A reporter for the Bergen News, Chris Turley could never measure up to his fatherone of the last great investigative reporters and a difficult man to impressbut still, he can dream. Stuck covering small-time press conferences and town hall meetings, Chris fantasizes about winning his own Pulitzer, however unlikely it seems.
Then one day while he's waiting to meet a source, a giant explosion takes out half of an office building next door. Shocked into action, Chris saves five people from the burning building. His firsthand account in the next day's paper makes him a hero and a celebrity. And that's not all.
The source's next tip delivers a second headline-grabber of a story, and suddenly Chris's career is looking a lot more Pulitzer-worthy. But then it seems this anonymous source has had a plan for Chris all along, and his luck for being in the right place at the right time is not luck at all. In the blink of an eye what seemed like a reporter's dream becomes an inescapable nightmare with his own life on the line.
David Rosenfelt's Down to the Wire is a dazzling, page-turning thriller.
|Publisher:||St. Martins Press-3pl|
|Product dimensions:||5.00(w) x 8.00(h) x 0.85(d)|
About the Author
David Rosenfelt is the Edgar and Shamus Award–nominated author of seven novels featuring lawyer Andy Carpenter and of another stand-alone thriller, Don't Tell a Soul. He and his wife live in California with their twenty-seven golden retrievers.
Read an Excerpt
Down to the Wire
By David Rosenfel
St. Martin's PressCopyright © 2010 Tara Productions, Inc.
All rights reserved.
ONE REPORTER'S EYEWITNESS ACCOUNT OF A NIGHTMARE
by Chris Turley
I am not a hero. I'm just not the type. I have lived thirty-two years without displaying any physical courage at all. So let's get that straight going in.
But I was across the street from the medical center this afternoon when it exploded. The force of it, even from a distance of a hundred feet, was unlike anything I have ever experienced. And very much unlike anything I want to experience again.
Because I was so close, even as I write this I know very few particulars of what happened and why. I reacted in the moment, with no real understanding of what was going on.
The left side of the building, as I faced it, crumpled to the ground within seconds. The right side, perhaps even sixty percent of the building as a whole, remained, stubbornly refusing to give in.
It was from that area that I thought I heard screams, though because the explosion had dulled my hearing, I couldn't be sure that the voices were not from people with me on the street.
Never having been in war, and war is the only comparison I can make, I was not prepared for the chaos around me. But I had to do something, even though every instinct told me to run away.
I went to the building and confirmed that the terrified screams were coming from inside. I ventured in, going through a front door and façade that remained perfectly intact, as if it had not gotten the memo that the rest of the building was ...
IT'S RARE THAT A story comes out just right the first time; usually it's a process of rewriting and editing. But Chris's story was approved almost without any changes at all, such was the vivid power of his words. Of course, stories are almost always written to match up with available space, but that was not a consideration this time. For a first-person account of such an enormous event, Chris would have all the space he needed.
Eleven people died in that building and another seventeen were injured. Chris wrote about five of them in his story, the five he rescued, but ironically didn't even know their names. In a way, their anonymity was appropriate for the story; Chris's rescue efforts were a human reaction to other humans in trouble. Personal knowledge of who they were, or a personal connection to them, was not necessary in any way.
When the story was put to bed, Lawrence called Chris into his office, where he poured him a drink. To Lawrence, a drink was scotch, and the only choice offered was for it to either be on the rocks or with water.
Chris hated scotch, but saying no to Lawrence was not a consideration, so it presented him with a dilemma. If he took it with water, it diluted the taste, which was a good thing. However, it increased the size of the drink and made it last longer, which was quite a bad thing.
On this particular occasion, he opted for the scotch on the rocks, mainly because he needed something to calm his nerves quickly. He had acted instinctively after the explosion, but the enormity of what had happened was finally starting to hit him hard. As he drank from the glass, his hand shook.
"You sure you're okay?" Lawrence asked.
"I'm fine. Why?"
"You look like you're enjoying that scotch. Usually you drink it like it was medicine."
Chris laughed. "So why do you always give it to me?"
"Because when I die, I don't want your father coming up to me and saying, 'Why the hell did you give my son a fucking Kahlua and cream?' "
"I like Kahlua and cream."
"Quiet," Lawrence said, looking skyward. "He can hear you." Then, "But I'll bet he's proud of you today."
