Frederick Wiseman
By Joshua Siegel (Editor), Joshua Siegel (Text by), Geoffrey O'Brien (Text by), William T. Vollmann (Text by), Marie-Christine de Navacelle (Editor), Marie-Christine de Navacelle (Text by), Frederick Wiseman, Frederick Wiseman (Text by), Andrew Delbanco (Text by), David Denby (Text by), Pierre Legendre (Text by), Errol Morris (Text by), Jay Neugeboren (Text by), Christopher Ricks (Text by), Catherine Samie (Text by)
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By Joshua Siegel (Editor), Joshua Siegel (Text by), Geoffrey O'Brien (Text by), William T. Vollmann (Text by), Marie-Christine de Navacelle (Editor), Marie-Christine de Navacelle (Text by), Frederick Wiseman, Frederick Wiseman (Text by), Andrew Delbanco (Text by), David Denby (Text by), Pierre Legendre (Text by), Errol Morris (Text by), Jay Neugeboren (Text by), Christopher Ricks (Text by), Catherine Samie (Text by)
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For over four decades, from his landmark Titicut Follies (1967) to his recent La Danse: The Paris Opera Ballet (2009) and forthcoming Boxing Gym (2010), Frederick Wiseman (born 1930) has used a lightweight 16mm camera and portable sound equipment to study human behavior in all its unpredictable manifestations, particularly as it responds to institutional or regimented settings or to democracy at work. Combining epic narrative with intimate portraiture, Wiseman's films constitute a grand pan...












