Black Coffee (Hercule Poirot Series)

Black Coffee (Hercule Poirot Series)


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Product Details

ISBN-13: 9780573110252
Publisher: Samuel French Ltd
Publication date: 01/01/1961
Series: Hercule Poirot Series
Pages: 110
Sales rank: 265,412
Product dimensions: 5.50(w) x 8.50(h) x 0.23(d)

About the Author

Agatha Christie is the best-selling author of all time. She wrote eighty crime novels and story collections, fourteen plays, and several other books. Her books have sold roughly four billion copies and have been translated into 45 languages. She is the creator of the two most enduring figures in crime literature—Hercule Poirot and Miss Jane Marple—and author of The Mousetrap, the longest-running play in the history of modern theatre. Christie was born in Torquay, Devon in 1890. She died in 1976 in Wallingford, Oxfordshire.

Date of Birth:

September 15, 1890

Date of Death:

January 12, 1976

Place of Birth:

Torquay, Devon, England


Home schooling

Read an Excerpt


Hercule Poirot sat at breakfast in his small but agreeably cosy flat in Whitehall Mansions. He had enjoyed his brioche and his cup of hot chocolate. Unusually, for he was a creature of habit and rarely varied his breakfast routine, he had asked his valet, George, to make him a second cup of chocolate. While he was awaiting it, he glanced again at the morning's post which lay on his breakfast table.

Meticulously tidy as always, he had placed the discarded envelopes in one neat pile. They had been opened very carefully, with the paper-knife in the form of a miniature sword which his old friend Hastings had given him for a birthday many years ago. A second pile contained those communications he found of no interest -- circulars, mostly -- which in a moment he would ask George to dispose of. The third pile consisted of those letters which would require an answer of some kind, or at least an acknowledgement. These would be dealt with after breakfast, and in any case not before ten o'clock. Poirot thought it not quite professional to begin a routine working day before ten. When he was on a case -- ah, well, of course that was different. He remembered that once he and Hastings had set out well before dawn in order to --

But, no, Poirot did not want his thoughts to dwell on the past. The happy past. Their last case, involving an international crime organization known as The Big Four, had been brought to a satisfactory conclusion, and Hastings had returned to the Argentine, his wife and his ranch. Though his old friend was temporarily back in London on business connected with the ranch, it was highly unlikely that Poirot and he would find themselves working together again to solve a crime. Was that why Hercule Poirot was feeling restless on this fine spring morning in May 1934? Ostensibly retired, he had been lured out of that retirement more than once when an especially interesting problem had been presented to him. He had enjoyed being on the scent again, with Hastings by his side to act as a kind of sounding board for his ideas and theories. But nothing of professional interest had presented itself to Poirot for several months. Were there no imaginative crimes and criminals any more? Was it all violence and brutality, the kind of sordid murder or robbery which was beneath his, Poirot's, dignity to investigate?

His thoughts were interrupted by the arrival, silently at his elbow, of George with that second and welcome cup of chocolate. Welcome not only because Poirot would enjoy the rich, sweet taste, but also because it would enable him to postpone, for a few more minutes, the realization that the day, a fine sunny morning, stretched before him with nothing more exciting in prospect than a constitutional in the park and a walk through Mayfair to his favourite restaurant in Soho, where he would lunch alone on -- what, now? -- perhaps a little pate to begin, and then the sole bonne femme, followed by --

He became aware that George, having placed the chocolate on the table, was addressing him. The impeccable and imperturbable George, an intensely English, rather wooden-faced individual, had been with Poirot for some time now, and was all that he wished in the way of a valet. Completely incurious, and extraordinarily reluctant to express a personal opinion on any subject, George was a mine of information about the English aristocracy, and as fanatically neat as the great detective himself. Poirot had more than once said to him, "You press admirably the trousers, George, but the imagination, you possess it not." Imagination, however, Hercule Poirot possessed in abundance. The ability to press a pair of trousers properly was, in his opinion, a rare accomplishment. Yes, he was indeed fortunate in having George to look after him.

"-- and so I took the liberty, sir, of promising that you would return the call this morning," George was saying.

"I do beg your pardon, my dear George,'' replied Poirot. "My attention was wandering. Someone has telephoned, you say?''

"Yes, sir. It was last night, sir, while you were out at the theatre with Mrs. Oliver. I had retired to bed before you arrived home, and thought it unnecessary to leave a message for you at that late hour.''

"Who was it who called?''