Talk of his father often made Chris uncomfortable, especially when it was Lawrence doing the talking. Lawrence had an uncompromisingly positive view of Edward, a view which much of the rest of the world did not fully share. Edward had taken a scorched earth approach to journalism, and his unwillingness to take his foot off the throat of his "victims" often provoked fear and hatred, albeit with a healthy dose of grudging admiration.
"I was in the right place at the right time."
"That's what good reporters do," Lawrence said. "They make sure they're in the right place at the right time. That's what your father did with Hansbrough. You did good, but your life will never be the same again."
"Why?" Chris asked.
"Because the world is about to know your name. It's not going to be easy to handle."
"Then can I have another scotch?"
Lawrence laughed. "That's a good start." He got up to pour the drink when his phone rang, and he answered it. "Terry."
He listened for a moment, frowned, and held the phone out for Chris. "Shit. Here it goes," he said.
"Who is it?" Chris asked.
"The Today show."
FOR THE MAN WHO would soon be known as "P.T.," things were going perfectly.
He had arrived at Simmons Crystal and Glass, a large factory in Edison, New Jersey, an hour before closing time. He had pretended to be a vendor, hyping a new type of glass-making machine that produced a more durable product than the kind they were using.
It was the fourth time he had been in the building; the first three amounted to crucial scouting missions. Nobody paid him much attention, since vendors wandered in and out of there all the time. But none had ever been there for a reason anywhere close to this important.
Of course, all he knew about glass he had learned in the last two months, through the magic of Google. And the wondrous machine he bragged about did not even exist. But it got him in the door, and though his halfhearted efforts were brushed off by the purchasing manager, he couldn't have cared less.
P.T. hid in a storage room until a full hour after closing, then carefully made his way onto the factory floor. He knew from his research that there would be no one around, and that the security guard made his rounds every half hour. That would give him twenty-five minutes to do what he had to do, which was more than enough time.
The first thing he did was disable the security cameras, which for P.T. was the easiest part of the operation. He did it in such a way that they would restart when he left and no one would ever know they had been off .
P.T. then quickly went to the enormous crystal ball being assembled in its own room near the back of the factory. It was an extraordinarily impressive piece, twelve feet tall and six hundred pounds of fine crystal. He detached four of the panels, then opened his briefcase and took out four clear, odorless packets, each weighing more than three pounds. They were connected by remarkably thin, clear fiber-optic wires to a device no larger than a small computer chip.
The difficult part was in attaching the packets to the inside of the detached crystals without damaging the elaborate laser lighting mechanisms inside. He had to be incredibly careful; he was placing them where they could virtually never be detected, yet if he made the slightest mistake it would be immediately noticeable to everyone.
P.T. knew that even with all that was to follow, with all the precision maneuvers he would conduct, this would be the most difficult. In fact, it was the only thing that had the slightest risk of failure. If he erred, he would still be able to compensate, but it would be a setback. And he hated setbacks.
But things went off without a hitch, and twenty-five minutes later, P.T. was driving home. Alone in the safety of his car, he spoke the first words he had spoken in hours.
"Happy New Year."
THE VISITS WERE MORE for him than for her.
Logically, there was no getting around that. Harriet Turley had been in the Eddings Nursing Home for Women in Teaneck for three years, which meant that she had literally outlasted more than seventy-five percent of the people who were living there when she arrived. Of course, that would depend on one's definition of "living."
Chris had always known his mother to be a forceful, independent woman with a razor-sharp mind, one of the few people who could hold her own in a conversation with Chris's father. The probing, badgering style of questioning that Edward Turley used in his interviews often carried over into his private life, but Harriet could stand toe to toe with him.
Most memorable for Chris was the time he sat unnoticed, at the top of the stairs in their house, as Edward and Harriet argued in the kitchen below. The subject was not memorable, something about the way Harriet had dealt with Chris's fourth-grade teacher about some difficulty he was having. But Edward was criticizing Harriet's handling of it, and she was giving better than she got, letting him know in no uncertain terms that as long as he was going to be a relatively absentee father, she was going to call the shots.
"You're entitled to your opinion," she had said in a calm voice. "But I am making the decisions."
Chris often thought that if his interview subjects could have watched her in action, they wouldn't have been nearly as intimidated by Edward and his typewriter, and in later years his camera and microphone, as they always seemed to be.
