Praise for Drums & Demons
When people say that Jim Gordon is the greatest rock 'n' roll drummer who ever lived, I think it's true, beyond anybody.
—Eric Clapton
Jim was one of the rare players who danced on the edge and knew the secrets...Yes, Jim was healing himself when he drummed, but when he stopped the voices started again...I finished this book slack-jawed, trying to come to grips with this amazing, tragic story.
—Mickey Hart, Grateful Dead
Jim Gordon is one of the most important drummers in American rock history—he kept the beat for everyone from Buffalo Springfield to the Beach Boys to Jackson Browne to John Denver to Randy Newman. He is also a man whose mental illness and substance abuse sent him spiraling into tragedy. Joel Selvin's Drums & Demons, both painstaking and painful, brings Gordon's darkness into the light.
—Questlove
When you could get Jim Gordon on your album you were really something. I mean he played with EVERYBODY...We were able to get Jim to play on the Alice Cooper Goes to Hell album when he was the most sought-after drummer in rock 'n' roll. We really, really liked Jim very much except he got to a point where he was talking to himself a lot during takes, we could hear him muttering to himself.
—Alice Cooper
Based upon my interactions with Jim Gordon, author Joel Selvin accurately portrays Jim's genius as well as his development into the living hell he gradually occupied. Jim was always soft-spoken, and the first one to arrive at a session. His drums spoke for him, and he had a subtle but commanding presence. Years later, when he was scheduled for a session where I was producing a commercial, he arrived forty-five minutes late, was surly, and uninvolved. Someone else had taken over the Jim we knew and loved, and that was the last time I saw him.
—Mark Lindsay, Paul Revere & The Raiders
I loved Jim Gordon like a brother and am grateful for Joel Selvin's unstinting notice of Gordon's luminescence, which adds great leavening to this heartbreaking work of staggering genius.
—Van Dyke Parks
Selvin delivers a sensitive account of the life and legacy of Derek and the Dominos drummer Jim Gordon, who suffered from schizophrenia and murdered his mother...[but was] once deemed the 'greatest drummer' in rock and roll by Eric Clapton and Ringo Starr...Without downplaying the gruesome details of Gordon's crime, Selvin gracefully portrays the musician as 'more than his disease'...This affecting account sheds new light on one of rock's most complicated figures.
—Publishers Weekly
Joel Selvin is one of the Big Beasts of American music writing. He presents Jim Gordon's complex, tragic story fully in the round, as only he can. Biography of the Year!
—Mick Wall, author of Life in the Fast Lane and When Giants Walked the Earth
Praise for the Work of Joel Selvin
Sly & The Family Stone: An Oral History
A first-hand account of both the kaleidoscopic talent that drove Stone to the top and attracted so many people to him, and the madness that he soon descended into and never truly returned from. . . . It amounts to a definitive history of one of the rock generation's greatest and most tragic artists.
—Jem Aswad, Variety, The Best Music Books of 2022
As disturbing and chilling a version as you'll ever find of the ‘dashed '60s dream' narrative: idealism giving way to disillusionment, soft drugs giving way to hard, ferment to rot.
—David Kamp, Vanity Fair
The musical trajectory of Sly & The Family Stone, and especially its namesake and leader, Sly Stone (born Sylvester Stewart), makes even the most shocking episode of Behind the Music look like Nickelodeon programming. Esteemed music journo Joel Selvin chronicles the good, the bad, the ugly (and the really ugly).
—Bob Ruggiero, Houston Press
Hollywood Eden: Electric Guitars, Fast Cars, and the Myth of the California Paradise
Hollywood Eden brings the lost humanity of the record business vividly back to life. . . . [Selvin's] style is blunt, unpretentious and brisk; he knows how to move things along entertainingly. . . . Songs about surfboards and convertibles had turned quaint, but in this book, their coolness is restored.
—New York Times
A jukebox musical of a book. . . . If Altamont marked the premature end of the 1960s, Hollywood Eden is the decade's origin story, capturing the lingering 1950s and the transition in Southern California music from surfing and hot rods to the singer-songwriters of the canyons.
—San Francisco Chronicle
What Selvin does so well is focus on a specific community and what made it work. . . . Selvin took a similar approach in . . . Summer of Love. Here he zooms in tighter on less trodden ground, with more revelatory results.
—Los Angeles Times
Forget the subtitle, which is its own myth. The book is in stray facts no one else would dig up, yet alone think of publishing . . . and, in this ten-years-on-the-strip tale of white people coming out of University High in Los Angeles and making records, the way Selvin can cut right down to what really matters, over and over again.
