From Text to Performance in the Elizabethan Theatre: Preparing the Play for the Stage

David Bradley sets out to discover how Elizabethan theatre companies prepared plays for performance: how playwrights understood the composition of the actor-companies they wrote for, how actors followed their directions for entrances and exits and what happened when plays were adapted for changes on personnel or for other companies. For his study, Bradley has evaluated documents which survived from the records of Stage Revisers (or Plotters as they were known). Bradley's evidence includes s...