But Harriet's mind had gradually been erased, over a three-year process that Chris watched with horror and Harriet initially cloaked in denial. For at least the past two years, she had displayed a decreasing recognition of Chris when he arrived for a visit, and by this time the frequency of her awareness of him as her son had dipped to less than five percent.
But even though Harriet had no recollections of his visits five minutes after he left, it was still far more than obligation that brought him there three times a week. He loved her deeply; she was the only person he could count on every day of his life. And even though her own life might be coming to an end, he wanted to hold on to her as long as he could.
She was also a link to his father. Sometimes, in her more lucid moments, she would talk about Edward as if he were still there, as if they still shared a life together. A few months before, she had even referenced a rare vacation that they took as a family, talking about it as if it were yesterday, although it was twenty years ago. They had gone to Hersheypark, the amusement park in the Pennsylvania town famous for its chocolate factory.
"Remember how your father took us to a restaurant at the corner of Chocolate Avenue and Cocoa Street?" She laughed at her own recollection, and Chris was stunned by it.
"And then we toured the chocolate factory, and I ate all those free samples," he said. "I was sick for a week, but it was still the best time I ever had."
But she didn't answer. As fast as her lucidity had appeared, just as quickly it was gone, and her blank stare returned.
The few times that Harriet was in touch with her memories, she always talked about times when they were together as a family, when Edward's presence made her feel safe and happy. The irony, of course, is that her relationship with him was always distant and sporadic; it was on Edward's terms when Edward's work permitted.
But Chris would never correct her and would just let her ramble, hoping she would hit upon a memory that they could savor together.
Most of the time Chris just talked to her, talked as if she could process and understand what he was saying. So that day he talked about the building explosion and the rescue of the people. She seemed to listen intently, but had no response.
"And tomorrow morning I'm going to be on the Today show," he said. "They're putting me up in a hotel tonight in the city and sending a car for me in the morning."
She seemed to smile slightly at that, so he continued. "I don't think Dad was ever on the Today show, was he? I'll ask the people here to bring you over to the television so you can watch me."
He looked at her and saw that her eyes were closing. She did that more frequently every week; she just fell asleep in the middle of a visit. He thought that was a good thing and hoped she could have coherent, pleasant dreams.
"I wish Dad were here to see me on the show," he said, basically to himself. "I think he would have been proud of what I did."
And then he kissed her on the cheek, and thought he saw her smile.
And then he left.
"P.T." PICKED PARAMUS PARK out of a hat.
He felt that an operation like this called for a randomness; a total lack of bias. His selections were not intended to make a point, nor to demonstrate a pattern. It was as much a moral as a tactical decision. While he didn't want to do anything that could be predictive of future actions, he also felt that fairness was best served by impartiality.
The Paramus Park mall was only one of many shopping centers in the Paramus/Teaneck/Ridgewood area. Certain others, like Riverside Square, were more upscale, and therefore might have been better suited to P.T.'s needs. But he picked Paramus Park, and Paramus Park it would be.
He parked his car behind a gas station adjacent to the shopping center on the Route 17 side and walked across a field to the other side. The lot was close to full, as he knew it would be on a late-November evening. The pre-Christmas rush was getting longer and longer; soon it would start at Labor Day.
P.T. knew where the security cameras were; he had scouted them on previous trips. He made sure that his face was not turned towards them, and with a windbreaker and hood on, there was no way he could be identified. The closest they would come would be the Syracuse logo on the chest of the windbreaker, if the cameras were capable of picking it up. He didn't much care either way. He never went to college; he was self-educated.
P.T. identified eight cars to choose from, all of which were Toyotas, since he had randomly chosen the Toyota brand that morning. From that group, two were left unlocked, which made the decision process easy. The coin came up heads, which meant he would go with the beige Toyota sedan.
After a quick glance around to make sure that no one was approaching or watching, he climbed into the backseat and waited. The car was not parked near a light pole, and the darkness was perfect for his purposes. He just hoped that only a driver would return, without additional passengers. That could get a little messy.
P.T. didn't even know if the driver would be a man or a woman, nor did he particularly care. The end result would be the same.
After about twenty minutes, he saw a man heading in the direction of the Toyota, and P.T. sensed that this was it. The man wore what looked to be an expensive coat and carried three shopping bags. P.T. hoped he would put them in the trunk rather than the backseat, but again, the end result would be the same.