—Greil Marcus, Los Angeles Review of Books
Fare Thee Well: The Final Chapter of the Grateful Dead's Long, Strange Trip
Examines every sad twist, turn, and betrayal involved in the Dead's various offshoot groups leading up to their 2015 Fare Thee Well reunion.
—Rolling Stone
Selvin smartly steers clear of tie-dyed '60s mysticism, offering instead a reported look at the lives of the remaining ‘core four' members. . . . how the four men grappled with their own ambitions.
—Washington Post
A great and inspiring story.
—Marty Balin, founder of Jefferson Airplane
Illuminating, astounding, and accurate, Fare Thee Well is a remarkable account of the successes and failures by the talented, individualist remaining members of the Grateful Dead since the death of their leader, Jerry Garcia.
—Steve Miller, founder of the Steve Miller Band
Fare Thee Well is a masterful summation of the agonies, trials, and tribulations that beset the Grateful Dead after Jerry Garcia passed away.
—Sam Cutler, author of You Can't Always Get What You Want: My Life with the Rolling Stones, the Grateful Dead, and Other Wonderful Reprobates
As always, Joel Selvin boldly goes where others fear to tread.
—Robert Greenfield, author of Dark Star: An Oral Biography of Jerry Garcia
An enthusiastic but clear-eyed and enjoyably gossipy piece of modern rock history.
—Publishers Weekly
Altamont: The Rolling Stones, the Hells Angels, and the Inside Story of Rock's Darkest Day
Boy, did I live in a bubble—or something. I had no idea the extent of bruising under the melting rainbow. Selvin is revealing our tricky gestation in the weird womb of sixties rock. Frightening.
—Grace Slick, member of Jefferson Airplane
An account that moves at movie pace, Selvin cuts through woolly cop-out rhetoric, offering clarity and detail . . . Altamont was a tragedy in the classical sense—a disaster born of hubris and folly—and Selvin nails every last shred of both.
—Mojo Magazine
An incisive account of the most infamous concert debacle in rock history. . . . This book provides context and perspective, showing the sea change in rock that was taking place as the Rolling Stones attempted to reassert themselves amid the increasing dominance of San Francisco psychedelia and the spirit of Woodstock. . . . Compelling.
—Kirkus Reviews (Starred Review)
Selvin's presentation of Altamont busts the myth of innocence lost; in fact, Altamont just made the reality harder to ignore.
—Publishers Weekly
Here Comes the Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues
Selvin's tale . . . rights a historical injustice, shining a light on an overshadowed great man and deepening our understanding of a history we continue to dance to.
—New York Times
Selvin makes the case that borderline-shady characters like Berns have always cast a big shadow over pop.
—Rolling Stone
Again and again, Selvin brings forgotten recording sessions that any other chronicler would have ignored to such stirring life that they validate not only the story he has to tell but the worth of Berns's own life. . . . Selvin lets you feel the contingency of the moment, how everything that happened—this inflection, that hesitation—could have turned out completely differently, and led to nothing.
—Greil Marcus, Believer
Berns is simply a hook for a larger history of the business of rhythm and blues in the 1960s. Here Comes the Night paints this milieu—unscrupulous businessmen shilling teenybopper hits.
—Los Angeles Review of Books
Here Comes the Night makes a strong case for Berns as the consummate record man, not just another white guy trolling the world of NYC independent R&B looking for a buck but a passionate believer in music. . . . Selvin takes a labyrinthine tale involving hundreds of characters and tames it. . . . It's as classic a '60s music story as any. And Selvin tells it with period-appropriate style.
—Mojo, Four-Star Review
Joel Selvin's new book makes a claim to greatness. In the world of glaringly and exhaustively over-examined star bios, the San Francisco–based journalist not only exhumes a lost soul in the pantheon of '60s pop and soul (along with capturing rock 'n' roll's burgeoning eruption), he also creates as engaged and energetic a narrative as any so-called serious writing can contain.
—Paste Magazine
A compelling biography of a man who wrote and produced records in a fever. It's also an unvarnished account of the often-sordid world of East Coast music publishers, tunesmiths, record hustlers, label executives, gamblers, studio engineers, rack-jobbers, dee jays, and leg breakers.
—DownBeat Magazine
A vivid, character-filled picture of the wild west atmosphere of the New York music biz, often branching out into narrative detours that are consistently entertaining and enlightening.
—Austin Chronicle
Selvin chronicles in delicious detail the golden era of the early 1960s rhythm and blues music scene and the turbulent, hard-knuckle world of record-making behind the glitzy, gold foil facade of rock and roll success and glamor.
