Fritz Lang's Metropolis : Cinematic Visions of Technology and Fear
By Michael Minden (Editor), Holger Bachmann (Editor), Alan Williams (Contribution by), Andreas Huyssen (Contribution by), Andrew J. Webber (Contribution by), Ben Morgan (Contribution by), Enno Patalas (Contribution by), Giorgio Bertellini (Contribution by), Holger Bachmann (Contribution by), Julia Dover (Contribution by), Ludmilla Jordanova (Contribution by), Michael Minden (Contribution by), R.L. Rutsky (Contribution by), Thomas Elsaesser (Contribution by)
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By Michael Minden (Editor), Holger Bachmann (Editor), Alan Williams (Contribution by), Andreas Huyssen (Contribution by), Andrew J. Webber (Contribution by), Ben Morgan (Contribution by), Enno Patalas (Contribution by), Giorgio Bertellini (Contribution by), Holger Bachmann (Contribution by), Julia Dover (Contribution by), Ludmilla Jordanova (Contribution by), Michael Minden (Contribution by), R.L. Rutsky (Contribution by), Thomas Elsaesser (Contribution by)
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A collection of essays early seminal works as well as freshinterpretations on the famous German expressionist film,Metropolis.
Fritz Lang's classic 1927 film Metropolis has justifiably become an icon for the complexities of Weimar culture. Among the important general issues it also raises are the relation between ideology and art, the status and authorship of the film text in the entertainment market, the city, the construction of gender, the relation between the human body and the machi...
Fritz Lang's classic 1927 film Metropolis has justifiably become an icon for the complexities of Weimar culture. Among the important general issues it also raises are the relation between ideology and art, the status and authorship of the film text in the entertainment market, the city, the construction of gender, the relation between the human body and the machi...