The man walked to the passenger side of the car, but rather than heading towards the trunk, he opened the rear door.
That decision probably hastened his death by thirty or forty seconds. The moment he opened it, P.T. fired a small dart gun into his neck. The poison rendered him unconscious in less than a second, and killed him within ten seconds of that. It was unlikely that the victim even had time to register what was happening, and that was how P.T. wanted it. He had no interest in causing unnecessary suffering.
The man slumped forward towards the car, and P.T. grabbed him and pulled him into the backseat. He took the keys, which the man conveniently had in his hand, got into the front seat, and started the car. He drove it slowly and cautiously out of the parking lot and on to the highway, then made a U-turn back to the area where his own car was parked.
Once there, P.T. moved the man's body into the trunk of P.T.'s own car. He turned off the victim's Toyota, but left the keys in the ignition. He also left the shopping bags in the car; it would be up to the guy's family and friends to figure out how to divvy them up. P.T. didn't have to worry about any fingerprints, since he had worn gloves the entire time.
Leaving the dead man's car behind, P.T. pulled away and drove down Route 17 to Route 4, then headed east. He had another hour of work ahead of him, which he wasn't looking forward to. But he really had no reason to complain; things had been going just as he had planned for all these years.
"Thanks, pal," P.T. called back to the body in the trunk. "You did good back there."
Excerpted from Down to the Wire by David Rosenfel. Copyright © 2010 Tara Productions, Inc.. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Most Helpful Customer Reviews
Chris Turley, reporter for the Bergen News, lives in the shadow of his father, award-winning investigative reporter Edward Turley. Chris's anonymity comes to an end when he witnesses the explosion of an office building while waiting to meet a source. Chris rescues five people and is hailed a hero, finding himself an instant celebrity. Chris's life and career take a dramatic turn when his source subsequently feeds him information that establishes Chris as an investigative journalist. But Chris's celebrity status fades as the mysterious source begins randomly killing people, using Chris as his reason for doing so. Law enforcement personnel and the FBI initially suspect Chris is the culprit but eventually turn their investigation outward, following clues that lead to nowhere. Rosenfelt is best known for his light, comedic Andy Carpenter mystery series. This standalone thriller offers a fast-moving plot filled with twists and turns. Chris is a likable character, an everyday guy thrust into a complicated situation from which there seems no escape. Although some may question the reason behind the murders, the psychopathic killer is well portrayed and adds a thrilling dimension to the plot.
I love his writing! Couldn't put this one down!
I have read all of David Rosenfelt's books and have really liked them all. Down to the Wire is a great read. It is the kind of book that you would want to read in one sitting if you could. After I read one of Rosenfelt's books I want to start reading another one right away.
I really liked this book. It's not Rosenfelt's usual style, but it is well written and a story I didn't want to put down.
This is NOT in David Rosenfelt's voice, and what a disappointment! We have come to enjoy and expect his unique combo of ascerbic wit and suspense in his previous novels featuring Andy Carpenter and even his other stand alone novel. Howver, the suspense is attempted, but the result is BORING! The ubiquitous red herrings are prevalent, but not realistic. The characters and their motives aren't developed well. The plot just "ends" without a complete and satisfying denouement. Many quetions remain in the reader's mind. Read all his novels except this one, and hope his voice will return in the next novel.!
This book has a nice writing flow that keeps you turning the pages. Nice powerhouse ending, several twists and turns. Good book--THANKS!
I have read all of David Rosenfelt's books and am a big fan of his Andy Carpenter books. This is not one of those books. I didn't find the characters to be that engaging and it didn't have the surprising twists and turns that I look for in a "thriller." David says that he will have another Andy Carpenter book out in Aug. so I'll look forward to that.
This is a really interesting novel, well worth the time it takes to read it.I found some of the storyline rather absurd, but it didn't keep me from hanging in there, all in one day.
Absolutely great!!! I couldn't put it down for a minute. It was a roller coaster ride of a book and kept me going every page. If you love this genre of novel, you'll love this one. Congratulations if you bought it, you are in for a real treat.
This is another of David Rosenfelt's premier writing style books. From beginning to end it is well worth reading. He knows how to interest the reader and the only problem I see is not wanting to put the book down, so finishing the book, we want more. I wish he could write faster, but I'm already looking forward to his next book coming out in August 2010.