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Black Virgin Mountain: A Return to Vietnam

Black Virgin Mountain: A Return to Vietnam

3.6 5
by Larry Heinemann

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In 1967 Larry Heinemann was sent to Vietnam as an ordinary soldier. It was the most horrific year of his life, truly altering him—and his family—forever. In his powerful memoir, Heinemann returns to Vietnam, riding the train from Hanoi to Ho Chi Minh city and confronting the memories of his war year. Black Virgin Mountain confirms Heinemann’


In 1967 Larry Heinemann was sent to Vietnam as an ordinary soldier. It was the most horrific year of his life, truly altering him—and his family—forever. In his powerful memoir, Heinemann returns to Vietnam, riding the train from Hanoi to Ho Chi Minh city and confronting the memories of his war year. Black Virgin Mountain confirms Heinemann’s legendary plain-spoken reputation as one of the essential chroniclers of our war in Vietnam

Editorial Reviews

From the Publisher
“A brilliant, masterful piece of writing. . . . Loving, smart, angry, tender, blunt, heartbreaking, tough, edgy, funny, bitter, redemptive, and so incredibly well-written. . . . Black Virgin Mountain, I promise, will endure.”–Tim O’Brien, author of The Things They Carried“No American novelist has written about the profound issues of military combat better than Larry Heinemann. Now he has written—in that ravishingly dynamic narrative voice that is distinctly his own—the finest memoir to come from the Vietnam War.” –Robert Olen Butler, Pulitzer Prize-winning author of A Good Scent from a Strange Mountain“Heinemann [is]. . . some would say, the best writer of the Vietnam generation. . . . [Black Virgin Mountain] puts the Vietnam War in the context of America’s other wars, at least in regard to what any war does to its veterans.” –Los Angeles Times“An excellent gateway to the war and its impact on families, American and Vietnamese. Heinemann takes the reader on an extraordinary journey of reconciliation both for himself and for Vietnam.”–Chicago Sun-Times
Publishers Weekly
This may be the only book written by an American veteran that harshly condemns Gen. William Westmoreland and sings the praises of Vietnamese Gen. Vo Nguyen Giap. Heinemann's autobiographical Close Quarters (1977) is one of the most underappreciated in-country Vietnam War novels; Paco's Story (1987), a biting tale of the war's brutal emotional aftermath, won the National Book Award for fiction. Part memoir, part travelogue, part personal political treatise, Heinemann's first nonfiction effort is also a winner. His evocative look at his eventful 1967-1968 tour with a 25th Infantry Division mechanized infantry battalion contains a bitterly strong indictment of the politicians and generals who waged the war, and tracks his transformation from a nonpolitical son of the working class into a disillusioned young soldier who became virulently politicized. That narrative is framed by a trip Heinemann took to Vietnam in 1992 with fellow American Vietnam veteran writers as guests of the Vietnam Writers Association. What he found on that and subsequent visits jibes with nearly all of the other "going back" books by American veterans: a warm welcome from a nation at peace. The book's title refers to an epiphanic climb in 1992 to the top of Black Virgin (Nui Ba Den) Mountain-a talisman of sorts to many Americans who served in Tay Ninh Province during the war: "I'm home, I say to myself; I have arrived home; this place is home." (Apr. 19) Copyright 2005 Reed Business Information.
Library Journal
The author of Paco's Story recalls his 1992 visit to Hanoi and environs as guest of the Vietnam Writers Association. Copyright 2004 Reed Business Information.
Kirkus Reviews
Writing of his return to Vietnam almost three decades after he went to war and came home "pissed off and ground down by a bottomless grief I could not right then begin to express," novelist Heinemann still vents rage and melancholia. He's not some old soldier trying to recapture the good old days, insists the National Book Award winner (Paco's Story, 1986, etc.). Images of torn, shattered, and crisp-burnt corpses resurface along with the constant prod of the eternal question: for what? For roughly the first half, Heinemann can muster only tortured placeholders for an answer: generally, variations on the theme of war as the ultimate obscenity. (A close reading of his text should, incidentally, dissuade anyone who professed to believe that John Kerry single-handedly cobbled up stories of American atrocities in Vietnam.) Heinemann's memories are vivid, almost brutally etched, particularly with respect to ordinary soldiers' behavior as the wrong-headedness of the whole deal starts to sink in. Troops discovered, for example, that they had commonly arrived at the conclusion that the best way to expose anyone who gave a stupid order, from President Johnson or General Westmoreland on down to the "lifers" (career officers) on the front lines, was to follow it to the letter. Heinemann's trip back in 1990 with a company of writers immediately began to prompt purgative effects-along with the horrific memories. He began a kind of "brothers in arms" reconstruction of what the Viet Cong were all about, how they moved in the night and through the dreaded Cu Chi tunnels. On a subsequent trip he was impelled to ascend Black Virgin Mountain (Nui Ba Den), which gave him a view of nearly the entire area inwhich his war year was spent. On the summit, he realized that he felt oddly but undeniably at home. An angry yet ultimately moving journal of the quest for closure many Vietnam vets may never find.

