What if the dead could be summoned from their graves—for a price? What if a quartet of distinctive storytellers took a stab at this deceptively simple idea—on a dare? The answers lie here, in Four Summoner’s Tales, as these acclaimed writers accept the challenge and rise to the occasion—in four brilliantly chilling ways. It’s all in the execution. . .
“SUFFER THE CHILDREN” BY KELLEY ARMSTRONG, #1 New York Times bestselling author
A preacher and his adopted daughter must solve the mystery of the newcomers to their isolated 19th century village—men who are preying on residents' overwhelming grief with promises to bring the stricken back to life.
“PIPERS” BY CHRISTOPHER GOLDEN, New York Times bestselling author
Twenty-three people have already lost their lives to the ruthless cartel terrorizing their small Texas border town. But one man has a plan for revenge, if the town’s survivors will let him use their loved ones—to raise an army of the undead.
“A BAD SEASON FOR NECROMANCY” BY DAVID LISS, National bestselling author
In merry old England, a rascally con man stumbles upon a book for raising the dead. But instead of using it to make money by reviving relatives for the rich, he'll do just the opposite. Because some family skeletons need to stay buried.
“ALIVE DAY” BY JONATHAN MABERRY, New York Times bestselling author
In war-torn Afghanistan, a U.S. military operative and his team face off against an ancient horror during a harrowing off-the-books search-and-rescue mission.
|Sold by:||SIMON & SCHUSTER|
|File size:||3 MB|
About the Author
David Liss is a proud science fiction geek. When not acting like a total fanboy, he’s generally working on his books, stories, and comics. Liss has written eight bestselling novels for adults, most recently The Day of Atonement, and is the author of numerous comics, including Mystery Men, Sherlock Holmes: Moriarty Lives, and Angelica Tomorrow. He lives in San Antonio, Texas.
Christopher Golden is the New York Times bestselling author of novels for adults and younger readers. In addition to the Magic Zero quartet, his YA fiction includes Poison Ink and both the Prowlers series and the Body of Evidence series of teen thrillers, several of which have appeared on the YALSA Best Books for Young Readers list. His current work-in-progress is Cemetery Girl, a graphic novel trilogy collaboration with Charlaine Harris. He has cowritten three illustrated novels with Mike Mignola, the first of which, Baltimore, or The Steadfast Tin Soldier and the Vampire, was the launching pad for the Eisner-nominated, New York Times bestselling comic book series Baltimore. As an editor, he has worked on the short story anthologies The New Dead, The Monster’s Corner, and 21st Century Dead, among others, and has also written and cowritten video games, screenplays, and a network television pilot. His original novels have been published in more than fourteen languages in countries around the world.
Jonathan Maberry is a New York Times bestselling author, five-time Bram Stoker Award winner, and comic book writer. He writes in multiple genres including suspense, thriller, horror, science fiction, fantasy, and adventure; and he writes for adults, teens, and middle grade. His works include the Joe Ledger thrillers, Glimpse, the Rot & Ruin series, the Dead of Night series, The Wolfman, X-Files Origins: Devil’s Advocate, Mars One, and many others. Several of his works are in development for film and TV, including V-Wars, which will be a Netflix original series. He is the editor of high-profile anthologies including The X-Files, Aliens: Bug Hunt, Out of Tune, Hardboiled Horror, Baker Street Irregulars, Nights of the Living Dead, and others. He lives in Del Mar, California. Visit him at JonathanMaberry.com and on Twitter (@JonathanMaberry) and Facebook.
Read an Excerpt
Four Summoner’s Tales ADDIE
Addie slid through the forest as silent as a lynx, her beaded moccasins muffling her footfalls. The young stag wasn’t as quiet. When it vanished from sight, she could track it by the crackle of autumn leaves under its hooves. Finally, it stopped to feed and she closed the gap between them until she could see it, small antlers lowered as it tugged at a patch of grass not yet brown and withered.
Addie eased the bow from her back, notched an arrow, and took aim. The buck’s head jerked up. She loosed the arrow, but it was too late—the buck was in flight. Addie fired a second but too quickly, spurred by frustration and anger, the arrow lodging in a nearby maple.
When the crash of the fleeing deer subsided, she peered around the dawn-lit forest. Something had startled the beast and it hadn’t been her. She would never have been so careless.
Addie pulled her coat tighter against the chill. The jacket was too small for her now—she’d grown nearly a half foot in the past year—but she refused to let Preacher and Sophia buy one from the traders. She wanted to make one exactly the same way, doing everything from killing the deer and mink to curing the leather to sewing the cloth. There was not another twelve-year-old in Chestnut Hill who could claim the same. Not a girl of any age. Her parents may not have given her much, but they’d taught her to look after herself.
