Deadline (Virgil Flowers Series #8)

Deadline (Virgil Flowers Series #8)

by John Sandford

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The thrilling new novel in the #1 New York Times–bestselling series.
In Southeast Minnesota, down on the Mississippi, a school board meeting is coming to an end. The board chairman announces that the rest of the meeting will be closed, due to personnel issues. “Issues” is correct. The proposal up for a vote before them is whether to authorize the killing of a local reporter. The vote is four to one in favor.

Meanwhile, not far away, Virgil Flowers is helping out a friend by looking into a dognapping, which seems to be turning into something much bigger and uglier—a team of dognappers supplying medical labs—when he gets a call from Lucas Davenport. A murdered body has been found—and the victim is a local reporter. . . .

Product Details

ISBN-13: 9781101597767
Publisher: Penguin Publishing Group
Publication date: 10/07/2014
Series: Virgil Flowers Series , #8
Sold by: Penguin Group
Format: NOOK Book
Pages: 400
Sales rank: 8,755
File size: 1 MB
Age Range: 18 Years

About the Author

John Sandford is the author of twenty-four Prey novels; the Virgil Flowers novels, most recently Storm Front; and six other books. He lives in New Mexico.


St. Paul, Minnesota

Date of Birth:

February 23, 1944

Place of Birth:

Cedar Rapids, Iowa


State University of Iowa, Iowa City: B.A., American History; M.A., Journalism

Read an Excerpt


Dark, moonless night, in the dog days of early August.
A funky warm drizzle kept the world quiet and wet and close.

D. Wayne Sharf slid across Winky Butterfield’s pasture like a
greased weasel headed for a chicken house. He carried two heavy
nylon leashes with choke-chain collars, two nylon muzzles with
Velcro straps, and a center-cut pork chop.
The target was Butterfield’s kennel, a chain-link enclosure in the
backyard, where Butterfield kept his two black Labs, one young,
one older. The pork chop would be used to make friends.

D. Wayne was wearing camo, head to foot, which was no change:
he always wore camo, head to foot. So did his children.
His ex-wife, Truly, whom he still occasionally visited, wore various
pieces of camo, depending on daily fashion demands—more at
Walmart, less at Target. She also had eight pairs of camo under
pants, size 4XL and 5XL, which she wore on a rotating basis: two
each of Mossy Oak, Realtree, Legend, and God’s Country, which
prompted D. Wayne to tell her one night, as he peeled them off,
“This really is God’s country, know what I’m sayin’, honeybunch?”

His new, alternative honeybunch wore black cotton, which she

called “panties,” and which didn’t do much for D. Wayne. Just some
thing hot about camo.

A few thousand cells in the back of his brain were sifting through
all of that as D. Wayne crossed a split-rail fence into Butterfield’s
yard, and one of the dogs, the young one, barked twice. There were
no lights in the house, and none came on. D. Wayne paused in his
approach, watching, then slipped the pork chop out of its plastic
bag. He sat for a couple of minutes, giving the dogs a chance to smell
the meat; while he waited, his own odor caught up with him, a combination
of sweat and whiskey-blend Copenhagen. If Butterfield
had the nose of a deer or a wolf, he would have been worried.

But Butterfield didn’t, and D. Wayne started moving again. He
got to the kennel, where the dogs were waiting, slobbering like
hounds . . . because they were hounds. He turned on the hunter’s
red, low-illumination LED lights mounted in his hat brim, ripped
the pork chop in half, held the pieces three feet apart, and pushed
them through the chain link. The dogs were all over the meat: and
while they were choking it down, he flipped the latch on the kennel
gate and duckwalked inside.

“Here you go, boys, good boys,” he muttered. The dogs came
over to lick his face and look for more pork chop, the young dog
prancing around him, and he slipped the choke collars over their
heads, one at a time. The young one took the muzzle okay—the
muzzle was meant to prevent barking, not biting—but the older
one resisted, growled, and then barked, twice, three times. A light
came on in the back of the Butterfield house.

D. Wayne said, “Uh-oh,” dropped the big dog’s muzzle, and
dragged the two dogs out of the kennel toward the fence. Again,
the younger one came without much resistance at first, but the
older one dug in. Another light came on, this one by the Butterfield
side door, and D. Wayne said, “Shit,” and he picked up the bigger
dog, two arms under its belly, and yanking the other one along on
the leash, cleared the fence and headed across the pasture at an
awkward trot.

The side door opened on Butterfield’s house, and D. Wayne,
having forgotten about the red LEDs on his hat brim, made the mistake
of looking back. Butterfield was standing under the porch
light, and saw him. Butterfield shouted, “Hey! Hey!” and “Carol,
somebody’s took the dogs,” and then, improbably, he went back
inside the house and D. Wayne thought for seven or eight seconds
that he’d caught a break. His truck was only forty yards or so away
now, and he was moving as fast as he could while carrying the
bigger dog, which must’ve weighed eighty pounds.

Then Butterfield reappeared and this time he was carrying a
gun. He yelled again, “Hey! Hey!” and let off a half-dozen rounds,
and D. Wayne said, “My gosh,” and threw the big dog through the
back door of his truck topper and then hoisted the smaller dog up
by his neck and threw him inside after the bigger one.

Another volley of bullets cracked overhead, making a truly unpleasant
whip-snap sound, but well off to one side. D. Wayne realized
that Butterfield couldn’t actually see the truck in the dark of
the night, and through the mist. Since D. Wayne was a semi-pro dog
snatcher, he had the truck’s interior and taillights on a cut-off
switch, and when he got in and fired that mother up, none of the
lights came on.

