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As a young man coming of age in Havana in the late 1950s, Oscar Cano was initially intrigued with Fidel Castro, Che Guevara, and the revolution. But along with the revolution came an economy in shambles, government suppression of all political dialogue, widespread poverty, and a lack of basic educational and job opportunities available to most Cubans.
Over time, Oscar became disillusioned with what he perceived as even more authoritarianism from Cuba's leadership under Fidel Castro and the ...























