Bill Brandt Henry Moore
By Martina Droth (Editor), Paul Messier (Editor), Lynda Nead (Contribution by), Nicholas Robbins (Contribution by), Audrey Sands (Contribution by), Robert Sutton (Contribution by), John Tagg (Contribution by), Alex Potts (Contribution by), Simon Wallis (Contribution by), Carol Armstrong (Contribution by), Sebastiano Barassi (Contribution by), Eleanor Clayton (Contribution by)
Hardcover
$65.00
By Martina Droth (Editor), Paul Messier (Editor), Lynda Nead (Contribution by), Nicholas Robbins (Contribution by), Audrey Sands (Contribution by), Robert Sutton (Contribution by), John Tagg (Contribution by), Alex Potts (Contribution by), Simon Wallis (Contribution by), Carol Armstrong (Contribution by), Sebastiano Barassi (Contribution by), Eleanor Clayton (Contribution by)
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A close look at the work, relationship, and shared influences of two masterful 20thcentury artists
“The camera,” said Orson Welles, “is a medium via which messages reach us from another world.” It was the camera and the circumstances of the Second World War that first brought together Henry Moore (1898–1986) and Bill Brandt (1904–1983). During the Blitz, both artists produced images depicting civilians sheltering in the London Underground. These “shelter pictures” were circulated to millio...
“The camera,” said Orson Welles, “is a medium via which messages reach us from another world.” It was the camera and the circumstances of the Second World War that first brought together Henry Moore (1898–1986) and Bill Brandt (1904–1983). During the Blitz, both artists produced images depicting civilians sheltering in the London Underground. These “shelter pictures” were circulated to millio...






