There was still the rumble of the truck, though, and Butterfield
fired another volley, and then D. Wayne was gone up the nearly, but
not quite, invisible road. A half-mile along, he turned on his lights
and accelerated away, and at the top of the hill that overlooked the
Butterfield place, he looked back and saw headlights.

Butterfield was coming.

D. Wayne dropped the hammer. The chase was short, because
D. Wayne had made provisions. At the Paxton place, over the crest
of the third low hill in a roller-coaster stretch of seven hills, he
swerved off the road, down the drive, and around behind the Paxton
kids’ bus shack, where the kids waited for the school bus on
wintry days.Butterfield went past at a hundred miles an hour,
and fifteen seconds later D. Wayne was going the other way.

A clean getaway, but D. Wayne had about peed himself when
Butterfield started working that gun. Had to be a better way to
make a living, he thought, as he took a left on a winding road back
toward home.

Not that he could easily think of one. There was stealing dogs,
cooking meth, and stripping copper wire and pipes out of unoccupied
summer cabins.

That was about it, in D. Wayne’s world.


Virgil Flowers nearly fell off the bed when the phone began to
vibrate. The bed was narrow and Frankie Nobles was using up the
middle and the other side. Virgil had to crawl over her naked body
to get to the phone, not an entirely unpleasant process, and she
muttered, “What? Again?”

“Phone,” Virgil said. He groaned and added, “Can’t be anything

He looked at the face of the phone and said, “Johnson Johnson.”
At that moment the phone stopped ringing.

Frankie was up on her elbows, where she could see the clock,
and said, “At three in the morning? The dumbass has been arrested
for something.”

“He wouldn’t call for that,” Virgil said. “And he’s not dumb.”

“There’s two kinds of dumb,” Frankie said. “Actual and deliberate.
Johnson’s the most deliberate dumbass I ever met. That whole
live-chicken-toss contest—”

“Yeah, yeah, it was for a good cause.” Virgil touched the callback
tab, and Johnson picked up on the first ring.

“Virgil, Jesus, we got big trouble, man. You remember Winky
Butterfield?” Johnson sounded wide awake.

“No, I don’t believe so.”

After a moment of silence Johnson said, “Maybe I didn’t introduce
you, come to think of it. Maybe it was somebody else.”

“Good. Can I go back to sleep?”

“Virgil, this is serious shit. Somebody dognapped Winky’s black
Labs. You gotta get your ass over here, man, while the trail is fresh.”

“Jesus, Johnson . . . dogs? You called me at three in the morning
about dogs?”

“They’re family, man . . . you gotta do something.”

At ten o’clock the next morning, Virgil kissed Frankie good-bye
and walked out to his truck, which was parked at the curb with the
boat already hooked up. Virgil was recently back from New Mexico,
where he’d caught and released every tiger musky in what he
suspected was the remotest musky lake in North America. Nice
fish, too, the biggest a finger-width short of fifty inches. He could
still smell them as he walked past the boat and climbed into the cab
of his 4Runner.

The day was warm, and promising hot. The sun was doing its
job out in front of the truck, but the sky had a sullen gray look
about it. There’d been a quarter-inch of rain over the past twenty-
four hours, and as he rolled out of Mankato, Minnesota, the countryside
looked notably damp. But it was August, the best time of the
year, and he was on the road, operating, elbow out the window,
pheasants running across the road in front of him . . . nothing to
complain about.

As Virgil rode along, he thought about Frankie. He’d known her
as Ma Nobles before he’d fallen into bed with her, because she
had about a hundred children; or, at least, it felt that way. She was
a compelling armful, and Virgil’s thoughts had drifted again to
marriage, as they had three times before. The first three had been
disasters, because, he thought, he had poor taste in women. He
reconsidered: no, that wasn’t quite right. His three wives had all
been pretty decent women, but, he thought, he was simply a poor
judge of the prospects for compatibility.

He and Frankie did not have that problem; they just got along.

And Virgil thought about Lucas Davenport for a while—
Davenport was his boss at the Bureau of Criminal Apprehension,
and not a bad guy, though a trifle intense. There was a distinct possibility
that he would not be pleased with the idea of Virgil working
a dognapping case. Especially since the shit had hit the fan up north,
where a couple of high school kids had tripped over an abandoned
farm cistern full of dead bodies.

But Johnson Johnson was a hard man to turn down. Virgil
thought he might be able to sneak in a couple good working days
before Davenport even found out what he was doing. A dognapping,
he thought, shouldn’t take too much time, one way or the
other. The dogs might already be in Texas, chasing armadillos, or
whatever it was they chased in Texas.

Dognapping. He’d had calls on it before, though he’d never investigated
one, and they’d always been during hunting season, or
shortly before. Didn’t usually see one this early in the year.

Johnson Johnson ran a lumber mill, specializing in hardwood
timber—three varieties of oak, bird’s-eye maple, butternut, hickory,
and some walnut and cherry—for flooring and cabinetry, with a
side business of providing specialty cuts for sculptors. He and Virgil
had met at the University of Minnesota, where they were studying
women and baseball. Virgil had been a fair third baseman for a
couple years, while Johnson was a better-than-fair catcher. He
might even have caught onto the bottom edge of the pros, if baseball
hadn’t bored him so badly. Johnson’s mill was a mile outside
Trippton, Minnesota, in Buchanan County, in the Driftless Area
along the Mississippi River.