"The gentleman said he was Sir Claud Amory, sir. He left his telephone number, which would appear to be somewhere in Surrey. The matter, he said, was a somewhat delicate one, and when you rang you were not to give your name to anyone else, but were to insist on speaking to Sir Claud himself.''

"Thank you, George. Leave the telephone number on my desk,'' said Poirot. ``I shall ring Sir Claud after I have perused this morning's Times. It is still a trifle early in the morning for telephoning, even on somewhat delicate matters.''

George bowed and departed, while Poirot slowly finished his cup of chocolate and then repaired to the balcony with that morning's newspaper.

A few minutes later The Times had been laid aside. The international news was, as usual, depressing. That terrible Hitler had turned the German courts into branches of the Nazi party, the Fascists had seized power in Bulgaria and, worst of all, in Poirot's own country, Belgium, forty-two miners were feared dead after an explosion at a mine near Mons. The home news was little better. Despite the misgivings of officials, women competitors at Wimbledon were to be allowed to wear shorts this summer. Nor was there much comfort in the obituaries, for people Poirot's age and younger seemed intent on dying.

His newspaper abandoned, Poirot lay back in his comfortable wicker chair, his feet on a small stool. Sir Claud Amory, he thought to himself. The name struck a chord, surely? He had heard it somewhere. Yes, this Sir Claud was well-known in some sphere or other. But what was it? Was he a politician? A barrister? A retired civil servant? Sir Claud Amory. Amory.

The balcony faced the morning sun, and Poirot found it warm enough to bask in for a moment or two. Soon it would become too warm for him, for he was no sun- worshipper. "When the sun drives me inside,'' he mused, "then I will exert myself and consult the Who's Who. If this Sir Claud is a person of some distinction, he will surely be included in that so admirable volume. If he is not--?'' The little detective gave an expressive shrug of his shoulders. An inveterate snob, he was already predisposed in Sir Claud's favour by virtue of his title. If he were to be found in Who's Who, a volume in which the details of Poirot's own career could also be discovered, then perhaps this Sir Claud was someone with a valid claim on his, Hercule Poirot's, time and attention.

A quickening of curiosity and a sudden cool breeze combined to send Poirot indoors. Entering his library, he went to a shelf of reference books and took down the thick red volume whose title, Who's Who, was embossed in gold on its spine. Turning the pages, he came to the entry he sought, and read aloud.

AMORY, Sir Claud (Herbert); Kt. 1927; b. 24 Nov. 1878. m. 1907, Helen Graham (d. 1929); one s. Educ: Weymouth Gram. Sch.: King's Coll.: London. Research Physicist GEC Laboratories, 1905; RAE Farnborough (Radio Dept.), 1916; Air Min. Research Establishment, Swanage, 1921; demonstrated a new Principle for accelerating particles: the travelling wave linear accelerator, 1924. Awarded Monroe Medal of Physical Soc. Publications: papers in learned journals. Address: Abbot's Cleve, nr. Market Cleve, Surrey. T: Market Cleve 304. Club: Athenaeum.

"Ah, yes,'' Poirot mused. "The famous scientist.'' He remembered a conversation he had had some months previously with a member of His Majesty's government, after Poirot had retrieved some missing documents whose contents could have proved embarrassing. They had talked of security, and the politician had admitted that security measures in general were not sufficiently stringent. "For instance,'' he had said, "what Sir Claud Amory is working on now is of such fantastic importance in any future war-- but he refuses to work under laboratory conditions where he and his invention can be properly guarded. Insists on working alone at his house in the country. No security at all. Frightening.''

I wonder, Poirot thought to himself as he replaced Who's Who on the bookshelf, I wonder -- can Sir Claud want to engage Hercule Poirot to be a tired old watchdog? The inventions of war, the secret weapons, they are not for me. If Sir Claud --

The telephone in the next room rang, and Poirot could hear George answering it. A moment later, the valet appeared. "It's Sir Claud Amory again, sir,'' he said.

Poirot went to the phone. "'Allo. It is Hercule Poirot who speaks,'' he announced into the mouthpiece.

"Poirot? We've not met, though we have acquaintances in common. My name is Amory, Claud Amory--''

"I have heard of you, of course, Sir Claud,'' Poirot responded.

