of my shirt and run toward my brother.
“¡Ayúdenlo!” I scream, but my jaw is locking.
The sirens grow louder, closer. I press a hand hard on Junito’s chest, begging him to hold on just a little longer.
“They’re coming. I hear them.” More pain fires up in my jaw.
“I’ll . . . be . . . okay. Don’t . . . leave . . . Diablos. . . .” I cover his lips before he can finish his sentence.
“Diabla for life!” I’m sobbing now. “Te lo juro.”
Junito stops shaking, and I scream, “Don’t leave me!” over and over again. Out of nowhere, the cops come running down the alley, guns drawn, mouths moving in slow motion.
My ears become soundproof. All I see is them gesturing for me to lie on the ground. Like a dog. Hands behind my head. Feet together. Don’t move. Be still. But I move uncontrollably. One cop jumps on top of me. Then another. I can’t breathe. Half my face is pressed into the grass. I wonder if Junito’s gone already. If he sees the white light, like I do, coming down from the sky. Then I feel more hands. Damn near fifty of them, exploring my body, searching for something, anything, to connect the dots. My lips position themselves to speak. One final crack in my jaw kills all of my words.
“We need to check the kid’s pulse!” someone yells.
Yes, save him please! Hurry! I plead inside my head.
Someone tosses me on a gurney. Places two fingers on my wrist and starts counting. Slaps a mask on my face. Rolls me toward a flashing swirl of red, white, and blue. Doors shut. Engine roars. Tires screech. Last thing I see out the back window is Junito lying in the field like some kind of science project.
Conversations with Five-O
“My name is Detective Osario and this is my partner, Detective Green. How are you feeling today?”
Como mierda, I curse in my head. What day is it? Where am I? All I see are white walls, white blinds, and Mami standing by a door too far for me to reach. There are two faces staring back at me, one in particular too close to my own. I close my eyes, wishing the moment away, but an image I’ll never forget appears. Dark skin, sliced chin dripping with blood, yellow bandana curtseying its way to the asphalt. That crooked smile. And those words . . . What were they again? New pop blay?
The memory sends electric bolts through every part of my body. The room tilts back and forth, side to side, until the dude’s face and his words melt away, leaving behind Detective Osario speaking at a snail’s pace.
“¿Cómo te sientes, Beatriz?”
What does this guy want from me? What’s going on? I move my head frantically, searching for Junito, each twist of my neck sending panic through my body. My hands are covered in tubes connected to machines that beep, beep, beep.
Mami stands at the door, hands pressed against tear-stained cheeks, whispering “Cálmate, mi amor. Inhala, exhala.”
The guy wants to know how I’m feeling? Certainly not calm, like mami’s telling me to be. Beat down to the ground. That’s what I got going on inside. I start to say that until I realize that my teeth won’t separate.
“It’s okay,” the other guy, Detective Green, says. “You’re at Clara Maass Hospital. You sustained a pretty bad injury to your jaw, so the doctors had to wire your mouth shut.”
“We waited a few days, but the doctors say you should be able to speak by now, even with your jaw wired,” the first cop adds.
My breathing speeds up. I can feel my heart hitting my chest with a mean uppercut.
“Do you have any idea who did this to you . . . and your brother?” They’re both talking now. One starts, the other finishes.
My lips are dry. So very dry. Any second, they are gonna crack. Fall off. And I’ll become lipless. Lipless Beatriz.
“Where . . . is . . . Junito?” I don’t recognize my own voice, muffled behind sealed teeth and ready-to-fall-off lips.
The detectives look at each other a moment too long, before Detective Osario grabs a chair and pulls it to the bed I’m trapped in. Pain stabs me in the jaw the second I inhale a little too deep.
“One thing at a time, Beatriz. Can you give us a description of the car or perhaps the assailant who attacked you?” he asks.
My eyes close. The silver Trans Am appears, the sound of bullets overpowering the music, the fire in that dude’s eyes as he pounced on Junito, and then there was her. And the black smoke left behind as homegirl drove the car down the alley and up Broadway.
My eyes fly open. I shake my head no, over and over again, until the pain causes a scream to explode from my gut. “I ain’t seen nothing!” I yell.
But I’m pretty sure it sounds more like gahhhhhhhhh!
Mami comes running to my bedside.
“That’s it! Now you heard her!” Each word crashes into the next. “Haven’t we been through enough? If you don’t mind, I need to go to the ICU and check on my son.”
Wait. Junito’s here? Get these tubes off of me! I want to see my brother!
My eyes start to roll backward. Just then I hear the sound of familiar footsteps. Loud, swishy, nerve-shattering. It’s been years since I’ve heard them, but I remember like it was yesterday.
“Ahora no es un buen momento.” That’s my abuela. She’s here and already kicking people out. Typical.
Everything is a blur. We were supposed to pick her up from the airport in the afternoon. But then . . . the music . . . and the shots . . . and the sirens.
“I understand, Señora Vento,” Detective Osario says, “but we do have reason to believe that this shooting is gang related.”
Abuela clutches her rosary. “No mi nietos, no, no. Son niños buenos.”
My stomach churns at the thought of Abuela believing we are those same good kids skipping rope and singing songs back in Aguadilla.
“We’d like to gather information from Beatriz about Junito and his alleged gang involvement so we can prosecute whoever did this,” Detective Green adds.
“My . . . son . . . is . . . not . . . some . . . gang banger!” Mami raises her voice.
I just want to rip these tubes off of me. Hold Mami. Tell her I’m sorry. That Junito is too. And that this won’t happen again because Junito will take care of everything. He always does.
Abuela steps to Detective Osario. She’s so close and he towers over all four foot eleven of her. “¿Y qué va pasar si vuelven? ¿Nos van a proteger?”
My grandmother, Liliana Vento, has always been the feistiest lady in Aguadilla. The one who not only talked with her mouth, but also with a chancleta in her hand. But here, in this moment, in front of these suited-up policemen, she turns into someone I don’t recognize. These pendejos don’t care about protecting us, nor the other gang that put us up in here.
They just grab their things and walk past Abuela and that puppy-dog look on her face.
Detective Osario stops short at the door. “You know, Beatriz, someone is gonna go down for this. It’s unfortunate that you didn’t see anything.”
It’s hard to look tough when you’re covered in hospital tubes. That don’t stop me from trying though. I pucker my lips, roll my eyes, and remember the code: Never snitch. I saw nothing. Don’t want to talk about one piece of that day, especially homeboy’s promise that he’d come back if I opened my mouth. Thinking about it is hard enough. Especially those other words he whispered: new pop blay. Soon as I bust outta this joint, I’ll write them down. Junito and I will find out what the hell they mean. ’Cause somebody put a hit out on my brother and there ain’t a damn thing those cops can do about it. But me and Junito will.
As the detectives leave the room, more footsteps find their way in. Three doctors. Arms folded. Lips sagging. Eyes looking like they ain’t slept in days.
“May we have a word with you privately, Mrs. Mendez?”