The Driftless Area had always interested Virgil, who had taken
a degree in ecological science. Basically, the Driftless Area was a
chunk of territory in Minnesota, Wisconsin, northern Iowa, and Illinois
that had escaped the last glaciation—the glaciers had simply
flowed around it, joining up again to the south, leaving the Driftless
Area as an island in an ocean of ice. When the glaciers melted, they
usually left behind loose dirt and rock, which was called drift. Not in
the Driftless Area . . .

Physically, the land was cut by steep valleys, up to six hundred feet
deep, running down to the Mississippi River. Compared to the farm-
lands all around it, the Driftless Area was less fertile, and covered
with hardwood forests. Towns were small and far between, set mostly
along the river. The whole area was reminiscent of the Appalachians.

Road time from Virgil’s home, in Mankato, to Trippton, on the
river, was two and a half hours.

For most of it Virgil put both the truck and his brain on cruise
control. He’d driven the route a few dozen times, and there was not
a lot to look at that he hadn’t seen before. Trippton was at the bottom
of a long hill, on a sandspit that stuck out into the Mississippi;
it was a religious town, with almost as many churches as bars. Virgil
arrived at lunchtime, got caught in a minor traffic jam between the
town’s three stoplights, and eventually wedged into a boat-sized
double-length parking lane behind Shanker’s Bar and Grill.

Johnson Johnson came rambling out the back door as Virgil
pulled in. Johnson Johnson’s father, Big Johnson, had been an
outboard-motor enthusiast who fairly well lived on the Mississippi.
He’d named his sons after outboard motors, and while Mercury
Johnson had gotten off fairly easy, Johnson Johnson had been stuck
with the odd double name. He was a large man, like his father, and
well tattooed.

“I can smell them fuckin’ muskies from here,” he said, as Virgil
climbed out of the truck. He leaned into the boat and said, “I hope
you brought something besides those fuckin’ phone poles,” by
which he meant musky gear.

“Yeah, yeah, I got some of everything,” Virgil said. “What about
these dogs? You find them yet?”

“Not yet,” Johnson said. He was uncharacteristically grim.
“Come on inside. I got a whole bunch of ol’ boys and girls for you
to talk to.”

“We’re having a meeting?”

“We’re having a lynch mob,” Johnson said.

Virgil followed him in. One of the trucks he passed in the parking
lot had a bumper sticker that asked, “Got Hollow Points?” Another
said: “Heavily Armed . . . and easily pissed.” A third one: “Point and
Click . . . means you’re out of ammo.”

“Aw, jeez,” Virgil said.

Virgil was a tall man, made taller by his cowboy boots. He wore
his blond hair too long for a cop—but country-long like Waylon Jennings,
not sculptural long, like some New Jersey douche bag, so he
got along okay.

He dressed in jeans and band T-shirts, in this case, a rare pirated
“Dogs Die in Hot Cars” shirt, which he hoped the local ’necks
would take for a sign of solidarity. To his usual ensemble, he added
a black sport coat when he needed to hide a gun, which wasn’t
often. Most times, he left the guns in the truck.

He sometimes wore a straw cowboy hat, on hot days out in the
sun; at other times, a ball cap, his current favorite a black-on-black
Iowa Hawkeyes hat, given to him by a devout Iowegian.

Johnson led the way through the parking lot door, down a beer-
smelling corridor past the restrooms, which had signs that said
“Pointers” and “Setters,” to the back end of the bar, where twenty
or so large outdoorsy-looking men and women hunched over rickety
plastic tables, drinking beer and eating a variety of fried everything,
with link sausages on the side.

When Virgil caught up with him, Johnson said, in a loud voice,
without any sign of levity, “Okay, boys and girls. This here’s the cop
I was talking about, so put away your fuckin’ weed and methamphetamine,
those that has them, and pay attention. Virgil?”

Virgil said, “For those of you with meth, I’d like to speak to you
for a minute out back. . . .”

There were a few chuckles, and Virgil said, “I mostly came to
listen. What’s going on with these dogs? Somebody stand up so we
all can hear you, and tell us.”

A heavyset man heaved himself to his feet and said, “Well, I
thought Johnson would have told you, but somebody’s snatching
our dogs.”

A drunk at the front of the bar, who’d turned around on his
barstool to watch the meeting, called, “Better’n having your snatch

The heavyset man shouted back, “Shut up, Eddy, or we’ll kick
your ass out of here.”

“Just trying to be human,” Eddy said, but he turned back to
the bar.

“All right,” Virgil said. “Somebody’s taking dogs. You know who
it is?”

“Yeah, we got our suspicions,” the big man said. “There’re some
hillbillies up at Orly’s Crick, all along the valley, and you can hear
the dogs howling at night. Dogs, not coyotes. Dozens of them. But
when you go up there, there’s only one dog per yard. You’d have to
sneak up on ’em, to find the ones that are howling. Problem is,
there’s only one little road going in, and they can see you coming,
and they move the dogs before you can get there. I tried to come
down from on top, but you can’t get down them bluffs without
breaking your neck.”

“And you could get your ass killed,” somebody added. “Fuckin’
peckerwoods are all carrying .223s. Pick you off like sittin’ ducks.”

Another big man stood up, and everybody turned to look; his
face was red, and it appeared that he’d been weeping. He took off
his camo cap and said, “I’m Winfred Butterfield. Winky. They took
my two Labs last night. Right out of the kennel. My dogs’re gone,
sir. Snatched right out of my yard. Knowed what they was doin’,
too—left behind some pork chop bone and a cloth muzzle, used to
keep them quiet.”

