Emotions in Medieval Arthurian Literature: Body, Mind, Voice
By Frank Brandsma (Editor), Carolyne Larrington (Editor), Corinne Saunders (Editor), Anatole Pierre Fuksas (Contribution by), Andrew Lynch (Contribution by), Anne Baden-Daintree (Contribution by), Carolyne Larrington (Contribution by), Corinne Saunders (Contribution by), Frank Brandsma (Contribution by), Helen Cooper (Contribution by), Jane Gilbert (Contribution by), Raluca L Radulescu (Contribution by), Sif Rikhardsdottir (Contribution by)
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By Frank Brandsma (Editor), Carolyne Larrington (Editor), Corinne Saunders (Editor), Anatole Pierre Fuksas (Contribution by), Andrew Lynch (Contribution by), Anne Baden-Daintree (Contribution by), Carolyne Larrington (Contribution by), Corinne Saunders (Contribution by), Frank Brandsma (Contribution by), Helen Cooper (Contribution by), Jane Gilbert (Contribution by), Raluca L Radulescu (Contribution by), Sif Rikhardsdottir (Contribution by)
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Analysis of how emotion is pictured in Arthurian legend.
Literary texts complicate our understanding of medieval emotions; they not only represent characters experiencing emotion and reaction emotionally to the behaviour of others within the text, but also evoke and play upon emotion inthe audiences which heard these texts performed or read. The presentation and depiction of emotion in the single most prominent and influential story matter of the Middle Ages, the Arthurian legend, is the sub...
Literary texts complicate our understanding of medieval emotions; they not only represent characters experiencing emotion and reaction emotionally to the behaviour of others within the text, but also evoke and play upon emotion inthe audiences which heard these texts performed or read. The presentation and depiction of emotion in the single most prominent and influential story matter of the Middle Ages, the Arthurian legend, is the sub...






















