A profound and unparalleled literary voice, Zadie Smith returns with a resounding collection of essays
In the past two decades, few writers have mastered the craft and art of the essay in the way that Zadie Smith has. Her writing, at once an occasion for personal reckoning and communal reflection, studies the fault lines that divide us and consistently finds grounds for solidarity and compassion.
This eagerly awaited new collection brings Smith's dexterity as an essayist to bear on a range of subjects that have captured her attention in recent years. Organized in five thematic sections-eyeballing, considering, reconsidering, mourning, and confessing-she unspools intimate dialogues with various sources of inspiration. She takes an exhilaratingly close look at artists Toyin Ojih Odutola and Kara Walker. She invites us along to the movies in her review of Tár, a Pulitzer Prize finalist, and to her desk while researching the Tichborne trial and writing her New York Times bestselling novel The Fraud. She asks us to take another look at Flannery O'Connor and to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth, and Toni Morrison. And she shows us once again in Dead and Alive her unrivaled ability to think through, critically and humanely, some of the most urgent preoccupations of our troubled times.
With an eye toward the past and the present, Smith examines what it means to identify with our contemporary world and the history that frames it.
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In the past two decades, few writers have mastered the craft and art of the essay in the way that Zadie Smith has. Her writing, at once an occasion for personal reckoning and communal reflection, studies the fault lines that divide us and consistently finds grounds for solidarity and compassion.
This eagerly awaited new collection brings Smith's dexterity as an essayist to bear on a range of subjects that have captured her attention in recent years. Organized in five thematic sections-eyeballing, considering, reconsidering, mourning, and confessing-she unspools intimate dialogues with various sources of inspiration. She takes an exhilaratingly close look at artists Toyin Ojih Odutola and Kara Walker. She invites us along to the movies in her review of Tár, a Pulitzer Prize finalist, and to her desk while researching the Tichborne trial and writing her New York Times bestselling novel The Fraud. She asks us to take another look at Flannery O'Connor and to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth, and Toni Morrison. And she shows us once again in Dead and Alive her unrivaled ability to think through, critically and humanely, some of the most urgent preoccupations of our troubled times.
With an eye toward the past and the present, Smith examines what it means to identify with our contemporary world and the history that frames it.
Dead and Alive: Essays
A profound and unparalleled literary voice, Zadie Smith returns with a resounding collection of essays
In the past two decades, few writers have mastered the craft and art of the essay in the way that Zadie Smith has. Her writing, at once an occasion for personal reckoning and communal reflection, studies the fault lines that divide us and consistently finds grounds for solidarity and compassion.
This eagerly awaited new collection brings Smith's dexterity as an essayist to bear on a range of subjects that have captured her attention in recent years. Organized in five thematic sections-eyeballing, considering, reconsidering, mourning, and confessing-she unspools intimate dialogues with various sources of inspiration. She takes an exhilaratingly close look at artists Toyin Ojih Odutola and Kara Walker. She invites us along to the movies in her review of Tár, a Pulitzer Prize finalist, and to her desk while researching the Tichborne trial and writing her New York Times bestselling novel The Fraud. She asks us to take another look at Flannery O'Connor and to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth, and Toni Morrison. And she shows us once again in Dead and Alive her unrivaled ability to think through, critically and humanely, some of the most urgent preoccupations of our troubled times.
With an eye toward the past and the present, Smith examines what it means to identify with our contemporary world and the history that frames it.
In the past two decades, few writers have mastered the craft and art of the essay in the way that Zadie Smith has. Her writing, at once an occasion for personal reckoning and communal reflection, studies the fault lines that divide us and consistently finds grounds for solidarity and compassion.
This eagerly awaited new collection brings Smith's dexterity as an essayist to bear on a range of subjects that have captured her attention in recent years. Organized in five thematic sections-eyeballing, considering, reconsidering, mourning, and confessing-she unspools intimate dialogues with various sources of inspiration. She takes an exhilaratingly close look at artists Toyin Ojih Odutola and Kara Walker. She invites us along to the movies in her review of Tár, a Pulitzer Prize finalist, and to her desk while researching the Tichborne trial and writing her New York Times bestselling novel The Fraud. She asks us to take another look at Flannery O'Connor and to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth, and Toni Morrison. And she shows us once again in Dead and Alive her unrivaled ability to think through, critically and humanely, some of the most urgent preoccupations of our troubled times.
With an eye toward the past and the present, Smith examines what it means to identify with our contemporary world and the history that frames it.
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Product Details
| BN ID: | 2940194222278 |
|---|---|
| Publisher: | Penguin Random House |
| Publication date: | 10/28/2025 |
| Edition description: | Unabridged |
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