—Cleveland Plain Dealer
Joel Selvin has written a book whose prose is so alive, it begs to be read out loud.
—Goldmine Magazine
A thrilling story of a little-known songwriter and record producer of some of the greatest rhythm and blues hits. Longtime San Francisco Chronicle music critic Selvin digs with gusto into the tasty history of New York City's hit-making songwriters, artists, and record magnates of the great R&B era of the early 1960s. . . . Selvin's prose, muscular and Runyon-esque and never taking itself too seriously, moves the narrative along from its upbeat start to its sordid denouement at the edges of New York's gangland. A fascinating time capsule of a freewheeling era in American music.
—Kirkus Reviews
Summer of Love: The Inside Story of LSD, Rock & Roll, Free Love and High Times in the Wild West
Selvin spins out stories like an acid-age papa unraveling counterculture legends around the old electronic campfire. Warm, human, knowing and funny, this is no flashback—it's a trip.
—Dave Marsh, Rolling Stone
[A] defining rock-culture book. If you want to know what it was really like to live in the Sixties, this is the one to read.
—Stephen King
If you want to know how the San Francisco music scene developed, Joel tells you.
—Jerry Garcia
Praise for the Work of Joel Selvin
Sly & The Family Stone: An Oral History
A first-hand account of both the kaleidoscopic talent that drove Stone to the top and attracted so many people to him, and the madness that he soon descended into and never truly returned from. . . . It amounts to a definitive history of one of the rock generation's greatest and most tragic artists.
—Jem Aswad, Variety, The Best Music Books of 2022
As disturbing and chilling a version as you'll ever find of the ‘dashed '60s dream' narrative: idealism giving way to disillusionment, soft drugs giving way to hard, ferment to rot.
—David Kamp, Vanity Fair
The musical trajectory of Sly & The Family Stone, and especially its namesake and leader, Sly Stone (born Sylvester Stewart), makes even the most shocking episode of Behind the Music look like Nickelodeon programming. Esteemed music journo Joel Selvin chronicles the good, the bad, the ugly (and the really ugly).
—Bob Ruggiero, Houston Press
Hollywood Eden: Electric Guitars, Fast Cars, and the Myth of the California Paradise
Hollywood Eden brings the lost humanity of the record business vividly back to life. . . . [Selvin's] style is blunt, unpretentious and brisk; he knows how to move things along entertainingly. . . . Songs about surfboards and convertibles had turned quaint, but in this book, their coolness is restored.
—New York Times
A jukebox musical of a book. . . . If Altamont marked the premature end of the 1960s, Hollywood Eden is the decade's origin story, capturing the lingering 1950s and the transition in Southern California music from surfing and hot rods to the singer-songwriters of the canyons.
—San Francisco Chronicle
What Selvin does so well is focus on a specific community and what made it work. . . . Selvin took a similar approach in . . . Summer of Love. Here he zooms in tighter on less trodden ground, with more revelatory results.
—Los Angeles Times
Forget the subtitle, which is its own myth. The book is in stray facts no one else would dig up, yet alone think of publishing . . . and, in this ten-years-on-the-strip tale of white people coming out of University High in Los Angeles and making records, the way Selvin can cut right down to what really matters, over and over again.
—Greil Marcus, Los Angeles Review of Books
Fare Thee Well: The Final Chapter of the Grateful Dead's Long, Strange Trip
Examines every sad twist, turn, and betrayal involved in the Dead's various offshoot groups leading up to their 2015 Fare Thee Well reunion.
—Rolling Stone
Selvin smartly steers clear of tie-dyed '60s mysticism, offering instead a reported look at the lives of the remaining ‘core four' members. . . . how the four men grappled with their own ambitions.
—Washington Post
A great and inspiring story.
—Marty Balin, founder of Jefferson Airplane
Illuminating, astounding, and accurate, Fare Thee Well is a remarkable account of the successes and failures by the talented, individualist remaining members of the Grateful Dead since the death of their leader, Jerry Garcia.
—Steve Miller, founder of the Steve Miller Band
Fare Thee Well is a masterful summation of the agonies, trials, and tribulations that beset the Grateful Dead after Jerry Garcia passed away.
—Sam Cutler, author of You Can't Always Get What You Want: My Life with the Rolling Stones, the Grateful Dead, and Other Wonderful Reprobates
As always, Joel Selvin boldly goes where others fear to tread.