He told the story, until he got to the part where he “let off some
shots in that direction.” He paused and then said, “Maybe I shouldn’t
have said that.”

“You hit anyone?” Virgil asked.

“Naw, I wasn’t trying. I mean, I wouldn’t mind shooting that
miserable motherfucker, if I had a clear shot, but I was afraid I
might hit one of the dogs.”

Somebody said, “You got that right.”

“Okay, just a note here. Let’s decide right now that we’re not
going to shoot anybody over a dog,” Virgil said. “Let me handle this
the legal way.”

The men all looked around, and then one of the women said,

“Kinda afraid we can’t do that, Virgil.” And they all nodded.
“Well, goddamnit, people.”

“This is organized crime, Virgil,” she said. “If we don’t shut these
people down, no dog will be safe.”

Virgil was worried. Everyone at the meeting seemed stone-cold
sober, and they talked about shooting the dognappers with the cool
determination of people who might actually do that, given the
chance. They didn’t seem anxious to do it, like a bunch of goofy
gun nuts—they sounded more like farmers planning to eliminate a
varmint that had been killing their geese.

Virgil asked them about the hillbillies on Orly’s Creek, and a
dozen people gave him bits of information—sightings, rumors,
incidents—that made him think they were quite possibly right.

One of the men said, “I saw this old gray truck going by Dan
Busch’s place, two or three times over a week. Driving slow, looking
around . . . Couple days later, Dan’s beagles got ripped off.”

“Four of them,” another man said, who added, “I’m Dan.”

The first man said, “Anyway, a couple weeks later I was driving
up 26, and I see this old gray truck coming out of the Orly’s Crick
Road. Same truck. Couldn’t prove it, but it was.”

Another man said, “There’s this guy called Roy, I think his last
name is Zorn, he lives up there. Tall red-haired guy, skinny, got
about nine million freckles on his face. They got his picture in all
the animal shelters and humane societies, telling them NOT to give
him any dogs or cats, because he was going around, getting them,
and then he’d sell them off to animal bunchers.”

Virgil said, “Excuse me? What’s a buncher?”

“That’s guys who collect animals for the laboratories, for experiments.
He’d go around and get these free animals, saying he was
looking for a pet, and then he’d sell them off to the bunchers,” the
big man said. “We know damn well, he’d get kittens that way, too.
You know, somebody’d put an ad in the paper, saying, ‘Free Kittens,’
and he’d take as many as they’d give him, sayin’ he needed mousers
for his barn. The animal people caught on, and somebody took his
picture, and now he can’t go into those places.”

“I’ll go talk to him,” Virgil said. He turned to Butterfield and
asked, “Winky—how much did you pay for those Labs?”

“These were top dogs, partially trained. I paid fifteen hundred
for one, twelve hundred for the other,” Butterfield said. “But I don’t
give a damn about the money—they’re my best friends.”

“The money makes stealing them a felony,” Virgil said. “It always
helps to have a felony backing you up, when you talk to people.”

“I’ll tell you what,” said one of the women. “Most everybody
here has had dogs stolen, which is why they are here. The rest of us
are worried. If you took all the dogs stolen, they’d be worth twenty
or thirty thousand dollars, easy. Maybe even more.”

Virgil said he’d look into it: “I’ll be honest with you, this is not
what I usually do. In fact, I’ve never done it before. I can see you’re
serious folks, so I’ll take it on. No promises. I could get called off . . .
but if I do, I’ll be back. You all take care, though. Don’t go out there
with guns, I don’t want anybody to get hurt.”

When the meeting broke up, he and Johnson drove over to the
law enforcement center, which housed the Buchanan County Sheriff
and the Trippton Police Department, which were one and the
same, and a few holding cells. In the parking lot Johnson said, “I’ll
hang out here. Jeff don’t appreciate my good qualities,” and Virgil
went in alone.

Entry to the sheriff ’s office was through a locked black-steel
door, with a bulletproof window next to it; there was nobody behind
the window, so Virgil rang the bell, and a moment later a deputy
stuck his head around the window and said, “Virgil Flowers, as
I live and die.”

“That’s me,” Virgil agreed. The deputy buzzed him in, and Virgil
followed him down the hall to the sheriff ’s office. The sheriff, Jeff
Purdy, was a small, round man who wore fifties-style gray hats, the
narrow-brimmed Stetson “Open Road” style; he had his feet up on
his desk and was reading a New Yorker magazine. When he heard the
footsteps in the hallway, he looked over the magazine and saw Virgil

“I hope you’re here to fish,” he said.

“Not exactly, though it’d be nice to get out for a couple hours,”
Virgil said. “I just came from a meeting down at Shanker’s. . . .”

Virgil told him the story, and the sheriff sighed and said, “You’re
welcome to it, Virgil. I know those people have a complaint, but
what the hell am I supposed to do? We patrol up Orly’s Crick,
but we never see a thing.”

“You know a guy named Roy Zorn?”

“Yeah, yeah, we’ve been told he cooks some meth up there, but
we never caught him at it. Basically, he’s a small-time motorcycle
hood, rode with the Seed for a while, over in Green Bay, before he
came here. And I know all about that thing he used to do with cats
and dogs, him getting banned from the Humane Society. But we
got nothing on him. Can’t get anything, either. If I had ten more
men . . .”