They’d also taught her—unintentionally—how to sense danger. So now, after the buck had bolted, she went still and listened. She paid particular attention to noises from the north, upwind of the deer, presuming it was a scent that had startled it. After a few moments, she heard the tramp of boots on a well-packed path.
Addie eased her bow onto her shoulder and pulled her skinning knife from its sheath. Then she slunk soundlessly through the woods. She knew exactly where to go—there was only one trodden path in the area, used by the villagers to get to the lake. When she was near enough to see figures, she crouched behind a low bush.
It was two men. One middle-aged, perhaps thirty, the other so ancient that even with a cane and the younger man’s arm, he shuffled along. Neither was from the village. A hundred people lived in Chestnut Hill and Addie knew every one. The only travelers they saw were trappers and traders, and precious few of either so deep in the forest, three days’ ride from Toronto. These men were neither traders nor trappers. Settlers, then? Lured north by the promise of land or work on the railroad or in the mines? Settlers needed supplies, though, and these men carried only packs on their backs. No wagon. No cart. Not even horses.
And where had they come from? The road lay on the other side. The men headed toward town on a path that only led from the lake. Trappers did come through the forest, but she saw no sign of such gear on these men. They hadn’t come across the lake—it was too small, with no settlements nearby save Chestnut Hill.
Addie slipped through the forest to get a closer look. Both men had short hair and neatly trimmed beards. Though they wore long coats, she could see their clothing underneath. White shirts and black trousers. They looked as if they were heading to church.
Missionaries. That’s what they had to be. Perhaps they’d been traveling on foot from Greenville, ten miles away, and gotten lost in the forest, taking the first well-trodden path they saw. It didn’t matter where they had come from, only that they were heading to Chestnut Hill.
How would Preacher feel about other men of faith in his town? She ought to warn him. With any luck, they’d just be passing through. Chestnut Hill might not even allow them to stay, given that it still reeled from the tragedy that had Addie out in the woods, avoiding the glowers and glares of villagers, blaming her for the simple fact that she lived. That she’d survived.
She was about to start back when the younger man looked straight at her. She froze, telling herself she was mistaken; there was no way he could have heard her, no way he could see her now, dressed in brown behind the dying leaves of a cranberry bush. But he didn’t simply glance her way. His eyes bore straight into hers, and when they did, she swore her heart stopped.
“You there,” he called. “Girl.”
How could he tell she was a girl? She was dressed as a boy, in trousers, her dark hair pulled back.
“Girl,” he called again. “We’re heading to Chestnut Hill. Is this the way?”
Her parents had taught her to look after herself because no one else would do it for her. She knew now they’d been wrong—and so she did try to be kind, to be helpful as Preacher and Sophia counseled. Yet even as she spurred herself to step from behind the bush and lead this man to Chestnut Hill, she looked into his eyes and she could not move, could not speak.
The man released his grip on his elder’s arm and started toward her.
“We’re here to help, child,” he said, his voice low and soothing, like Preacher coaxing Sophia’s cat from under the porch. “We know what Chestnut Hill has suffered and we wish to—”
Addie bolted from her hiding place, running back toward the village like she had a black bear on her tail.
Most Helpful Customer Reviews
Four Summoner's Tales. I received a free copy of this book from Net Galley in exchange for a review - it was Armstrong and Maberry that tempted me into requesting this book so I was surprised when I had trouble getting into Maberry's story, Alive Day, which is based on a series featuring his character Captain Joe Ledger. I've stumbled across a few of Maberry's short stories and have enjoyed them; I was excited for the opportunity to be introduced to this series, which turned out to be very militaristic - a paranormal government/spy thriller. The story was well-written but it's not my usual cup of tea. I expected to like Kelley Armstrong's story because I'm a fan of her paranormal/urban romances. Suffer the Children was my favorite story in this collection, simply because it was much darker than she usually writes. I enjoyed seeing her break the usual mold - she did morbid very well. David Liss's story, A Bad Season for Necromancy, is my second favorite story. I loved the narration and will be checking out more of Liss' work. Christopher Golden's story, Pipers, threw zombies into the world of drug cartel, which was a nice break from the traditional zombie themes we all know so well, but the ending was predictable. I enjoyed the motivation behind this book - that each author was given one premise that births four very different stories. I'd like to see more collections of this nature.