—Robert Greenfield, author of Dark Star: An Oral Biography of Jerry Garcia
An enthusiastic but clear-eyed and enjoyably gossipy piece of modern rock history.
—Publishers Weekly
Altamont: The Rolling Stones, the Hells Angels, and the Inside Story of Rock's Darkest Day
Boy, did I live in a bubble—or something. I had no idea the extent of bruising under the melting rainbow. Selvin is revealing our tricky gestation in the weird womb of sixties rock. Frightening.
—Grace Slick, member of Jefferson Airplane
An account that moves at movie pace, Selvin cuts through woolly cop-out rhetoric, offering clarity and detail . . . Altamont was a tragedy in the classical sense—a disaster born of hubris and folly—and Selvin nails every last shred of both.
—Mojo Magazine
An incisive account of the most infamous concert debacle in rock history. . . . This book provides context and perspective, showing the sea change in rock that was taking place as the Rolling Stones attempted to reassert themselves amid the increasing dominance of San Francisco psychedelia and the spirit of Woodstock. . . . Compelling.
—Kirkus Reviews (Starred Review)
Selvin's presentation of Altamont busts the myth of innocence lost; in fact, Altamont just made the reality harder to ignore.
—Publishers Weekly
Here Comes the Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues
Selvin's tale . . . rights a historical injustice, shining a light on an overshadowed great man and deepening our understanding of a history we continue to dance to.
—New York Times
Selvin makes the case that borderline-shady characters like Berns have always cast a big shadow over pop.
—Rolling Stone
Again and again, Selvin brings forgotten recording sessions that any other chronicler would have ignored to such stirring life that they validate not only the story he has to tell but the worth of Berns's own life. . . . Selvin lets you feel the contingency of the moment, how everything that happened—this inflection, that hesitation—could have turned out completely differently, and led to nothing.
—Greil Marcus, Believer
Berns is simply a hook for a larger history of the business of rhythm and blues in the 1960s. Here Comes the Night paints this milieu—unscrupulous businessmen shilling teenybopper hits.
—Los Angeles Review of Books
Here Comes the Night makes a strong case for Berns as the consummate record man, not just another white guy trolling the world of NYC independent R&B looking for a buck but a passionate believer in music. . . . Selvin takes a labyrinthine tale involving hundreds of characters and tames it. . . . It's as classic a '60s music story as any. And Selvin tells it with period-appropriate style.
—Mojo, Four-Star Review
Joel Selvin's new book makes a claim to greatness. In the world of glaringly and exhaustively over-examined star bios, the San Francisco–based journalist not only exhumes a lost soul in the pantheon of '60s pop and soul (along with capturing rock 'n' roll's burgeoning eruption), he also creates as engaged and energetic a narrative as any so-called serious writing can contain.
—Paste Magazine
A compelling biography of a man who wrote and produced records in a fever. It's also an unvarnished account of the often-sordid world of East Coast music publishers, tunesmiths, record hustlers, label executives, gamblers, studio engineers, rack-jobbers, dee jays, and leg breakers.
—DownBeat Magazine
A vivid, character-filled picture of the wild west atmosphere of the New York music biz, often branching out into narrative detours that are consistently entertaining and enlightening.
—Austin Chronicle
Selvin chronicles in delicious detail the golden era of the early 1960s rhythm and blues music scene and the turbulent, hard-knuckle world of record-making behind the glitzy, gold foil facade of rock and roll success and glamor.
—Cleveland Plain Dealer
Joel Selvin has written a book whose prose is so alive, it begs to be read out loud.
—Goldmine Magazine
A thrilling story of a little-known songwriter and record producer of some of the greatest rhythm and blues hits. Longtime San Francisco Chronicle music critic Selvin digs with gusto into the tasty history of New York City's hit-making songwriters, artists, and record magnates of the great R&B era of the early 1960s. . . . Selvin's prose, muscular and Runyon-esque and never taking itself too seriously, moves the narrative along from its upbeat start to its sordid denouement at the edges of New York's gangland. A fascinating time capsule of a freewheeling era in American music.
—Kirkus Reviews
Summer of Love: The Inside Story of LSD, Rock & Roll, Free Love and High Times in the Wild West
Selvin spins out stories like an acid-age papa unraveling counterculture legends around the old electronic campfire. Warm, human, knowing and funny, this is no flashback—it's a trip.
—Dave Marsh, Rolling Stone
[A] defining rock-culture book. If you want to know what it was really like to live in the Sixties, this is the one to read.
—Stephen King
If you want to know how the San Francisco music scene developed, Joel tells you.
—Jerry Garcia