“You don’t mind if I take a look?”

“Go on ahead. Keep me up on what you’re doing,” Purdy said.
“If you find something specific, I could spring a couple guys to help
out on a short-term basis. Very short-term, like a raid, something
like that.”

“That’s all I wanted,” Virgil said. “There’s a good chance I won’t
find a thing, but if I do, I might call for backup.”

“Deal,” Purdy said.

The deputy who’d taken Virgil back to the sheriff ’s office returned
and said, “Sheriff, Sidney Migg’s walking around naked in
her backyard, again.”

The sheriff grunted and boosted himself out of his chair. “I better
handle this myself.”

Back outside, Virgil took a minute to call Davenport’s office. He
didn’t actually want to talk to him, which was why he called the office:
Davenport was out working a multiple murder that everybody
was calling the Black Hole case, in which a BCA agent had been

Virgil hadn’t worked the case, and was happy about that, because
the killing of Bob Shaffer would have preyed on his mind for
weeks, or years, whether or not the killer was caught. He left a message
for Davenport, which might possibly cover his ass, if worse
came to worst.

Then he and Johnson drove out to Johnson’s river cabin and
rolled Virgil’s boat into the water and tied it to Johnson’s dock.
Johnson’s jon boat had been pulled up on shore, and a long orange
extension cord snaked out of the cabin to a power drill that lay in
the bottom of the boat.

“You break something?” Virgil asked.

“Changing the oarlocks,” Johnson said. “They were getting too
wore down.”

“You never rowed six feet in your entire sorry life,” Virgil said.
“How’d they get wore down? I mean, worn down?”

“Pedant,” Johnson said. “Anyway, I use them to steer my drifts.
Saves gas.”

They unhooked the trailer, parked it behind the house, stuck a
tongue lock on it, and went inside for coffee and to continue the
conversation about dogs and hillbilly dognappers.

Virgil said, “Since the sheriff couldn’t handle it, you call the high-
priced BCA guy down to figure it out?”

“Actually, I was calling my old fishin’ buddy Virgil to figure it
out,” Johnson said.

“Well, fuck you, Johnson, that puts a kind of unnecessary obligation
on it. I mean, would you do that for me?”

“You don’t have a dog.”

“Well, something like this . . .”

“Suppose you were going away for a couple of weeks,” Johnson
said, “and you needed somebody to keep Frankie warmed up. I’d
jump in my truck—”

“All right, okay.” Virgil waved him off. “Where’s this Orly’s

In southern Minnesota, the Mississippi flowed through a deep,
wide valley. The main channel of the river was rarely down the middle
of the valley. Instead, it usually flowed down one side or the
other, snaking between steep valley walls. The other side of the valley
was often occupied by sloughs or marshes, before they ran into
equally steep bluffs.

The bluffs were dissected by free-flowing streams, ranging from
seasonal creeks to full-sized rivers. Johnson’s place was tucked into
the north end of a slough, where the river began to bend away from
the Minnesota side, toward Wisconsin; so his cabin was protected
from the waves generated by the towboats and their barges, but he
still had fast access to the river itself.

When he and Virgil left Johnson’s cabin, they drove a few hundred
yards west to Highway 26, and then north for fifteen miles. By
the time they got to Orly’s Creek Road, the river was running right
beside the highway. Orly’s Creek ran below a fifty-foot-long bridge,
into the river, with the road going into the valley on the north side
of the bridge.

“Goes back here about a mile, or a little more,” Johnson said.
“The crick comes out of Orly’s Spring, which gathers up a lot of
water from west of here, then runs underground to the spring. The
good thing about that is, it hardly ever floods at all. Don’t believe
I’ve ever seen water over the road.”

“Any trout in there?” The creek was maybe twenty feet wide,
tumbling over limestone blocks, with an occasional pool.

“Yup. I’d be a little nervous about eating them, down at this end,
anyway. Lots of old septic systems, don’t work so good, anymore.
Up on top, by the spring, the crick would be cleaner than Fiji Water.”

“You know about Fiji Water?”

“Fuck you.”

The first habitation in the valley was a single-wide trailer,
crunched on one end, as though a tree had fallen on it. Two nineties
cars were parked in a hard-dirt yard, with a mottled-gray pit bull
tied to a stake.

“That’s the lookout,” Johnson said. “There are more places further
in.” Johnson tried to scrunch down in his seat, and pulled his
hat down over his eyes. “They might kinda recognize me up here.”

“Is that bad?”

“I prefer to remain anonymous.”

They passed a few more mobile homes, most, like the first one,
located fifty or a hundred feet off the road, up the valley wall. “Must
be hell to get up there in the winter,” Virgil said.

“Doubt they try. They all got cutouts down here on the road,”
Johnson said. He pointed out over the dashboard to an old yellow
clapboard house, with narrow fields on either side of it, running
steeply down to the creek. An apple tree stood next to the house,
with a Jeep Wrangler parked in front of it, and a half-dozen stripped
and abandoned cars off to the right. “That’s Zorn’s place. His wife’s
name is Bunny. I think she’s probably his sister.”

Virgil looked over at him, and Johnson said, “Okay. Maybe not.”

Virgil turned off at Zorn’s place, past a no-trespassing sign, and
pulled up into the yard. All of the doors and windows at Zorn’s
were open, behind screens; and when they pulled into his yard, they
saw Zorn look warily out through the door, disappear for a minute,
then come through the door to his porch, where he stood waiting.
As advertised, he was a tall, rawboned red-haired man with about a
million freckles splashed across his face.