"Look here, Poirot. I've got a devilishly tricky problem on my hands. Or rather, I might have. I can't be certain. I've been working on a formula to bombard the atom--I won't go into details, but the Ministry of Defence regards it as of the utmost importance. My work is now complete, and I've produced a formula from which a new and deadly explosive can be made. I have reason to suspect that a member of my household is attempting to steal the formula. I can't say any more now, but I should be greatly obliged if you would come down to Abbot's Cleve for the weekend, as my house-guest. I want you to take the formula back with you to London, and hand it over to a certain person at the Ministry. There are good reasons why a Ministry courier can't do the job. I need someone who is ostensibly an unobtrusive, unscientific member of the public but who is also astute enough--''

Sir Claud talked on. Hercule Poirot, glancing across at the reflection in the mirror of his bald, egg-shaped head and his elaborately waxed moustache, told himself that he had never before, in a long career, been considered unobtrusive, nor did he so consider himself. But a weekend in the country and a chance to meet the distinguished scientist could be agreeable, plus, no doubt, the suitably expressed thanks of a grateful government -- and merely for carrying in his pocket from Surrey to Whitehall an obscure, if deadly, scientific formula.

"I shall be delighted to oblige you, my dear Sir Claud,'' he interrupted. "I shall arrange to arrive on Saturday afternoon, if that is convenient to you, and return to London, with whatever you wish me to take with me, on Monday morning. I look forward greatly to making your acquaintance.''

Curious, he thought, as he replaced the receiver. Foreign agents might well be interested in Sir Claud's formula, but could it really be the case that someone in the scientist's own household--? Ah well, doubtless more would be revealed during the course of the weekend.

"George,'' he called, ``please take my heavy tweed suit and my dinner jacket and trousers to the cleaner's. I must have them back by Friday, as I am going to the Country for the Weekend.'' He made it sound like the Steppes of Central Asia and for a lifetime.

Then, turning to the phone, he dialled a number and waited for a few moments before speaking. "My dear Hastings,'' he began, "would you not like to have a few days away from your business concerns in London? Surrey is very pleasant at this time of the year''

Black Coffee. Copyright (c) 1997 by Agatha Christie, Limited. Afterword (c) 1998 by Agatha Christie, Limited. All rights reserved. Published by St. Martin's Press, Inc. New York, NY

