Feng Xiaogang's New Year Films: Industry, Regulation, Humour and Authorship

This book offers not only an in-depth study of Feng Xiaogang as a cinematic auteur but also a comprehensive and informative discussion of the industrial transformation of mainstream Chinese cinema under party-state regulation from the 1990s to the 2010s. It argues that Feng is not simply a commercially and artistically successful auteur but also a strategist who manages to achieve such success by his ability to negotiate governmental and market expectations. The negotiation facilitates his ...