Virgil said, “You wait here.”
“Yes, dear,” Johnson said.
Virgil got out of the truck, keeping his hands in view, and ambled up to the porch.
“You can’t read my sign, or you just not give a shit?” Zorn asked.
“I’m an agent with the Bureau of Criminal Apprehension,” Virgilsaid. “A state cop.”
“What you want with me?” Zorn asked. His head twitched to
one side. Virgil saw a movement at a window to his left.
“We’re looking into some stolen dogs,” Virgil said. “We understand
you’ve had some problems in that area.”

“Never done a single thing illegal—got them all fair and square,
and sold them up to the university for important medical research,”
Zorn said. “Now, if you’re done with me, I’ll thank you to get the
fuck off my lawn. You come back, bring a warrant.”

“Don’t want to talk about dogs, then,” Virgil said.
“I don’t know nothin’ about dogs,” Zorn said.
“Don’t know anybody up or down Orly’s Creek who might have
come up with a few extra?”
“I don’t stick my nose into other people’s business,” Zorn said.
“Now git—or I’ll call my attorney.”
Virgil considered for a moment, looking into Zorn’s narrow
green eyes, and then said, “You keep that attorney close, Mr. Zorn.
These recent dog thefts—the dogs are valuable, and the thefts
amount to felonies. When I arrest you for them, you’ll be going
away for quite some time. So keep that attorney close—and you
might want to buy a new toothbrush.”

“Bullshit—nobody’s sending anybody anywhere for some fuckin’

“You should talk to your attorney about that. He’ll set you
straight,” Virgil said. He backed away, keeping the window in sight.
“Be seein’ you.”

Virgil went carefully back to his truck, climbed inside, and
found Johnson with a high-capacity Para-Ordnance .45 in his lap.

“Jesus, Johnson, what were you gonna do with that?”

“I saw somebody at the window,” Johnson said. “If they shot
you, I was gonna hose the place down.”

Virgil thought about that for a minute, then said, “All right.” He
looked up at the porch. Zorn had gone back inside, but Virgil could
see him hovering behind the screen. “That’s a bad man, right there,”
Virgil said. “Doesn’t even bother to trim his nose hair.”

“That is a bad man,” Johnson said.

They continued up the valley, looking at houses and dogs; most
of the houses were ramshackle, but a few were neatly kept, with
American flags on front-yard poles, and with good-looking gardens
and neatly mown lawns. As someone had said at the Shanker’s
meeting, they hardly ever saw more than one dog per house, usually
in a chain-link kennel.

“One thing we ought to do, is get a list of everyone who lives up
here,” Virgil said. “Looks like there might be some respectable people.
If we could get a couple of them to talk to us, we’d be ahead of
the game.”

Johnson was skeptical: “You think any of these people would
talk, knowing their neighbors are assholes with M15s? Respectable
is okay, long as it doesn’t buy you a bullet in the back.”

At the far end of the valley, the road went to a stretch of gravel,
then to dirt, which ended at a fence. At the side of the road, the
spring appeared, a fifty-foot-long pool, maybe thirty feet wide, and
deep, flowing out over six-foot chunks of broken limestone, and on
down the valley.

Virgil stopped the truck, and they got out to look at the spring.
“That’s a piece of water I wouldn’t mind owning,” Johnson said.

Virgil knelt, put his hand in the water: cool, probably seventy
degrees. In a shallow spot, he could see a school of minnows prob-
ing through underwater grass.

Johnson muttered, “Uh-oh. Look at this. On your left.”

Virgil stood up and saw a kid walking toward them. He looked
like he might be twelve; he wore blue-striped bib overalls over
a T-shirt, and a Marine Corps utility cap over shoulder-length
brown hair. He was thin, and watched them with his head cocked to
one side.

He was carrying a scoped .22 rifle.
“What are y’all doing?” he asked. He was standing on the
far side of the fence, which was overgrown with black-raspberry

“Scoutin’ out the valley,” Virgil said. “You know who owns this

The kid shrugged. “Nobody, I guess. When it gets really hot,
people come up here and fool around in it, after work.”

“Pretty cool for swimming,” Virgil said.

“That’s the truth,” the kid said. “I seen women here with goose
bumps the size of thumbs.”

Johnson asked, “You out huntin’?”

“Just shooting around,” the kid said. “What are you scouting for?”

Virgil said, “Dogs, mostly. We heard some folks up here might
have some dogs that don’t belong to them.”

“You cops?”

“I am,” Virgil said. “You seen any extra dogs around?”

“Hardly seen nothing like that,” the kid said. He lifted the rifle
and aimed it at a tree thirty yards away. Johnson and Virgil remained
still, and the kid squeezed off a shot. A crab apple exploded off one
of the tree’s lower branches.

The kid turned and grinned at them, and worked the bolt on
the rifle, chambering a new round. Virgil said, “Nice shot. That’s a

“Yup. My dad got it to shoot groundhogs. Goddamn things are
hard to get at, though.”

“They are,” Virgil agreed. He sniffed, and looked at Johnson,
who nodded. “Well, I guess we’ll head on out, if you haven’t seen
any dogs.”

The kid said, “If you’re a cop, where’s your gun?”

“Don’t carry a gun all the time,” Virgil said.

The kid shook his head. “You come back in here, looking for
dogs, you best carry a gun.”

“Thanks for the tip,” Virgil said.

