EMPTY STAGES, CROWDED FLATS. PERFORMATIVITY AS CURATORIAL STRATEGY.: Performing Urgencies 4
By Joanna Warsza (Editor), Florian Malzacher (Editor), Frédérique Aït-Touati (Text by), Knut Ove Arntzen (Text by), Nedjma Hadj Benchelabi (Text by), Claire Bishop (Text by), Beatrice von Bismarck (Text by), Rui Catalão (Text by), Vanessa Desclaux (Text by), Tim Etchells (Text by), Karin Harrasser (Text by), Shannon Jackson (Text by), Ana Janevski (Text by), Lina Majdalanie (Text by), Ewa Majewska (Text by), Florian Malzacher (Text by), Maayan Sheleff (Text by), Gerald Siegmund (Text by), Claire Tancons (Text by), Kasia Tórz (Text by), Rachida Triki (Text by), Jelena Vesic (Text by), Joanna Warsza (Text by), Catherine Wood (Text by)
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By Joanna Warsza (Editor), Florian Malzacher (Editor), Frédérique Aït-Touati (Text by), Knut Ove Arntzen (Text by), Nedjma Hadj Benchelabi (Text by), Claire Bishop (Text by), Beatrice von Bismarck (Text by), Rui Catalão (Text by), Vanessa Desclaux (Text by), Tim Etchells (Text by), Karin Harrasser (Text by), Shannon Jackson (Text by), Ana Janevski (Text by), Lina Majdalanie (Text by), Ewa Majewska (Text by), Florian Malzacher (Text by), Maayan Sheleff (Text by), Gerald Siegmund (Text by), Claire Tancons (Text by), Kasia Tórz (Text by), Rachida Triki (Text by), Jelena Vesic (Text by), Joanna Warsza (Text by), Catherine Wood (Text by)
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During its impressive career over the last decades the term 'performative' has been attributed with many parallel meanings in the humanities, philosophy, arts, or economics. Empty Stages, Crowded Flats additionally applies the notion of the performative to the context of curating with the aim to unfold a potential that so far has been mostly unused. The book is following J. L. Austin, Judith Butler, and others in their belief in the performative capacity to transform reality with words and ...























