"Evans always incorporates detailed research that adds depth and authenticity to her mysteries, and she beautifully conjures up the Micco County, FL, setting. This is a series that deserves more attention than it garners." —Library Journal STARRED review
Faye Longchamp is once again at Joyeuse, the family plantation in Florida she labors so lovingly to restore. She's happily doing archaeological work on a site once owned by her family. But her joy abruptly ends when thieves break into the home of her friend and mentor Douglass Everett and kill him, inexplicably ignoring his impressive display of artifacts and valuable art work. All that's missing are Faye's field notes.
Among the items the thieves left behind is the magnificent emerald that Faye had just unearthed and brought to Douglass that fateful evening. Why? Then another murder quickly furnishes a clue that only Faye is likely to interpret. It launches her on a treasure hunt connected to Marie Antoinette and to the history of the Confederacy.
The killers have shown they will stop at nothing to get the information in Faye's notes. It's only a matter of time before they come for Faye.
About the Author
Mary Anna Evans is the author of the Faye Longchamp archaeological mysteries, which have received recognition including the Benjamin Franklin Award, the Mississippi Author Award, and three Florida Book Awards bronze medals. She is an assistant professor at the University of Oklahoma, where she teaches fiction and nonfiction writing.
Check out her website, enewsletter, facebook author page, and twitter.
Winner of the 2018 Sisters in Crime (SinC) Academic Research Grant
Mary Anna Evans is the author of the Faye Longchamp archaeological mysteries, which have received recognition including the Benjamin Franklin Award, the Mississippi Author Award, and three Florida Book Awards bronze medals. She is an assistant professor at the University of Oklahoma, where she teaches fiction and nonfiction writing. Winner of the 2018 Sisters in Crime (SinC) Academic Research Grant
Read an Excerpt
A good day at work typically left Faye Longchamp covered in sweat, rain, dust, dirt, or mud, depending on weather conditions. A more tedious day at work found her sitting in climate-controlled space, clean and comfortable, surrounded by very dirty things. This, unfortunately, had been one of those tedious days.
Faye knew that real archaeology was only just beginning when she hauled an artifact out of the ground. If that artifact wasn't cleaned and measured and expertly described, then digging it up had been a waste of time. When Faye was in the right frame of mind, she enjoyed this painstaking work. Today, however, the early evening air outside was light and balmy, as April air in Florida tended to be.
Faye was having trouble staying indoors. Not that she could see or feel that April air, because she was sitting in a basement, a rare activity in a part of the world where the groundwater is often so shallow that a toddler can strike water with a plastic shovel. Careful planning and a great deal of money had gone into the design of this house, sunk into a low bluff overlooking the cerulean Gulf of Mexico. There aren't so many bluffs — low or otherwise — in Florida, so a great deal of money had gone into acquiring the land, too. Fortunately, her boss had cash to burn.
The tiny windows in Faye's basement laboratory were well above eye-level, but the room's atmosphere stopped short of being depressing. Its walls were a bright cheery yellow and the stainless steel sink gleamed, because Faye's boss cut no corners on her work space. Thinking of Douglass as her boss always made Faye smile. The word "boss" didn't begin to cover what Douglass Everett was to her. Friend, role model, father figure — those words came closer, but language fails in matters of the heart.
Douglass was mightily proud of Faye's accomplishments. He had sat up so many nights reading the papers she wrote for her graduate archaeology classes that she was seriously thinking about seeking independent study credit for him. Though he had risen from the humblest beginnings to his present status as the richest man in Micco County, Douglass never stopped thinking of himself as the son of a poor black sharecropper. Earning an honors diploma from a white high school in 1964 had been proof enough of his intellect and determination but, oh, how proud he would be to earn a college degree.
Faye decided, without consulting him, that a university education would be the perfect retirement project for her friend Douglass.
She hit the intercom button. "You busy?"
"Just correcting the grammar on your lithics paper."