They moved back to Virgil’s truck. Inside, Johnson said, “That
didn’t sound so much like a tip, as maybe a threat.”

“But nicely put,” Virgil said. He was watching the kid in the rear-
view mirror. The kid was standing with the rifle across his chest, in
the port arms position. “The kid’s no dummy.”

“And a really good shot. That apple couldn’t have been much
bigger than a quarter,” Johnson said. “You think he knows about
the dogs?”

“You noticed how he went sort of shifty, there. ‘Hardly seen
nothin’ like that.’ He doesn’t lie well.”

After another moment, Johnson asked, “You smell that shit?”

“The acetone, yeah,” Virgil said. “Not right away—I couldn’t tell
where it was coming from. Wasn’t close.”

“Well, it’s cool down here and hotter up above. Cold air flows
down . . . so probably up on the valley wall, somewhere.”

“The sheriff heard that Zorn might be cooking some meth.
We’re quite a way from Zorn’s.”

“Nothing to keep him from hiding his cooker up the hill, like an
old-timey still,” Johnson said. He looked around at the overgrown
valley walls hanging over them. “Virgie? Let’s get the fuck out
of here.”

They got the fuck out of there.

“Now what do we do?” Johnson asked, when they bounced back
on Highway 26.

“I want to look at some aerial photography of the place. See if
there’s any other way in or out.”

Johnson nodded and said, “You know who’s got the best pictures?
The ag service.” He looked at his watch. “Gonna be too late
today, though. I’d recommend a run up the river, instead. We can
look at the pictures first thing tomorrow.”

On the way back to Johnson’s cabin, Davenport returned Virgil’s
call from that morning. Virgil saw his name flash on the phone
screen, and said to Johnson, “Keep your mouth shut. This is the
boss. I’ll put him on the speaker.”

“What’s up?” Davenport asked, when Virgil answered.

“Man, I hate to ask this, with Shaffer dead and you working the
Black Hole. But you know my friend Johnson Johnson?”

“Yeah, I know him,” Davenport said. “There’s a goddamn accident
waiting to happen.”

“Actually, it’s happened several times already. Anyway, Johnson
needs some help on, mmm . . . a non-priority mission,” Flowers
said. “I’m not doing anything heavy, and nobody’s called me for the
Black Hole group, so I’d like to run over to Trippton. It’s down
south of La Crescent.”

“You’re not telling me what it’s about,” Davenport said.

“No, but if Johnson is telling the truth, and I make a couple of
busts, it’ll bring great credit upon the BCA.”

Johnson nodded sagely, from the passenger seat.  

“We don’t need credit,” Davenport said. “The legislature’s already
adjourned. But, go ahead, on your best judgment. From the
way you’re talking, I don’t want to know what it is. If it blows up in
your face, it’s your problem.”

“Got it. I just wanted you to know where I was,” Virgil said.
“You taking your boat?” Lucas asked.
Long pause, while Virgil sorted out the possibilities. He decided
to go with the semi-truth. “Maybe.”
“Let me know if you get in trouble,” Davenport said. “But otherwise . . .”
“You don’t want to know.”
“That’s right.”

“You’re good,” Johnson said, when Virgil had rung off. “Got the
backing of the big guy himself. Let’s get out on the river.”
“I’m not going catfishing,” Virgil said.
“Nah. Get your fly rod out. I know where there’s a whole bunch
of smallmouth, and they do like their Wooly Buggers.”
So they did that.
On his first night in Buchanan County, Virgil went to sleep in
Johnson’s cabin with the feeling he hadn’t gotten much done.
But he’d gotten some heavy vibes—and the vibes were bad.

What People are Saying About This

From the Publisher

Praise for Deadline

“Another brainy thriller from a prolific author, ‘Deadline’ fulfills readers’ expectations of Sandford’s fiction: tense, smart and character-driven.” — Richmond Times Dispatch

“Rich characters [and] the descriptions of small-town life, politics and corruption and the concurrent trails of action make for a fast and entertaining read.”—Pittsburgh Post-Gazette
“Sandford's best Flowers book to date. . . . There is a lot of drama and mayhem in this story and readers of traditional Sandford books will be satisfied for sure. Still if you like a little humor in your plots, this book will more than sate that desire. This book is the most fun I have had reading in a long time.”—Huffington Post

“There’s a lot going on in Deadline . . . The biggest joys of this series are Flowers himself (his boss is Lucas Davenport from the Sandford's Prey novels), the cast of eccentric supporting characters and the humorous dialogue.”Shelf Awareness

“Sandford keeps one last surprise up his sleeve for the denouement of the dognapping case, and it's a doozy. Exhilaratingly professional work by both Virgil and his creator that breaks no new ground but will keep the fans happy and add to their number.”—Kirkus Reviews

“Stellar . . . Sandford is an accomplished and amusing storyteller, and he nails both the rural characters and terrain as well as he has skewered urban life in past installments.”—Publishers Weekly (starred review)

“Sanford balances straight-talking Virgil Flowers’ often hilariously folksy tone and Trippton’s dark core of methamphetamine manufacturers and sociopaths; the result is pure reading pleasure for thriller fans.”—Booklist

Praise for Storm Front
“John Sandford has the Midas touch. [Storm Front is] exciting, complex and funny all the way through. Virgil is a unique character [and] the beauty of Sandford’s writing is that the narrative of the book is told in perfect harmony with Flowers’ personality . . . Entertaining reading all the way.” —The Huffington Post