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Knopf Doubleday Publishing Group
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5.29(w) x 7.99(h) x 0.57(d)

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Several Facts

I was a soldier once, and did a year's combat tour in Vietnam with the 25th Infantry Division at Cu Chi and Dau Tieng from March 1967 until March 1968.

The town of Cu Chi, twenty miles or so northwest of Saigon, straddled Highway #1 (see map) and was profoundly undistinguished. The American base camp was just outside of town. Nowadays it is famous to the world for the Tunnels of Cu Chi, built by the South Vietnamese guerrillas with ordinary garden tools over a decade and more, and which spread out (if you stretched it) beneath us two hundred kilometers' worth. I am told that the local Vietnamese revolutionaries looked on in astonishment as our division engineers laid out and then built the base camp of considerable acreage over a portion of the tunnels. This was not to be the last of the 25th Division's fuckups. Is it any wonder that when asked to describe the Americans during the war, about all that occurs to the Vietnamese is that we were "brave" and "valorous"? That's what armchair historians say about the Federal troops who assaulted the Stone Wall at the foot of Marye's Heights during the Battle of Fredericksburg in 1862, and who disappeared, said one participant, like snow falling on warm ground.

Dau Tieng was the base camp for the division's 3rd Brigade, squat in the middle of the Michelin Rubber plantation—forty miles north (and a touch west) of Saigon as the crow flies—in Cochin China; the classic image of a company town in every sense of the word. The Americans lived in run-down tents with dirt floors and slept on cots (the canvas all but rotting off the wooden frames), and shared the base camp with half a dozen large French colonial manor houses that had galleries all the way around where the plantation management and extremely senior brigade officers lived, tile-roofed plantation outbuildings, and an aboveground Olympic-size swimming pool (of all things); the lanes and gardens were lushly shaded with plane trees—just like in the movies. Outside the perimeter, the village streets were lined with offices, block-long clusters of company-owned housing, and somewhere in there was the ubiquitous company store. Down by the river was a huge latex processing plant that gave off a heavy industrial stink rivaled only by the leaden, acrid smell of foundries and mills in Southside Chicago and Gary, or the bourbon distilleries of Bardstown, Kentucky, on sour-mash day. The thick orchards of working rubber trees came nearly to the base camp perimeter, which was marked off with sloppy coils of concertina wire and spotted with sandbag bunkers, pathetic and well-weathered hovels that collected garbage and rats. The plantation ("the rubber," we called it) was laid out with cornfield-like precision that was seriously scary but somehow pleasing to look at; there was an undeniable parklike atmosphere. It should come as no surprise to hear that during the war the tending of the broad stands of rubber trees and the harvesting of raw latex diminished year by year, but it never ceased. War was war, to be sure, but business was (ever and always), of course, still business. Halfway through my tour we were told that the Army had to pay Michelin an indemnity for every rubber tree we knocked down—an easy thing to do with a thirteen-ton armored personnel carrier; a thousand dollars per tree, more or less. Well, after we heard that, we never missed a chance to take a whack at one. Fuck rubber trees; fuck the Michelin Rubber Company; fuck the Army.

