Borderless Painting as Borderless Art: Antonio Dias between Brazil and Europe
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The artwork of Antonio Dias (1944–2018) uniquely captures the interwoven histories of Brazilian postwar realism and of European conceptualism in the 1960s and 1970s. By tracking Dias’s ever-shifting works and circulation as he moved from Rio de Janeiro to Paris, and then to Milan, Borderless Painting as Borderless Art provides the first in-depth study of the artist.
Sérgio B. Martins uses Dias’s trajectory as a lens to explore different approaches to avant-gardism and its crisis in Brazil, ...
Sérgio B. Martins uses Dias’s trajectory as a lens to explore different approaches to avant-gardism and its crisis in Brazil, ...






















