First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
|Publisher:||Taylor & Francis|
|Edition description:||New Edition|
|Product dimensions:||6.25(w) x 9.25(h) x 0.46(d)|
About the Author
Lynda Hart is the author of Sam Shepard's Metaphorical Stages (Greenwood), Making a Spectacle: Feminist Essays on Contemporary Women's Theatre (Michigan). She is co-editor, with Peggy Phelan, of Acting Out: Feminist Performances (Michigan).
Table of ContentsPreface
1 Introduction: The Paradox of Prohibition
2 The Victorian Villainess and the Patriarchal Unconscious
3 Enter the Invert: Frank Wedekind's Lulu Plays
4 Chloe Liked Olivia: Death, Desire, and Detection in the Female Buddy Film
5 Reconsidering Homophobia: Karen Finley's Indiscretions
6 Race and Reproduction: Single White Female
7 Why The[word is lined out] Woman Did It: Basic Instinct and its Vicissitudes
8 Surpassing the Word: Aileen Wuornos
9 Afterword: Zero Degree Deviancy - Lesbians Who Kill