In the spring of 1966 my younger brother Richard and I had received our draft notices, and we submitted to conscription with soul-deadening dread; Richard was twenty and I was twenty-two. No one told us we could hightail it to Canada. No one told us we could declare ourselves conscientious objectors and opt for alternative service—a special punishment all by itself during those years (like the preacher's son I know who did two years in a big-city hospital morgue; might as well have been Graves Registration). No one told us there were any alternatives. Even joining the National Guard, another well-known way of avoiding military service, was a waste of our time because everyone knew the waiting list was a mile long. You had to be a well-connected politician's kid, some big-name professional athlete, or have some sort of clout otherwise. Such things were not a topic of conversation in our family, anyway. Always, the word in our house was: graduate high school; get a job. Ida Terkel, Studs Terkel's wife, once asked what it would have taken to keep my brother and me from going, and I told her that in 1966 she would have had to come into our house, sit down at our dining room table, and explain it. All we knew was that if we didn't show up for induction, a couple of guys from the FBI would come looking for us, and off to jail we would go; and jail, then as now, was no fun.

Our draft notices, literally facetious letters of congratulation from President of the United States Lyndon Johnson, arrived in the same mail. Richard and I walked together through our induction physical with one hundred other guys, passed together, took the oath together, were put on a train together (the Illinois Central's City of New Orleans, as it happened), and taken south for Basic Training at Fort Polk near Leesville, Louisiana. Fort Polk, home of the Tiger Brigade, where the
11-Bravo light weapons infantry trained before going straight overseas.* I was born and raised in Chicago, and I hadn't been much farther away from home than St. Louis. Our family was not much for traveling, and the farther south Richard and I (and the rest of the conscripts) traveled, the more depressing the countryside looked. Here was my first unsullied look at the rural, Southern poor; ramshackle farms with unpainted barns and swaybacked barbed-wire fences, dry-earth fields, and well-weathered farm machinery (the paint job all but burnt away). And it was hot; God, was it hot, and the rain came down in roaring sheets and filled the overlarge ditches to the brim. More than once the runoff came down the hill at the back of our barracks and washed in one door and out the other. Between downpours everything was dry and dusty, and crawling around the woods, training our little hearts out, everyone in the company agreed that Fort Polk was on the same list of shit-holes with Fort Leonard Wood in Missouri, Fort Ord in California, Fort Bragg in North Carolina, and Fort Hood in Texas. I looked around at the military squalor and thought to myself that when Louisiana seceded from the Union all those years ago, they should have declared New Orleans an open city and let the rest go. Richard and I were sent to the same training company, the same platoon, the same second-floor squad bay where we stood side by side in front of our bunks every morning for inspection. Our father, an awkward and uncommunicative man, sent self-conscious, not-quite-newsy letters; I would get the original and Richard the carbon copy. Our training company was made up of guys from Chicago and California. The draftees among us laughed loud and long at the Regular Army volunteers—the poor suckers who got conned into joining up; the Army was going to make a man of them; they were going to "learn a trade." That got a laugh every time. And, I kid you not, one of the California enlistees was a guy named Gump—"Like gum with a pee," he was always careful to explain.

Here we encountered what is perhaps the dumbest man I have ever met. Drill Sergeant S——-, one of those classic, dufus boneheads for which the Army is only too famous. It's the guys like him who wind up working as guards in military prisons—that he can handle. The kindest thing you could say about Drill Sergeant S——- was that he was not the sharpest knife in the drawer.

You need to know that during the post-World War Two Cold War years of Selective Service, every once in a blue moon twins would be drafted together, go through Basic Training together, but afterward split up and deliberately be sent their separate ways. This was because of the Sullivan Rule: in 1942 the five brothers named Sullivan of Iowa joined the Navy, and for sentimentality's sake were allowed to serve together aboard the cruiser USS Juneau; that November the Juneau was struck by a Japanese torpedo and sank along with seven hundred crewmen, including all five of the Sullivans—George, Francis, Madison, Joseph, and Albert (the youngest). The shock of that singular loss, not to mention the utter devastation to the family, caused the military to adopt the strict policy that blood kin brothers could train together but could not afterward be compelled to serve together—just in case—even in the same war zone.