Customer Reviews

Most Helpful Customer Reviews

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Deadline 4.3 out of 5 based on 0 ratings. 124 reviews.
Anonymous More than 1 year ago
What starts out as a favor for his friend, Johnson Johnson, turns into three different lines of investigation that twine around each other delightfully. Not as dark as some of the earlier stories, but just as deadly. You may have to suspend your disbelief at some of the goings on - but then you'll pick up a newspaper realize people really can be that crazy. Dog lovers will become fans as the story begins with an effort to find dogs stolen by a scalawag who thinks nothing of taking man's best friends and selling them to medical laboratories. As Virgil's rather goofy friend Johnson Johnson ropes him into taking on the task of being an animal detective in a small town, things rapidly heat up as corrupt citizens go off the rails and start a chain reaction of crime resulting in murder. The pace is rather fast as a whole host of criminals get jumbled into a rats nest of separate crimes which keep getting tangled up. It is up to Virgil and a cast oddballs and fellow cops try to sort out the various schemes and bring the perps to justice. The twists and turns are fun, with a lot of humor in this book. Highly recommend "Deadline" as a great way to spend a few hours with an old friend--Virgil Flowers. Virgil Flowers does not let us down, as per usual. He gets sucked into showing up in small town Minnesota when a fishing buddy of his calls and tells him his friends and neighbors are victims of dognappings. Virgil meets them in their local bar and finds a group of people who have grown up with rifles in one hand and fishing rods in the other. They are outraged by their dogs being stolen and are just about ready to lynch the person doing it    
Anonymous More than 1 year ago
Another entertaining book in the series. Wryly funny and also a subtle riff on our obsessions as a culture. I liked this so much; the multiple investigations, the continuity with the Prey books, and I am so jealous of Frankie. She is the lucky recipient of "Dr. Flowers Female Cure." Keep writing them, John, I'll keep reading them.
Anonymous More than 1 year ago
Sanford has the template for mystery and I have enjoyed every single one of his books, this one was no exception. I hope Virgil keeps the dog. Be a perfect platform for some sidekick humor!
Anonymous More than 1 year ago
Excellent book. There is never enough of this level of writing. Hopefully the author will continue for sometime with new books. The quips and comments by the characters serve to make the story line interesting and  the greatly improves the quality of the story.  John Sandford just gets better with each new book. 
JCD2 More than 1 year ago
I think this is one of John Sandford's best works.  Virgil Flowers seems to get involved in all kinds of mayhem but keeps cool and calm.  Virgil is starting to outshine Lucas Davenport, and you have to go some to do that.  Between the dogs, drugs and school board Virgil doesn't have a minute to spare but still has time for a little romance.  And the dog!  All I'll say is "PERFECT!"
JSchwei More than 1 year ago
Suspense all the way to the end. Great character. Good humor mixed with thriller reading.
Virginiaw More than 1 year ago
This was my favorite Virgil Flowers book ever.  It was also one of my favorite John Sandford novels in a while.  This one was funny and intense in places.  The characters were fun and likable
Mikeeman More than 1 year ago
Virgil flowers the multitasker!!!Great read with never a dull moment . Virgil has become the icon of the "I'm not as dumb as you may think down-home boy"and is a  reluctant protagonist.did not want the novel to end and looking forward to spending more time w/Virgil and his Rural entourage.  
Anonymous More than 1 year ago
Good story, my only complaint is to use a thesaurus to find substitute words for the "first word" - way over used it. There's gotta be some words that'd be funnier if the vocabulary was expanded.
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tedfeit0 More than 1 year ago
Just having finished his last assignment, Virgil Flowers of the Minnesota Bureau of Criminal Apprehension was looking forward to some quiet time. And then he gets a telephone call from his friend, Johnson Johnson, requesting him to come solve what amounts to a dog-napping problem in the small town of Trippton. It seems someone has been stealing dogs from the town’s residents, presumably for sale to medical laboratories and other uses. Instead, when Virgil gets there he gets more than he can chew on: First the murder of a reporter on the local weekly newspaper, which leads Virgil to uncover a massive fraud by members of the school board, followed by additional murders. Some quiet time! From that point, Virgil just plods on to the inevitable conclusion. The reader is never in any doubt about the identity of the culprits. It only remains to find out how it all comes together. The Virgil Flowers series is now eight novels (and counting). He is an entertaining protagonist, and the stories are well written and enjoyable. “Deadline” seems a little long, but the pages turn quickly, and the novel is recommended.
Anonymous More than 1 year ago
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Anonymous More than 1 year ago
Would highly recommend this thriller.
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LeeNV More than 1 year ago
Sanford is normally one of my favorite authors, but this one disappointed. Couldn't get past the first 4 or 5 chapters. I had heard he started using ghost writers...this was probably one...definitely not up to his usual high standard.
Anonymous More than 1 year ago
johnwillie More than 1 year ago
Great reading
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Sandford continues to entertain with the latest Virgil Flowers' effort. Own them all, and looking forward to the next installment.
robcon41 More than 1 year ago
Virgil Flowers is a laid back investigator for the Minneapolis Bureau of Criminal Apprehension. His boss, Lucas Davenport, is the main character in the "Prey" series. This book is about dognappers, clean-cut midwestern murderers, romance, and other interesting things. Virgil Hardly ever carries a gun, and is more adept at charming women and fishing than threatening anyone, unlike his sometimes scary boss. Wacky plot, plenty of great dialogue, and action. A lighter take on the B.C.A.'s usual grim work. Always a pleasure reading a John Sandford book.