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Dragonfly Song
A gripping upper—middle—grade fantasy set in Bronze—Age Crete from Nim's Island author Wendy Orr
The girl has had many selves in her short life. The first she remembers is Aissa, the daughter of Mama and Dada, sister to Zufi who watched the goats. Then the Bull King's raiders came, and Mama said, "Don't make a sound till I come back." And when the villagers found her she was silent as stone, because Mama never came back again.
So the villagers cursed her as back luck and made her No—Name, lowest of the servants to the Lady, the island's priestess. But there were whispers, as she grew, of another self: of the Lady's rejected first daughter, born imperfect with two extra thumbs. The silent girl looks at the scars on her wrists and wonders, but she has more pressing concerns. The villagers blame her bad luck for the tribute the Bull King now demands of them: two youths given each spring to dance with his bulls and die for his god's glory. And the servants hate and fear the unnatural way the animals all come to her. For Aissa, though, this bond with creatures of fur and scale is the first clue in finding the true self that no one else can give to her, or take away.
Wendy Orr, the author of Nim's Island, introduces a resourceful and resilient heroine for slightly older readers. Inspired by an archeological trip to the island of Crete, where frescoes show figures leaping over the backs of bulls, Orr weaves an intriguing mythological portrayal of the Bronze Age Minoan civilization. Lyrically written and refreshingly unpredictable, Dragonfly Song suggests a fascinating origin for the legend of the Minotaur and his dark tribute.
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Dragonfly Song
A gripping upper—middle—grade fantasy set in Bronze—Age Crete from Nim's Island author Wendy Orr
The girl has had many selves in her short life. The first she remembers is Aissa, the daughter of Mama and Dada, sister to Zufi who watched the goats. Then the Bull King's raiders came, and Mama said, "Don't make a sound till I come back." And when the villagers found her she was silent as stone, because Mama never came back again.
So the villagers cursed her as back luck and made her No—Name, lowest of the servants to the Lady, the island's priestess. But there were whispers, as she grew, of another self: of the Lady's rejected first daughter, born imperfect with two extra thumbs. The silent girl looks at the scars on her wrists and wonders, but she has more pressing concerns. The villagers blame her bad luck for the tribute the Bull King now demands of them: two youths given each spring to dance with his bulls and die for his god's glory. And the servants hate and fear the unnatural way the animals all come to her. For Aissa, though, this bond with creatures of fur and scale is the first clue in finding the true self that no one else can give to her, or take away.
Wendy Orr, the author of Nim's Island, introduces a resourceful and resilient heroine for slightly older readers. Inspired by an archeological trip to the island of Crete, where frescoes show figures leaping over the backs of bulls, Orr weaves an intriguing mythological portrayal of the Bronze Age Minoan civilization. Lyrically written and refreshingly unpredictable, Dragonfly Song suggests a fascinating origin for the legend of the Minotaur and his dark tribute.
A gripping upper—middle—grade fantasy set in Bronze—Age Crete from Nim's Island author Wendy Orr
The girl has had many selves in her short life. The first she remembers is Aissa, the daughter of Mama and Dada, sister to Zufi who watched the goats. Then the Bull King's raiders came, and Mama said, "Don't make a sound till I come back." And when the villagers found her she was silent as stone, because Mama never came back again.
So the villagers cursed her as back luck and made her No—Name, lowest of the servants to the Lady, the island's priestess. But there were whispers, as she grew, of another self: of the Lady's rejected first daughter, born imperfect with two extra thumbs. The silent girl looks at the scars on her wrists and wonders, but she has more pressing concerns. The villagers blame her bad luck for the tribute the Bull King now demands of them: two youths given each spring to dance with his bulls and die for his god's glory. And the servants hate and fear the unnatural way the animals all come to her. For Aissa, though, this bond with creatures of fur and scale is the first clue in finding the true self that no one else can give to her, or take away.
Wendy Orr, the author of Nim's Island, introduces a resourceful and resilient heroine for slightly older readers. Inspired by an archeological trip to the island of Crete, where frescoes show figures leaping over the backs of bulls, Orr weaves an intriguing mythological portrayal of the Bronze Age Minoan civilization. Lyrically written and refreshingly unpredictable, Dragonfly Song suggests a fascinating origin for the legend of the Minotaur and his dark tribute.
Award—winning author Wendy Orr was born in Edmonton, Alberta. The daughter of an Air Force pilot, she has since lived around the world, including several years in Colorado, France, and England. She now lives in Melbourne, Australia, but returns home yearly to visit her family. Wendy's many books for children have been published in 27 countries and won awards around the world. Prominent among them is Nim's Island, which was made into the 2008 film of the same name; a 2013 sequel, Return to Nim's Island, was loosely based on Orr's book Nim at Sea.
Table of Contents
Author's Note—1 The Firstborn Daughter—3 1 Another Spring, Four Years Later—10 2 After Eight Springs in the Servants' Kitchen—26 3 The Fireflies of Rebirth—46 4 The Light of the Fireflies—61 5 Dragonfly Banished—77 6 The Sanctuary Cave—92 7 The Hills—103 8 The Sea—111 9 The Rock Slinger—125 10 The Bull Dancers—131 11 Milli-Cat and the Snake—139 12 The Goats and the Wolf—154 13 The Bull Dancer and the Boar—165 14 Dragonfly at the Source—185 15 The Cold North Wind—192 16 The Wise-Women—207 17 The Herb Gatherer—222 18 The Ship in Spring—245 19 The Bull King’s Ship 262 20 Spring Training—279 21 The Dance of Summer Solstice—291 22 In the Mother’s Rooms—303 23 The Bull Dance in Midwinter—323 24 Meeting the Bulls—333 25 The Great Spring Dances—339 26 From the Gray-Green Bush —355 27 The Bull King’s Promise—362 28 The Lady of the Bulls—378
