Young John Coltrane was all ears. And there was a lot to hear growing up in the South in the 1930s: preachers praying, music on the radio, the bustling of the household. These vivid noises shaped John's own sound as a musician. Carole Boston Weatherford and Sean Qualls have composed an amazingly rich hymn to the childhood of jazz legend John Coltrane.
Before John Was a Jazz Giant is a 2009 Coretta Scott King Illustrator Honor Book and a 2009 Bank Street - Best Children's Book of the Year.
About the Author
CAROLE BOSTON WEATHERFORD wrote the Caldecott Honor book Moses: When Harriet Tubman Lead Her People to Freedom. She lives in North Carolina.
SEAN QUALLS illustrated the widely acclaimed biographies The Poet Slave of Cuba and Dizzy. He lives with his family in Brooklyn, New York.
Reading Group Guide
Before John was a Jazz Giant: A Song of John Coltrane
Before John was a Jazz Giant: A Song of John Coltrane demonstrates how the sounds John Coltrane heard as a child influenced his musical compositions, playing, and style. Here are some activities that introduce young children to the basics of listening to and playing with the sounds around them. The first three topics introduce the three basic components of music: dynamics (loud and soft), rhythm, and melody. The following activities help children to think about everyday objects in a different way – in a musical way.
Introducing Soft and Loud, High and Low
- Ask the class to speak softly, then loudly. List soft and loud sounds they hear everyday. Speak with a high, squeaky voice and then with a low voice. Ask the class to do the same. List high and low sounds they hear everyday.
- Clap out rhythms to the syllables in the children's names.Clap out a simple rhythm like short-long, short-long and have the children repeat the pattern with their hands or with a pencil on a desk or other surface. Try other patterns like long-short-short, long-short-short, or long-long-short, long-long-short.
- Fill 6 jars or glasses with different levels of water. Using a metal utensil like a spoon, demonstrate that the pitches vary. Strike one glass and then another. Ask the class if the second sound is higher or lower than the first.Label each of the glasses with a different color. Prepare a set of strips of construction paper using the same colors on the glasses. If the class is small, hand out a set to each child. If the class is large, form small groups and have the children do this activity together. Ask the children to arrange the strips in any order they like. Have them glue the strips on to a large piece of paper. Each child now has a "melody" made out of the colors.Play each child's melody on the glasses, striking the corresponding glass for each color strip. You can string together several children's sets of strips to create a longer musical piece.
Listening to Everyday Sounds
- Ask the children to close their eyes, be very quiet, and listen to all the sounds in the classroom and outside the classroom for 30 seconds to a minute. List all the sounds they hear. Ask the class:
• Can you describe the sound?
• Can you imitate the sound?
• Do you know what is making the sound?
• Is the sound soft or loud? short or long? high or low? If possible, take a walk with the class outside, and explore sounds the children hear using the same questions as above.
• Ask each child to select one sound that they will describe, imitate, and draw about. With their eyes blindfolded, see if the children can recognize their classmate's individual voices.
Making Sounds with Everyday Things
- Walk around the classroom, stopping at ordinary objects to see what kinds of sounds it can make (include crumpling and creating other sounds with paper, pencils, a pencil sharpener, a stapler, a book, chairs, clock ticking, venetian blinds, etc.) Ask one child to make sounds with each object. Have the children sit in a circle. Gather everyday things in the center of the circle (bubble wrap, beans or rice in a bag or container, wooden spoons, velcro on a sneaker, items found in classroom while doing the above activity.) Ask the children to close their eyes and identify the objects by their sound.Do a show and tell of objects found at home that make sound (for example, items you shake: a baby rattle, a jar full of beans.)
Using Your Body to Make Sounds
- Ask the children how many ways their bodies can make sounds (clapping, snapping, tongue-clicking, slapping different parts of your body, foot stomping, making a kissing sound, etc.)Ask the class what sound do people make when they're happy or sad.
Activities to do While Listening to John Coltrane's Music
- Play a John Coltrane recording from the "Suggested Listening" list in the book. Ask the class how the music make them feel. Happy? Sad? Excited? Sleepy? Ask the class to clap or move to the beat.Using the beat of the music, ask the class to move crayons or markers on paper. Do the same using another piece of music with a different beat. You can also do this activity with clay (tapping, making ridges, or pounding on it) or with fingerpainting.
Kids love to make music. There are lots of simple instruments that kids can make. Here are a few ideas:
- Use old tin foil pans to make cymbals, attaching strings as handles.Fill film canisters or other plastic containers with dried beans, popcorn, or rice to create a shaking percussion instrument.Make a harp from an old shoebox by stretching different sized rubber bands around the box. To make it into a guitar, attach a ruler or stick to the back of the box. Plucking the rubber bands produces different sounds.Use a paper towel holder as a tube that children can hum into to produce kazoo-like sounds. They can decorate the tube with markers, too.Make a tambourine using two paper plates. Have the children color the bottom of the plates. Then place beans, rice, or pebbles between them. Staple the plates together and shake!Make a comb buzzer by folding a piece of tissue paper over the tooth edge of a comb. To play, hum through the tissue paper.Ask the children if they know anyone who plays a musical instrument or sings.Ask the children to talk about family members that play instruments or sing.Have children describe the insturement and how it is played.If possible, ask the family member to demonstrate to the class.
Most Helpful Customer Reviews
This book is about Jazz singer John Coltrane and so Qualls illustrate are made to look like Africa art of that area. Quall used a lot of dark colors, with many circles in each picture. The pictures bring an almost musical style to the text, dancing out to the reader.
Genre: BiographyReview: this is a good example of a Biography because it is descriptive with both words and illustrations.Media: Acrylic, collage, pencil
The words and pictures of this book harmoniously produce an array of sounds for the reader to experience. The book ends with a reminder that John Coltrane was a listener before he was a creator. I take this as a message to be just as aware as little John was, for in our busy world we often forget to open our ears and, though it was not part of the book, our eyes to see the beauty of our world. Not as good as What Charlie Heard, but a fine book in its own regard.
This is a story about the music artist John Coltrane and the way he heard and formed his own music while he was growing up during the 1930's, in the deep heart of the south. The sounds vary from church hymns and gospel songs, to new sounds on the radio, and even the sounds of the household. This is a kid-friendly book with delightful fonts and illustrations. It is easy-flowing with a rhyming schematic which allows the reader to follow along and see what the main character hears. I highly recommend this story, it is fun to read and will teach children about jazz.
This book is like a simplified and informal biography of legendary jazz saxophonist John Coltrane. Only comprising of seven sentences, the story has been written in such a way that author Carole Boston Weatherford is able to fit in many details of Coltrane's life with a few but still descriptive words. In addition, illustrator Sean Qualls is able to complement the selected details of Coltrane's life with somewhat abstract but very beautiful pictures. Such writings and illustrations allow readers to hear and see what Coltrane heard and saw in his earlier years. The Author's Note at the end of the story is also very helpful in tying together all that was stated before, providing a more detailed but still brief account of the life of John Coltrane.
This is an amazing story of what inspired the legendary John Coltrane to play such soulful music. It tells of his everyday life sounds that brought forth his musical capabilities to turn them into a musical evolution. This story goes through days and periods in his life and what he heard that gave him the ear to hear and feel the music that he genuinely poured his soul into. I especially liked how the Author's Note at the end tells John's life story and even offers selected listenings for the reader. This touch offers the reader a clearer connection with this story.