Well, Richard and I stood side by side in formation and, aside from our white-cloth name tags over our right shirt-pockets, it was obvious by our brown hair, blue eyes, and the clefts in our chins that we were brothers. But I was two years older than Richard and half a head taller—we were definitely not twins. However, Drill Sergeant S——- simply could not get his mind around that fact; as if his imagination and view of the world would not permit it. He would eyeball us from under the wide, flat brim of his Yogi Bear drill sergeant's campaign hat. He'd look at Richard and his name tag; then he'd look at me and mine. Finally, S——- would say something like, "I know you two squirrels are trying to pull something, and when I catch you dipsticking around with whatever little scheme you've got cooked up, you are in big, big, big trouble."

What, I ask you, do you say to that? In later years we spoke of that clown many times.

Well, we horsed around Fort Polk for eight weeks, and about the only thing anybody ever got out of Basic was "in shape"; all those first-thing-in-the-morning miles of the Airborne shuffle, all those push-ups and jumping jacks and squat thrusts (PT, we called it); all those hours in the bayonet pit where we learned that the spirit of the bayonet was "to kill!"; all those sessions in the sand-filled hand-to-hand pit where we learned to "rip your head off and shit down your neck"; all those pugle-stick brawls; all those sessions at the rifle range; all of the brigade chaplain's character lectures. You learned to call everyone by his last name; even Richard and I called each other Heinemann, laughing. The fat guys thinned down and the skinny guys like me gained weight, and just about everybody wised up.

After Basic, Richard and I went our separate ways.

He was sent to the artillery at Fort Sill, Oklahoma, and eventually wound up in Germany on the crew of a Pershing missile. There is more to his story, and we will come to it by and by.

I was sent to Fort Knox (famous as the Gold Depository and "The Home of Armor") to join the armored cavalry—my specialty would be reconnaissance (Armored Intelligence; recon, we called it). Our cadre kept telling us that we were "the eyes and ears of the combat arms," trying to hide their smirks and instill in us skeptical draftees what passed for esprit de corps. A hundred-twenty-thirty-forty years ago, I would have been a scout in the horse cavalry. You know, the flinty Lee Marvin character in the John Wayne movies, looking sharkish in his mountain-man leathers with a beard like an inner tube, a juicy hunk of chew in his cheek, an eagle feather as long as your arm tied to his hair, and a hard-boiled voice straight out of a whiskey kegger. He'd be packing an Arkansas toothpick, a vintage model lever-action Winchester, a Henry buffalo rifle (one shot will bring down a twelve-hundred-pound buffalo), and a couple of six-shot 1851 Navy Colt revolvers in a carnival display of visceral panache. And he'd be mounted on some big-ass, steady-as-a-rock chestnut plow horse (called Bubbles or Hipshot or Standard Issue). After scouring the tall savanna grass of the Old-West Great Plains scaring up Indians (like a setter flushing pheasant), he'd ride back hell-for-leather and come pounding up to Mr. Wayne with hair a-flying and eyes wild, whooping and shouting, leaning way out of the saddle, "Balls o' fire, Kunnel! A whole passel of Injins! Lots of 'em. 'Ata way."

In Vietnam, to be called a "John Wayne" was a flat-out insult. Boyhood hero as verb: to John Wayne it, to pull a "John Wayne," was strictly for the ticket-punching lifers, the Boy Scouts, and the other assorted hot-dog, hero wannabes—the guys who had watched way too much television. You want somebody to take a mess of hand grenades and assault that bunker up the slope yonder? Well, sir, get John. He's just that big a fool, right down to pulling the pins with his teeth; dead already, went the running gag, but too dumb to lie down. John Wayne's real name was Marion Michael Morrison, and the man, the husband and father, the actor, was likely as friendly and likable and generous and gregarious as the day is long. But "John Wayne," the big-screen Technicolor postwar film persona and pop culture legend I grew up with, was something altogether different. His 1968 film The Green Berets is especially patronizing and insulting, though screamingly funny in a gallows-humor sort of way, right up to and including the closing image when he stands with his arm around a young Vietnamese lad at the very edge of what we are to suppose is the South China Sea, facing east, watching the sun "go down." In the late spring of 1979, I was driving home one night and happened to catch the Chicago Sun-Times headline in a street-corner vending machine out of the corner of my eye: JOHN WAYNE DIES. I started giggling, then laughing, then roaring with laughter. "John Wayne," the larger-than-life Hollywood character, the very beans of testosterone-poisoned, cartoon-macho movie bullshit, was dead; finally, and thank God. I laughed so hard that tears came to my eyes and I had to pull to the curb.