"Leave my grammar alone. It's fine just the way it is. But I'm really lonely down here in this yellow cave."
The intercom didn't answer her, but she could hear leather-soled shoes thumping down the basement stairs. Those footsteps were heavier than they'd been just a year ago. It hurt Faye to think her friend was getting old. Instead of dwelling on that, she launched her persuasive speech as soon as she saw his face.
"It's time for you to go back to school."
The man's salt-and-pepper eyebrows headed for his hairline. "The museum needs my attention."
She noticed that he didn't say that he didn't want to go to school.
"You're the kind of man who needs a whole slew of projects to keep himself occupied. If you try to do just one thing, you'll dry up and get old. You need to keep busy."
"I'm retired. In case you haven't noticed."
"The museum will survive. You've got good employees. I'll make sure they get the tickets taken. Everything will be fine." Douglass' Museum of American Slavery was hardly more than a rich man's hobby, funded by the considerable fortune he had earned with his construction company. Still, he spared no expense in making sure the exhibits accurately told the story of enslaved people in North America, starting shortly after European contact and ending with the Emancipation Proclamation. Faye just wished more visitors walked through the museum's doors. She'd been working on getting the place some publicity, though, so the museum was no reason for Douglass to pass up the chance to go to school.
Faye knew her friend would cut a wide swathe through campus in the same way he'd conquered every other obstacle that life had thrown him. "I can't wait to see you in class. You'll be busting bell curves and making undergrads cry. Really, you're paying me more than enough to take care of things while you do something for yourself."
He didn't say no.
It was so good to spend time with Douglass again. It was even better just to be at home. Faye was overjoyed to be back in her beloved gulf islands for a semester. She had procured funding to work on a tiny islet deep in the Last Isles, excavating the remains of the Turkey Foot Hotel, which had been owned by her family prior to the hotel's destruction in an 1856 hurricane. The hotel site was a short boat ride from her home on Joyeuse Island, so this home-based project gave her the chance to personally manage the ongoing restoration of her cherished two-hundred-year-old house, also known as Joyeuse. And in her spare time, she pointed her skiff toward shore and tied it to Douglass' beautiful new dock, so that she could sit in this lab and catalog treasures. Since Faye thrived on work, she had never been happier.
* * *
Faye's squawk distracted Douglass from the paper in his hand.
"You hurt?" he asked.
"Nope. But would you take a look at this?"
While pulling a particularly filthy find from its cleaning solution, she had noticed specks of a color that was not dirt-brown. It was green, her favorite color. It was the color of the live oaks that overhung her home. It was the color of the Gulf of Mexico in early morning.
She swished the object around, anxious to remove the encrusted soil without scratching its surface. Flabbergasted, she watched as an emerald's crystalline facets emerged. She held it in her fingers and its grassy color contrasted with the warm brown of her skin.
The stone was huge, as emeralds go. For some reason, the pure green light reflecting off its surface made her think of the fruit that grew, uncultivated, all over Joyeuse Island. It was the size and shape of a scuppernong grape or a wild plum. Faye, who had never before craved jewelry, felt an unreasoning need to possess this luminous thing.
Because the urge to keep it to herself was so strong, she handed it to Douglass, while she still could. The light in his brown eyes said that he, too, was drawn to its beauty.
He held it up. Light shattered on its surface, flinging green sparks around the room.
"I'll give you credit for this much, Faye. When you go treasure hunting, you don't mess around."
* * *
Faye's work day had effectively ended when she cleaned the dirt off a priceless emerald. Since then, she and Douglass had accomplished exactly nothing. Not unless you counted fruitless speculation about what a treasure like that was doing underground on Joyeuse Island, in Faye's own back yard.
"It's not too hard to guess who wore it," Faye pointed out. "My family only had money for one generation before the Civil War wiped them out. I'm talking about the European branch of the family tree. The African branch never had any money at all. The shape and ornate gold setting — what's left of the setting — suggest that it would have been the pendant in a grand necklace."
