Fables

by Aesop, Arthur Rackham (Illustrator)

Overview

Aesop's celebrated collection of fables has always been popular with both adults and children. These simple tales embody truths so powerful, the titles of the individual fables - the fox and the grapes, the dog in the manger, the wolf in sheep's clothing and many others - have entered the languages and idioms of most European tongues.

This edition is beautifully illustrated in black and white by the great Arthur Rackham, and has an introduction by G.K. Chesterton.

Product Details

ISBN-13:	9781853261282
Publisher:	Wordsworth Editions, Limited
Publication date:	01/28/1994
Series:	Children's Classics
Edition description:	Revised ed.
Pages:	199
Product dimensions:	5.00(w) x 7.73(h) x 0.47(d)
Lexile:	1090L (what's this?)
Age Range:	7 - 10 Years

Editorial Reviews

In her first book, German artist Drr uses pencil and charcoal to illustrate a particularly imaginative selection of 17 classic fables. Although many entries are familiar, Thuswaldner makes room for more unusual choices. In "A Dress for the Moon,'' for example, the moon's mother complains of the moon's ever-changing size, which makes her "the despair of the very best of dressmakers!'' The retellings are graceful and, true to Aesop, do not tack on any aphoristic morals. With its sophisticated design, however, the volume lacks child appeal. Sketchy and airy, the art is more conceptual than purely narrative; the duotone presentation may obscure the visual transitions between many of the spreads. Color remains the province of the type, printed in a distractingly bright, tomato red that seems almost to vibrate against the stark white paper. All ages.

Publishers Weekly - Publisher's Weekly

A volume that is imbued with a decidedly European sensibility. The 17 selections range from the familiar "The Town Mouse and the Country Mouse" 'to those that rarely find their way into American anthologies, e.g., "The Empty Head'' and "A Dress for the Moon.'' The fables are retold in a matter-of-fact style and are illustrated with large-scale pencil drawings. Drr is adept at depicting animals' forms, but her humans are slightly awkward. Also, in spite of some endearing scenese.g., a full-front closeup of the tortoise heading over the finish lineall of the characters remain objectified and distant. Perhaps the most disturbing quality of the art is that there is no moisture, sparkle, or sign of life within the creatures' eyes. With so many Aesop collections available, the need for this one is limited.

School Library Journal