Military service has been important to the have-not, working-class young men in this country at least since the time of the famous Irish "famine boats," when the men were recruited into the Civil War Union Army right at the dock. Military service will always be seen as a "crucial rite of passage" for young men; if it was good enough for the old man and the uncles, it's good enough for me. Just finished with school, looking to get out of the house once and for all, ready to scratch the traveling itch and see the world? Might as well start with Germany. Ah, those lusty frauleins; ah, the Bavarian Alps; ah, Oktoberfest. For some, military service is the only way up and out. And some are driven to military service by legal circumstances; it is understood as an all-but-fatal chore—just grit your teeth, cousin, gulp down your reluctance, and get through it. Regardless, here commences the rest of your education with a little something about how the world actually works—the banal, bland imagination and pervasive stupidity of large, severely organized hierarchies and the closely shaved, narrow-minded venal immaturity of the guys "in charge." And, if you don't already know, you learn that the world at large doesn't much care if you live a decent life or die in a ditch with a bullet in your head and dirt in your mouth. You are not so much a number, not even one of those famous bricks in the wall, as you are a cipher, like the tick of chalk on a dart game scoreboard. Our armed forces have always recruited heavily among the nation's high schools. Boards of education everywhere are only too glad to give the buffed-out, hardy-looking recruiters all the time they need for the shuck and jive pep talk, the four-color posters, and the slick commercial video showing the happy smiles of the Airborne Rangers as they shinny down ropes dangling into verdant pastures—and a lot of guys go for it. (Nowadays a lot of young women go for it, too.) Here is an endless supply of cheap labor that will work for peanuts, shut up, and do what it's told; all those kids "saving for college" the hard way, and no one paying the fine print any mind until it is long past too late.

Meet the Author

Larry Heinemann is the author of three novel: Close Quarters (1977), one of the earliest novels of the Vietnam War; Paco’s Story (1986), winner of the National Book Award; and Cooler by the Lake (1992). He lives in his native city of Chicago, Illinois.