Douglass squinted at the stone's setting, as if he wondered how it was made. "It certainly doesn't look like something a man would have worn."
"In my family's one wealthy generation, there were only two free women on the island: my great-great-great-grandmother Mariah Whitehall and her daughter-in-law, Carole LaFourche. Since I think we can presume that none of the slave women ever wore this thing, it had to be one of them."
"Then I guess it's yours."
"I feel like it belongs in a museum. Fortunately, you've got one handy."
Douglass rolled the bauble around on his palm. "Before you give your treasure away, why don't you sleep on the idea?"
"I couldn't sleep with something that valuable in my house. And I hate to leave it here for you to worry about."
Douglass inclined his head toward a walk-in safe. "I got that thing so I wouldn't have to worry about my stuff. Leave it here until you decide what to do."
* * *
As Faye gathered her things to go home, she reflected that the reporter had come a week too soon. Six months of nagging phone calls from Faye had finally persuaded the features editor of the Tallahassee newspaper to do an article on Douglass' museum. She was afraid the man had been disappointed by its lack of flashy displays.
The sexiest artifact Faye had been able to show him was an engraved silver hip flask. The reporter had photographed Douglass holding the flask, knowing that it would be interesting to his readers because it was marked with a real person's name — an old-fashioned name, Jedediah Bachelder — because it was made from a precious metal, and because it had once held liquor.
Faye had tried to call his attention to other more significant artifacts — a broken hoe left behind by a long-ago field hand or a shattered pot of African design — but he'd had a magpie's eye for shiny stuff. Only the silver hip flask held his interest. After snapping its photograph, he'd gone on his merry way. This emerald would have impressed him a heckuva lot more.
"How old do you think this thing is?" Douglass was still fondling the emerald.
"Judging from the old-fashioned cut, I'd say it's at least a couple hundred years old. The setting's broken, but it looks about the same age. Mariah and Carole weren't around that long ago, but that doesn't mean they never wore this emerald. It just means that it wasn't new when they bought it. Or maybe Carole inherited it. I don't know anything about Carole's family, but it's for certain sure that Mariah's father never bought her a priceless emerald."
Faye bent down to rifle through a box full of her field notebooks, then another. Victorious, she pulled out the one documenting the find, saying, "I need to refresh my memory on where I found this baby. Maybe it has brothers."
"Maybe they're already here," Douglass says, gesturing at all the artifacts yet to be cleaned.
"That may be," Faye says, "but you keep your hands off. If you want your museum to be taken seriously, we have to do things right."
* * *
Douglass rolled the emerald around on his palm. He was still laughing, an hour after she left, at the bossy angle of Faye's head as she told him to keep his hands off her precious artifacts. He knew better than to try his luck at amateur archaeology. He had learned long ago that it was worth the money to hire smart, competent people. That was why he kept Faye around.
Well, he also kept her around because she fussed over him like the daughter he and Emma had never had. And every now and then, she let him fuss over her, although she remained remarkably resistant to letting him give her things. She continued to let him pay her a nice little salary, but only because she knew she earned it.
Sometimes, he fancied that she looked like the daughter he and his wife should have had. She wore her hair cropped short like Emma, but her glossy and straight black locks looked nothing like his wife's soft, tight curls. Faye's determined jawline reminded him of his own, but he suspected that it was due less to genetics than to sheer, stubborn cussedness. And he and Faye both had cussedness to spare.
He felt in his pocket for the cigar that he was saving for this moment, when neither Faye nor Emma was around to fuss at him for tainting his lungs. Retirement gave a man so few opportunities to do things that met with his womenfolk's disapproval.
A noise at the top of the stairs told him that Emma had finally come home from her regular Saturday-night bridge party. There would be no cigar tonight.
