Caesar and Cleopatra

by George Bernard Shaw, Stanley Weintraub (Introduction)

Overview

Exclusive to Penguin Classics: the definitive text of one of Shakespeare’s most affecting plays—part of the official Bernard Shaw Library

A Penguin Classic

In a cheeky nod to Shakespeare’s towering reputation, Shaw reinvents two of his historical characters but sets his own play in a period predating both Julius Caesar and Antony and Cleopatra. Shaw’s Cleopatra is a kittenish girl with a streak of cruelty, while his Caesar is a world-weary philosopher-soldier who is as much a stranger in Rome as in the barbaric court of Egypt. With wit, irony, and an undertone of melancholy, Caesar and Cleopatra satirizes Shakespeare’s use of history and comments wryly on the politics of Shaw’s own time.
 
This is the definitive text prepared under the editorial supervision of Dan H. Laurence. The volume includes Shaw’s preface of 1900.

Product Details

ISBN-13:	9780143039778
Publisher:	Penguin Publishing Group
Publication date:	06/27/2006
Series:	Penguin Classics Series
Pages:	160
Product dimensions:	7.56(w) x 5.04(h) x 0.43(d)
Age Range:	18 Years

About the Author

George Bernard Shaw (1856–1950) is one of the world’s greatest literary figures. Born in Dublin, Ireland, he left school at fourteen and in 1876 went to London, where he began his literary career with a series of unsuccessful novels. In 1884 he became a founder of the Fabian Society, the famous British socialist organization. After becoming a reviewer and drama critic, he published a study of the Norwegian dramatist Henrik Ibsen in 1891 and became determined to create plays as he felt Ibsen did: to shake audiences out of their moral complacency and to attack social problems. However, Shaw was an irrepressible wit, and his plays are as entertaining as they are socially provocative. Basically shy, Shaw created a public persona for himself: G.B.S., a bearded eccentric, crusading social critic, antivivisectionist, language reformer, strict vegetarian, and renowned public speaker. The author of fifty-three plays, hundreds of essays, reviews, and letters, and several books, Shaw is best known for Widowers’ Houses, Mrs. Warren’s Profession, Arms and the Man, Caesar and Cleopatra, Man and Superman, Major Barbara, Pygmalion, Heartbreak House, and Saint Joan. He was awarded the Nobel Prize in Literature in 1925.

Stanley Weintraub (introducer) is the Evan Pugh Professor Emeritus of Arts and Humanities at Pennsylvania State University, and the author of numerous histories and biographies, including Silent Night.

Dan H. Laurence (series editor; 1920–2008) was series editor for the works of George Bernard Shaw in Penguin. Formerly a New York University faculty member, Mr. Laurence left his tenured position in 1970 to dedicated his life to the collection and curation of Shaw's life, work, and letters. He served as the official literary advisor to Shaw's estate and published four volumes of his correspondence.

Table of Contents

About Author:

ACT I

ACT II

ACT III

ACT IV

ACT V

NOTES TO CAESAR AND CLEOPATRA

APPARENT ANACHRONISMS

CLEOPATRA

BRITANNUS

JULIUS CAESAR

Editorial Reviews

By the Winner of the Nobel Prize in Literature

“[Shaw] did his best in redressing the fateful unbalance between truth and reality, in lifting mankind to a higher rung of social maturity. He often pointed a scornful finger at human frailty, but his jests were never at the expense of humanity.” —Thomas Mann
 
“Shaw will not allow complacency; he hates second-hand opinions; he attacks fashion; he continually challenges and unsettles, questioning and provoking us even when he is making us laugh. And he is still at it. No cliché or truism of contemporary life is safe from him.” —Michael Holroyd
 
“In his works Shaw left us his mind. . . . Today we have no Shavian wizard to awaken us with clarity and paradox, and the loss to our national intelligence is immense.” —The Sunday Times
 
“He was a Tolstoy with jokes, a modern Dr. Johnson, a universal genius who on his own modest reckoning put even Shakespeare in the shade.” —The Independent
 
“His plays were superb exercises in high-level argument on every issue under the sun, from feminism and God, to war and eternity, but they were also hits—and still are.” —The Daily Mail

From the Publisher