Georges Braque's Post-Cubism Masterpieces: The Règis Krampf Collection
Krampf’s exclusive collection of Goerges Braque’s post-Cubist paintings reveals both Braque’s pioneering individuality and craftsmanship in the history of Modern Art. Or as the artist once said himself, ‘I do not do as I want, I do as I can.  Progress in art does not consist in expanding one’s limitations, but in knowing them better.’ 
Focusing on the artist’s transformative period between 1920 and 1960, which arguably produced his best work, this illustrative book explores Braque’s most overlooked post-Cubism art—where he transcends both his own limitations and that of his surroundings, showing readers and collectors alike the timeless and enduring impact of Braque’s work.

1144981221
Georges Braque's Post-Cubism Masterpieces: The Règis Krampf Collection
Krampf’s exclusive collection of Goerges Braque’s post-Cubist paintings reveals both Braque’s pioneering individuality and craftsmanship in the history of Modern Art. Or as the artist once said himself, ‘I do not do as I want, I do as I can.  Progress in art does not consist in expanding one’s limitations, but in knowing them better.’ 
Focusing on the artist’s transformative period between 1920 and 1960, which arguably produced his best work, this illustrative book explores Braque’s most overlooked post-Cubism art—where he transcends both his own limitations and that of his surroundings, showing readers and collectors alike the timeless and enduring impact of Braque’s work.

24.99 In Stock
Georges Braque's Post-Cubism Masterpieces: The Règis Krampf Collection

Georges Braque's Post-Cubism Masterpieces: The Règis Krampf Collection

by Régis Krampf
Georges Braque's Post-Cubism Masterpieces: The Règis Krampf Collection

Georges Braque's Post-Cubism Masterpieces: The Règis Krampf Collection

by Régis Krampf

Hardcover

$24.99 
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Overview

Krampf’s exclusive collection of Goerges Braque’s post-Cubist paintings reveals both Braque’s pioneering individuality and craftsmanship in the history of Modern Art. Or as the artist once said himself, ‘I do not do as I want, I do as I can.  Progress in art does not consist in expanding one’s limitations, but in knowing them better.’ 
Focusing on the artist’s transformative period between 1920 and 1960, which arguably produced his best work, this illustrative book explores Braque’s most overlooked post-Cubism art—where he transcends both his own limitations and that of his surroundings, showing readers and collectors alike the timeless and enduring impact of Braque’s work.


Product Details

ISBN-13: 9781839991301
Publisher: Anthem Press
Publication date: 11/05/2024
Pages: 150
Product dimensions: 10.20(w) x 8.72(h) x 0.80(d)

About the Author

Regis Krampf is an art dealer. He has had galleries in New York City and in Istanbul, Turkey. He is a specialist of Asian contemporary art, French impressionism and the art market in general. He has curated 100+ shows and participated in over 50+ art fairs. He resides in New York, USA.

Table of Contents

Régis Krampf Introduction; Georges Braque and Modernity, On Nature Morte à la Serviette (nappe blanche), Frédéric Montégu; Georges Braque, Nature Morte à la Serviette (nappe blanche), 1926; Georges Braque, Poire, Pomme et Couteau, 1924; Georges Braque, Nu Allongé, 1924; Georges Braque, Pomme et Banane, 1926; Georges Braque, Baigneuse (sur les galets), 1929; Georges Braque, Baigneuse II, 1930–1931; Georges Braque, Les Rougets, 1937; Georges Braque, Fruits et Pichet (raisins), 1941; Georges Braque, Compotier, Pain et Verre, 1941; Georges Braque, Le Plat de Fruits, 1941; Georges Braque, Les Capucins, 1941–1943; Georges Braque, Nature Morte aux Fruits et Fourchette, 1942; Georges Braque, Théière et Serviette, 1942; Georges Braque, Vase et Fruits, 1942; Georges Braque, Nature Morte à la Cuvette (fond jaune), 1944; Georges Braque, Assiette et Grappe de Raisin (assiette jaune), 1959; Georges Braque, Le Pichet Bleu, 1944; Georges Braque, Oiseau et Feuillage, 1956; Georges Braque, Pot et Langouste, 1960; Georges Braque, Les Roses, 1953; Georges Braque, Les Deux Poissons, 1949; Georges Braque, L’As de Trèfle, 1948; Georges Braque, Le Pichet Vert, 1943–1955; Georges Braque, Verre, Pommes et Fourchette, 1941; Georges Braque, Le Citron, 1934; Georges Braque, Nature Morte, 1932–1935; Georges Braque, La Barque, 1938; Georges Braque, Femme Nue, 1930; Georges Braque, I.O., 1954; Georges Braque, Le Char (conductrice III), 1934; Georges Braque, I.O. Conductrice II, 1934; Georges Braque, Verre et Compotier, 1931

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