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Black Coffee 3.6 out of 5 based on 0 ratings. 43 reviews.
sbd1988 More than 1 year ago
If you like reading and mysteries, try reading this classic mystery Black Coffee by Agatha Christie, the dame of mysteries! Black Coffee is one of many books devoted to the mysteries solved by Hercule Poirot. In this book, the famous detective Monsieur Poirot works to uncover the mystery of the missing formula, the chilling death of the scientist, and the true identities of a few family members. He, alongside Captain Hastings, listens to his "little gray cells," which tell him that there is a rat that needs to be caught in Poirot's trap. You'll have to read in order to find out! I enjoy hearing what Captain Hastings comes up with while thinking of possible explanations, and all the while, all he would have to do is look in the cups of black coffee. I had it narrowed down to three people when I started on the next to last chapter, and before I could finish the book, I was barely catching up to Mr. Hercule's theory. While many readers might want to chase after newer mysteries, I feel that they should look at the classics first because Agatha Christie is the woman who inspired many of the newer mysteries. Her intelligence is still relevant and marvelous today. I would recommend this to anyone who loves a good mystery!
ChristieFan More than 1 year ago
As usual Poirot's little gray cells figured it all out before I could!
medicviews More than 1 year ago
The plot was very good and the characters were teasers -- you wanted to know more about the people and the subplots
Guest More than 1 year ago
Very intellegent book. It will surprise you, and you will think you know the end. But the solution will be as visable as the bottom of a cup of Black Coffee.
Guest More than 1 year ago
This book was really entertaining and a great murder mystery. If you're looking for a good book to be read in an hour or two - pick up this one!
Guest More than 1 year ago
I'm a huge fan of Christie and this is one of her best! It's a classic and Very hard to figure out. I loved Pioret and Hastings
Anonymous More than 1 year ago
shirleybecky More than 1 year ago
As always, great detail is given to the characters involved. The location of the crime is layed out immediately, and then a look at each character is begun. Personal attitudes and possible character blemishes are shared to develop the characters providing a need to know more about the person. That is what makes it a great read. You know immediately that suspects are being developed. Along the way you get to enjoy descriptions of the era, the way of life, the and a trip into the past. This is expected from each and every Agatha Christie book. And it never gets old because it's what you want. Great for traveling or a quick read anytime when the objective is to relax and leave your stress behind.
Guest More than 1 year ago
Black Coffee is not a bad story, but it is oh so obviously NOT Agatha's wonderful writing which fills in the spaces between the dialog. The writer said that Poirot was ever the snob and my jaw dropped. Poirot is egotistical, yes, but he is no snob - his interrogations of servants, for example, are oh so kind and gentle. He does not suffer crooks or fools, but his heart is full of kindness - all reasons why I find him so loveable.
debnance on LibraryThing 2 days ago
I¿m not much of a mystery reader, but I¿ve never read Agatha Christie and I wanted to, so thus, this book. I read the first fifty pages in a flash. This is not what I¿d expected from Agatha, I thought. This is light reading. Lots of dialogue, minimal action.As I looked more carefully at the book, I found out why. Despite the enormous AGATHA CHRISTIE written on the front cover, Black Coffee, the book, was not actually written by Christie. It is derived from a play Christie wrote, but it was actually written as a book by someone else. So, have I read Christie or haven¿t I? I think not. I must still seek out a Christie for the whole experience. Black Coffee was watered down Christie.
benfulton on LibraryThing 2 days ago
I disapprove of authors without the creativity to come up with their own characters. But at least this adaptation doesn't claim to be new prose; it's rather based on a play that Dame Christie wrote early in her career. As such, and like most novels that are based on movies, it is a very light read and you can knock it it out in very little time. To enjoy it fully, imagine that it is a play rather than a book: visualize the stage, the actors moving across it. Imagine Poirot with all his foibles walking in front of you, interviewing the suspects, unmasking the killer at the end. But above all, don't ask for too much from this book. Just enjoy what it can give you.
jonesli on LibraryThing 2 days ago
It's obvious that this book is in fact based on a play. Perhaps it should have been left that way. I found this book to be a very quick effortless read, mainly to get it over with and that one did not have to pay too much attention to the detail.
storyjunkie on LibraryThing 2 days ago
A very quick read, this "novel" shows its origins as a stage production very clearly. As is required for a stage production, there are a limited number of players and layers available to the story, and Osborne did not embellish with any additional ones, nor should he have. Poirot is in fine style, and the mystery is intriguing with just a hint of wider-world implications.
EmScape on LibraryThing 2 days ago
I kept thinking that this would make a really excellent play. Come to find out, from the afterword, that it actually was a play, adapted to novel form by the author of The Life and Crimes of Agatha Christie. This is fortunate, because, really it would be better seen than read. This tale seemed quite sophomoric and the murderer was revealed to any careful reader near the beginning of the book. I kept thinking it would turn out differently in the end, or perhaps I'd read it wrong, but apparently I hadn't. Disappointing. This is actually only the second Agatha Christie novel I've read, the first being And Then There Were None, which I read after playing a computer game adapted from that novel. I've really got to read an actual Agatha Christie book without an adaptation. I'd then have a better feel for her writing, and be able to compare this better to her other work.
mstrust on LibraryThing 2 days ago
I would suggest the reader of Black Coffe remind themselves repeatedly that this is not entirely her work and therefore not her fault. There is too much of a feeling of staging for this to work as a novel. Every step is presented for the reader/audience to see so that the mystery isn't a mystery at all. Most jolting to me were the theatrical gasps/screams and near faints from the fragile female characters which harken back to the olden days of theatre.
