City That Never Sleeps: New York and the Filmic Imagination
By Murray Pomerance (Editor), Wheeler Winston Dixon (Contribution by), Barry Keith Grant (Contribution by), Aaron Baker (Contribution by), Gwendolyn Audrey Foster (Contribution by), Paula J. Massood (Contribution by), Steven Alan Carr (Contribution by), Joe McElhaney (Contribution by), William Rothman (Contribution by), David Sterritt (Contribution by), David Gerstner (Contribution by), Randy Thom (Contribution by), Elizabeth Weis (Contribution by), Scott Bukatman (Contribution by), Pamela Grace (Contribution by), David Desser (Contribution by), William Luhr (Contribution by), Peter Lehman (Contribution by)
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By Murray Pomerance (Editor), Wheeler Winston Dixon (Contribution by), Barry Keith Grant (Contribution by), Aaron Baker (Contribution by), Gwendolyn Audrey Foster (Contribution by), Paula J. Massood (Contribution by), Steven Alan Carr (Contribution by), Joe McElhaney (Contribution by), William Rothman (Contribution by), David Sterritt (Contribution by), David Gerstner (Contribution by), Randy Thom (Contribution by), Elizabeth Weis (Contribution by), Scott Bukatman (Contribution by), Pamela Grace (Contribution by), David Desser (Contribution by), William Luhr (Contribution by), Peter Lehman (Contribution by)
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New York, more than any other city, has held a special fascination for filmmakers and viewers. In every decade of Hollywood filmmaking, artists of the screen have fixated upon this fascinating place for its tensions and promises, dazzling illumination and fearsome darkness.
The glittering skyscrapers of such films as On the Town have shadowed the characteristic seedy streets in which desperate, passionate stories have played outas in Scandal Sheet and The Pawnbroker. In other films, the ci...
The glittering skyscrapers of such films as On the Town have shadowed the characteristic seedy streets in which desperate, passionate stories have played outas in Scandal Sheet and The Pawnbroker. In other films, the ci...






