"I'm down here!" he called out, holding the emerald up to the light and knowing how much his wife would appreciate this rarity that Faye had dug up. Maybe Emma would like some emeralds. He'd never bought her any, not that he could remember.
The footsteps on the stairs were loud and hurried, which wasn't like Emma. Maybe if she'd been the kind of woman who drank while she was playing bridge, her step might not be as light and ladylike as it always was. He rose from his chair. "Emma? Are you okay?"
Another set of footsteps and a deep voice told him that he and Emma had an uninvited guest. "Shit. There's somebody down there. I thought you saw two cars leave. Shit." Clattering footfalls echoed down the staircase.
This was a most inopportune time to be balancing a fortune on his palm.
At least two sets of footsteps rushed down the basement steps toward him. The building inspector had approved the room's small, high windows as "emergency escapes," but Douglass knew he could never haul himself out before the intruders arrived. Nor could he leave Emma to a stranger's mercy. For the first time, he wondered if she were even home. He prayed she was still trumping her partner's aces. He'd presumed the first footsteps were hers, but he'd never heard her speak. All he knew was that here were at least two intruders closing in on him. There could be more.
His fist closed over the emerald. He needed to hide it, but the safe mocked him from across the room. It might as well be a million miles away.
With an odd pang of relief, he watched two men, and only two men, clad in dark clothing barrel into the room. Emma wasn't here. Knowing she was safe gave him the strength to face this danger alone.CHAPTER 2
Faye piloted her skiff over the dark waters of the Gulf of Mexico, enjoying this late-night ride home. The silhouette of her beloved island blotted out a sweep of stars near the horizon, and its dark looming shape left her perfectly happy.
Her entire self was bound up in that island. Her African-American ancestors had been slaves there. They had built the glorious mansion for their masters ... who were also her ancestors. And before that the island had been held by a succession of Native American tribes. Her romantic imagination insisted that the Creek were among the indigenous peoples who had lived on Joyeuse Island. Since her great-great-great-great-grandmother was half-Creek, imagining them on her island just enhanced her sense of ownership. And since her best friend Joe was mostly Creek, it gave them both a blood connection to their island home, and to each other.
When her cell phone rang, she was almost nostalgic for the days when she couldn't afford one.
Emma's voice was quiet and terrible. Faye cut the motor so she could hear her better.
"Douglass is in the hospital. He's in critical condition. He —"
Knowing full well that she shouldn't interrupt a woman with a voice so full of devastation, Faye couldn't help herself. "What happened? I just left him. He had a heart attack, didn't he? Or a stroke." Faye remembered his heavy tread on the staircase. She should have stayed with him until Emma got home.
"Faye?" Emma's voice interrupted her dark thoughts. "Did you hear me, Faye? This was no heart attack. Somebody beat him, somebody that wanted him dead. From the look of him, I think they thought he was dead when they left him lying there. I surely didn't expect to find him still breathing when I saw what they'd done."
"But who? Who would want to hurt Douglass?"
"I don't know if they came intending to hurt him. Maybe they just wanted his ... our ... things."
Emma said the word "things" as if she wanted to run through her luxurious new beach house and throw all its beautiful furnishings — antiques, artwork, and all — into the waves.
"I knew right away that something was wrong," Emma raved on, "just as soon as I got home. Somebody had kicked the glass right out of the front door and left it wide open. When I saw that, I started looking for Douglass. The light over the basement stairs was the only one burning in the whole house, so I went down there first. Everything was dumped on the floor, all your artifacts and your file folders and everything, and Douglass was lying bloody in the middle of the mess. Oh, Faye ..."
"I'm coming," Faye said, though she didn't move to start the skiff 's motor, not yet. She needed to be able to hear everything her tortured friend had to say. "I'm just so glad that whoever did this was gone when you got there."(Continues…)
Excerpted from "Findings"
Copyright © 2008 Mary Anna Evans.
Excerpted by permission of Poisoned Pen Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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