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Black Virgin Mountain: A Return to Vietnam 3.6 out of 5 based on 0 ratings. 5 reviews.
James Fitzgerald More than 1 year ago
I also served in the 25th,in a mech.unit,recon platoon.sept.67 to sept.68.this is one of the worst books on vietnam,l have read.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Guest More than 1 year ago
larry Heinemann has long been a legend among those of us who served in the Vietnam War. His award-winning novel 'Paco's Story' told the public about the Vietnam War as it was - bitter, cruel, humiliating, destructive and unwarranted. Now Heinemann brings yet another view of the atrocities of war in this memoir that references not only his war years, but also shares his responses to his return to Vietnam in 1990, this time with a different band of warriors - fellow writers of the Vietnam War who were invited to Hanoi to meet their Vietnamese counterparts. What he encountered during that and subsequent visits to the country he once viewed with disdain and tortured memories was a country of poeple who were full of forgiveness, providing Heinemann with a path toward healing. He even made the trek from Hanoi in the north to Ho Chi Minh City (Saigon) in the south, ending in a climb of the Vietnamese symbol of folk mytology - Black Virgin Mountain - where he recovered his sense of healing. Heinemann's writing is lucid and still retains the raw vigor of his previous works, but his writing is now more tempered with time. 'Since Vietnam, other wars have come our way, including Iraq and Afghanistan...and I don't know about you, but I have watched and been appalled by the horror-struck nonchanlance with which we seem to enjoy them. We are fascinated and repelled simultaneously by the endless loop of televised imagery and skimpy narration, oiled with the patina of exaggerated patriotism that begins with the dusty, desert-bred bogeyman, travels clean through the bloody wrath of the Old Testament, and ends with those prickly little tingles in the scalp,the moistened eyes, and the grand old flag...But there remained, still, the itchy, undeniable sense of unfinished business...'. Heinemann's book is important. It speaks of healing while it still pleas for us to keep the watch for the opportunity to end the horrors of war. Highly recommended. Grady Harp
Guest More than 1 year ago
Larry Heinemann's Black Virgin Mountain presents a poignant, stunningly entertaining odyssey of his trip to Vietnam in 1992 at the invitation of the Vietnam Writers association. The author is no novice regarding Asian affairs having written three other books, one of which, Paco's story, earned him the National Book Award in 1986. With blunt, GI-earthly language style, Larry starts off with a quick flashback of his tour of Vietnam with the 25th Infantry Division in the late sixties. Like most Americans of the time, he paid scant attention to the cultural or historical aspects of the Vietnamese people, but this is all about to change radically as he puts the reader on a plane seat beside him and arrives along with other writers in Hanoi. Besides complying with the necessary diplomatic protocol of his almost obsequious Vietnamese hosts including a cordial banana-sharing session with Uncle Ho's right-hand 'big enchilada' general, Vo Nguyen Giap, Larry takes us on a humorous rickety bicycle tour of the side streets of Hanoi discovering the working class folks world of noodle shops, puppet theaters, and an industrious almost capitalistic way of life. What? One ponders----Capitalists in Hanoi! Yelp, for instance attempting to take a picture of the railway station requires a little squeeze money: 'Oh, yes. Take pictures. Yes, fine. You must in that case buy a picture-taking ticket. It is five dollars, U.S.' Now this cavorting escalates as Larry and his writer buddy take a sardine-packed train, with characters ranging from vendors hanging upside down from the train cars peddling Cokes to an enterprising prostitute prying her wares in an overhead bunk, while meandering south to pay a visit to Uncle Ho's birthplace, the village of Kim Lien, and the Imperial city of Hue with its walled citadel along the way. Interjected superbly with this trekking are the author's keen and steadfastly deepening comments regarding the history, particulary the rich folklore, indigenous to the Vietnamese. Fact is, the book is chocked full of moments of reflection coupled with a growing sense of honest camaraderie between Heinemann and his Vietnamese friends 'shucking the corn right on down to the cob,' so to speak, like going skinny dipping in the Perfume River. And all along, you get the absorbing feeling that you are right there with the author's clever writing style. With these quiet, strident, cadence of revealing observations, the merry travelers arrive intact, tried but high in spirit at Ho Chi Minh City (Old Saigon---Pearl of The Orient). Larry doesn't care much for Saigon----'might as well be in New York,' is the gust of his musings. bear in mind that I have just touched lightly on only a few of this delightful book's topics till now. All along, gently, as if a spiritual guide, Heinemann has been cleverly building a quickening suspenseful rhythm, almost a poetic seance, may I say, taking us in the direction of Nui Ba Den (Black Virgin Mountain) in Tay Ninh Province (Dreaded War Zone C---for those of us who trekked those roads, flat arid plains of patties and gutty ravines, bushy hills, and , of course the rows of rubber trees where the cornucopia of Uncle Ho's soldiers spilled out from Cambodia in the moonless dark jungle night that always came ever so sudden. Where dang tough American boys stood, crouched, grunted and fought out some of the most vicious battles of the Vietnam war against some equally tough Vietnamese boys. Blood spilling from both sides so thickly in the dust and murk that only monsoon rains from China could turn it into pinkish political guck while forming sad rivulets with a slowly rotting odor on the earth). There is a quick tour of the Cu Chi tunnels which were never destroyed and ran right under the big American base camp of the 25th Infantry Division. Some flashbacks here: 'You pour sweat. The dirt clings to your arms dirt sprinkles into your hair your eyes. Everything clings. You sense rather than see or touch something. Yo