DoskoiPanda on LibraryThing 2 days ago
Not really an original Christie, this, and it shows in the writing. Originally a play, Black Coffee has been adapted as a novel here (with permission of Christie's family) by Charles Osborne. It's a good locked room mystery, and would be great fun as a stage performance, but as a novel it isn't quite up to Christie's usual standard. Also, the font size is large, for some reason, for a paperback (it isn't meant to be a large print edition) which kept throwing me off.
lizzybeans11 on LibraryThing 2 days ago
Another great Christie mystery. Poirot is called to the house of a scientist friend who needs the impeccable detective to solve the mystery of a theft - and then murder.This was originally a play and was novelized well after Christie's death. The play had a good run but wasn't as successful as some of her other plays. Although the novelization wasn't strictly penned by her, it still fits very well within the Poirot cannon.
LorrieH on LibraryThing 2 days ago
A strange experience - this book has Christie's plot & characters but there is no depth -it's a shadow of a Christie novel.
BookAngel_a on LibraryThing 3 months ago
Frankly I couldn't believe my eyes when I read this. There, plainly, in print, the murderer was given away in the first 50 pages of the book! Maybe I wasn't supposed to figure it out, but the murderer's actions were described quite plainly. I was disappointed. But then I thought: Maybe it had to be this way because it was a novel adapted from a play. In the play, obviously, the murderer's actions would be described so the actors could act - it was up to the audience to pick up on it. And I was the audience, and I DID pick up on it. But honestly, a die-hard Christie fan like myself HAS to read this book because so many beloved characters are there: Poirot, Hastings, Inspector Japp, etc. So reading the book is like going back to old friends that you thought you bid adieu. The 3 books Osborne adapted as novels are like the "lost Agatha Christie novels".
KnittyGritty on LibraryThing 3 months ago
Go back to the 1940's & the elegant living of the upper class. Typical Agatha Christie/Hercule Poirot plot & attention to detail. As usual, the butler DIDN'T do it!
miss_scarlet on LibraryThing 3 months ago
Though not completely written by Agathie Christie herself, it is a faithful likeness to her writing. Just as good as any other novel of hers.
sgerbic on LibraryThing 3 months ago
Reviewed Nov 1999 How exciting to find a ¿new¿ Christie that I haven¿t read. How disappointing to find out that the stolen document was in the same place that a missing letter was in ¿The Mysterious Affair at Styles¿ and I knew it as soon as the fireplace spills were mentioned. Also disappointing was on page 49-50...¿turning his back to Lucia, the secretary took some tablets from his pocket and dropped them into the cup he was holding.¿ So from that point on I knew who the murderer was. i understand that Christie originally wrote this as a play so everything needed to be included. But did Osborne need to include it?
Anonymous More than 1 year ago
From the famous works of Agatha Christie, comes the novel that tops them all. In the famed novel Black Coffee by Agatha Christie, the story tells of murder and mischief, and the heartaches that come with it. The story says goodbye to all the things you thought you knew about murder. The novel turns you around in circles and leaves people wondering what will happen next. This is just one of the many greats done by Agatha Christie and keeps readers turning the page, and wanting more and more. The fiction novel Black Coffee by Agatha Christie is placed in the old countryside of England in 1934 where a famous scientist by the name of Sir Claud Amory who has come up with a formula that is considered deadly, but now he has got a rather devilish problem on his hands, which turns into a masterminded plot against him. He calls for the assistance of Hercule Poirot, a retired detective, and his old friend Hastings to work the case. After dinner one night everyone staying at the old victorian house agrees to have a cup of coffee, but the mood soon turns glum after Hercule Poirot arrives and finds that Sir Claud is dead by poisoning. He must now investigate all the witnesses to the crime, Sir Armory’s family. Along the story there are moving alibis and possible motives that shocked everyone even me. All in all the killer is someone who no one ever expected. Hercule Poirot is the main character of the story. “Ostensibly retired, he had been lured out of that retirement more than once when an especially interesting problem had been presented to him (pg 3 Black Coffee). He seems to put a funny twist to the situation like on page 4 and Hercule said, “You press admirably the trousers, George, but the imagination you posses is not.” These are the sorts of things that made me like this particular book so much, because of the weirds additions written into the plot and characters. Along with the others characters, Hercule weaves through evidence and the clues that will reveal the real murderer like a pro. The story is told through the eyes of Agatha Christie, and the decorative language used throughout the book is phenomenal. On page 143 Christie tells of how Poirot inspects the library, “Poirot exclaimed as he gingerly drew a finger along the shelf again, making a grimace as he did so.” It is words like these that show the real maturity of the author and her experience with writing. The overall theme of the book is there is a question behind every answer. In the book the important questions asked, reveal who the real killer is and their personality. The theme tells how everyone is curious about something, and how the questions they ask always come with a response that is never expected. The bottom line is Black Coffee is a book that weaves the reader through a maze of possibilities and fast ending motives. This is a book that tests you curiosity and imagination through the art of mystery. This novel book is for the people who love a good twist on plots and how the plot changes throughout the book. This is for the ones who wonder what happens next and the ones who were stunned from the paragraph they just read. Black Coffee is the type of book that mystery readers are craving for, the book puts all the keys of a good mystery into one story and tells it so magnificently, you can’t stop reading. Agatha Christie is known for great novels, but this one tops them all.
Anonymous More than 1 year ago
I'm sorry to admit it, but this book was a bit of a disappointment. I kniw it was intended as a play, but it shoild have stayed that way. I can respect that Christie fans, like myself, love to have a new book of hers to read, but this really just didnt do it for me. I'll give a hundred star rating to any other book of hers, though.
Anonymous More than 1 year ago